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Reccomendsday: Trisha Ashley

There’s a Trisha Ashley book out tomorrow and as she’s one of my favourite authors, I thought I’d pull together a post of my writing about her.

The new book is a reissue of one of her early novels. I managed to borrow Happy Endings from the library back in the day, but others haven’t been so fortunate. It’s now called Written from the Heart and tells the story of Tina Devino, a not as successful as she’d like author and book doctor, and her somewhat tangled love life. The introduction tells me it’s been polished and tweaked here and there rather than rewritten. I’m midway through reading it and so far that seems like a fair description. But it has been a while since I read it.

The Trisha Ashley collection - next to the Laurie Graham collection

I’ve written a fair few Trisha posts over the years, but I think my favourite book of hers is still the first one I read, A Winter’s Tale, which combines several of my favourite things – a big old house in trouble, a heroine with A Past, a suave yet plausible rogue and a hidden hottie just waiting to be noticed. I’ve written recently about how much I miss so-called Chick Lit and this is the sort of book I mean: the heroine is feisty, the writing is funny, the characters are appealing and the fact that Sophie ends up with a bloke is a happy consequence: she’s already saved the house on her own.

In fact all of the books set around that little bit of Lancashire are like that. I don’t mean that they’re all saving stately homes, obviously, but they’re all heroines with a problem, who fix it themselves and get a relationship out of it as a bonus. Several of them intertwined as well with brief glimpses of previous characters as a little Easter egg for the faithful.  A lot of them were published before I started the blog – so I don’t have reviews to link you to on here – but A Winter’s Tale, Wedding Tiers, The Magic of Christmas and Chocolate Wishes are all set in and around the same patch.

More recently the novels have shifted slightly, with a little more tragedy in the backstory and a little bit more angst in the present. We’re not talking terminal cancer diagnoses for the heroines though – think more towards Lucy Dillon and less towards Katie Fforde. But they are still very readable and I enjoy them a lot and writing this post has made me notice how gradual that shift has been..  Anyway – to the links:

 

Every Woman for Herself

 

 

 

Every Woman for Herself – Another early Trisha re-released a few years back and the origin of the running Skint Old Northern Woman newsletter/Magazine that pops up through her novels.  Charlie is returning to her childhood home after a break up and discovers that an actor has moved into the neighbourhood.

 

 

 

 

 

Creature Comforts – A secret past and a dog rescue in trouble, Izzy is trying to restart her own life, help her beloved aunts and regenerate the village she’s returned to.  Set in Lancashire, this in a new village rather than the ones around Winter’s End.

 

 

A Christmas Cracker – probably not the season for this, but Trisha has always done a good line in festive novels. This one features a heroine who is just out of prison (but there are Reasons for that) and a christmas cracker business that needs saving.

 

 

 

 

 

 

 

Little Teashop of Lost and Found – Alice was abandoned on the moors as a baby – now she’s back, setting up a teashop near where she was found and looking for answers.

 

 

The House of Hopes and Dreams – Trisha’s most recent (new) novel. Carey’s longtime partner has died and his son has kicked her out of their home and their stained glass business.  So she goes to stay with an old friend who is recovering from a motorbike accident.  She sets up on her own and finds herself as well as a new start.

 

 

 

 

 

Happy Reading!

Book of the Week, memoirs, non-fiction

Book of the Week: Priestdaddy

Staying in non-fiction for this week’s BotW – but this time moving to a memoir.  You’ll have noticed Patricia Lockwood’s Priestdaddy on the WiB list for some considerable time – I actually started listening to it on audiobook, but it demands attention and with my long list of podcasts to listen to, I struggled to find time to make progress on it.  I discovered early on that I couldn’t listen to it while I was running because it made me laugh too much and put me at risk of tripping myself up.  So I got on the library hold list and waited for a copy to come in.  And when it finally did (this is a popular book people) I had much more success reading rather than listening to it.

Cover of Priestdaddy by Patricia Lockwood

Priestdaddy is Patricia Lockwood’s memory of her childhood, growing up moving around the Mid-West with an eccentric, doom-prophesying mother and her even more eccentric Catholic priest father.  Yes, you heard right.  Lockwood’s father underwent a religious conversion and felt called to ministry after he was already married with children, and then found a loop hole that meant the Roman Catholic church would receive him as a priest.  The book starts as Lockwood and her husband move back in with her parents after a medical procedure messes up their finances, and as she and her husband get used to living with the eccentric duo, she reminisces on the key moments of her childhood.

Lockwood’s father, Greg, is the biggest, flashiest character in this – he wears as few clothes as possible whenever he’s not on duty, he plays terrifyingly loud electric guitar and shouts along with action movies – but her mother manages steals the show for me a lot of the time.  She’s constantly expecting the worst to happen and seeing the worst, but managing everything, dealing with the madman that she married and loopy in her own way.  By the end of the book you feel like you understand her more than you do Greg.

This is funny and terrifying in equal measure.  It’s also beautifully written.  Lockwood is a poet and her words fairly sing on the page.  There are some weighty issues here – Lockwood is a lapsed catholic and looks back on her childhood – including an anti-abortion protest she was taken to – with a particular view on the world of 80s and 90s religious super-conservatism that she grew up in.  I really liked but I’d think hard about who I recommended it too – my sister, who loves reading about American Christianity in its many shades, yes; my mother, Church of England and formerly of the village’s church council and who went to a convent school probably not.

This was nominated for a whole bunch of prizes and found its way on to a lot of book of the year lists when it came out in 2017 and I’m not surprised.  As always I’m behind the curve with this – but I’m glad I caught up with it in the end.  And all this means that you should be able to get hold of a copy fairly easily.   As I said, I borrowed my copy from the library, but it’s out in paperback, Amazon has hardbacks at a reasonable price via third parties and you can get it in Kindle and Kobo.  And the audiobook I mentioned – is read by the author and is apparently exclusive to Audible.

Happy Reading!

books, stats, The pile, week in books

The Week in Books: January 29 – February 3

A really busy week away from the books, which means a slightly shorter list than usual – but I did finish one of the long runners, so that’s good.  And if you missed it over the weekend, check out my post about Roderick Alleyn – the latest in my Golden Age Detective posts – following Lord Peter Wimsey and Albert Campion.

Read:

Rivers of London: Detective Stories 3 by Ben Aaronovitch et al

A Deadly Habit by Simon Brett

The Go-Away Bird by Julia Donaldson and Catherine Rayner

Almost Perfect by Susan Mallery

Priestdaddy by Patricia Lockwood

Dumplin’ by Julie Murphy

The Life Changing Magic of Tidying by Marie Kondo

Started:

Finding Perfect by Susan Mallery

Still reading:

A Well-Behaved Woman by Theresa Anne Fowler

The Binding by Bridget Collins

One book pre-ordered, nothing bought.

Authors I love, detective, mystery, Series I love

Series I love: Roderick Alleyn

Now I’ve written about Albert Campion as well as Peter Wimsey, it would be remiss of me not to write about Ngaio Marsh’s brilliant creation, not least because I spend as much time re-reading or re-listening to the Roderick Alleyn mysteries and watching the BBC TV versions while I iron as I do revisiting Wimsey or watching Miss Marple.  And as I have now finished reading the series, having treated myself to the last omnibus in the January sales, this is an even better time to write about them!

Shelf of Ngaio Marsh omnibuses
Omnibus two is on loan to my dad. I think. I hope.

In some ways, Roderick Alleyn is another of the gentlemen detectives so popular in Golden Age detective fiction – he’s a well-educated younger son of a baronet, born in the 1890s and who served in the First World War – but with one major difference: Alleyn is actually a police officer.  At the start of the series, in A Man Lay Dead he’s a Detective Chief Inspector, by the end he is a Chief Superintendent.  A Man Lay Dead was published in 1934, the final novel came out in 1982 and the setting of the series moves with the time period – although Alleyn’s age… doesn’t really.  At the start of the series Alleyn is single, but later marries artist Agatha Troy, who he first met during the course of the case in the sixth book.  Troy, and later their son Ricky, pop up in several more cases, but by no means all of them -his regular companions are Inspector Fox and xxx Bailey.

Most of the books are set in and around London and the south of England, but there are several novels set in Marsh’s native New Zealand.  Marsh was passionate about the theatre and the arts and several of the novels are feature actors as well as the Unicorn Theatre in London and artists and artistic circles.  This means there’s a really nice variety of settings, and combined with the fact that Alleyn is a police detective, helps avoid the series seeming repetitive of like bodies are following Roderick around.  Alleyn is also a more peripheral figure in some of the novels than many of the other Golden Age detectives are.  In A Man Lay Dead, most of the story is mostly told from the perspective of Nigel Bathgate, friend of Alleyn and a guest at the party where a man has been really killed during a game of Murder, A Surfeit of Lampreys is seen through the eyes of Roberta Grey, visiting a family of penniless and eccentric aristocrats when their uncle is killed in a lift and there are more.

As I mentioned at the start, I’ve read all the books now, but I’ve watched the early 90s TV adaptation so many times that I’ve had to go back and do some actual re-reading of the novels as the TV versions are colouring my memories of the novels slightly.  There are eight TV Alleyns – and there are a few differences from the book.  The most obvious is probably that Troy is in almost all of them, with the relationship between the two their relationship builds over the course of the series.  The second is the condensing and moving of the timeline – while the series starts before the Second World War and continues in the post-war period, the TV series specifically sets the first case in 1948 and moves on from there.

There are also fairly major alterations to the plots – some have less victims than their book equivalent, others have characters removed and replaced, others have extra subplots added in and others taken out. The other obvious difference for the viewer is that two different actors play Alleyn – Simon Williams in Artists in Crime, the pilot episode and the story where Alleyn meets Troy, and Patrick Malahide in all the others.  Williams’ Alleyn is also a slightly different character – he’s said to have had a difficult war and is seen having some emotional difficulty with the resonpsibilty of the job – generally more Wimsey-ish than when Malahide plays him in the subsequent episodes.  I have reminder set on my TiVo box to record The Alleyn Mysteries and generally have two or three saved at a time for watching while ironing.  My favourites are – bizarrely – the aforementioned pilot and Dead Water  In fact if you fancy it, Alibi are showing two Alleyn’s this weekend and another two the week after.  They all have the added bonus that if you’ve watched any other murder mysteries (or costume dramas to be honest) of the same sort of vintage, you can spot the same people popping up all over the place – particularly the Joan Hickson Miss Marples: Emily Pride in Dead Water is played by Margaret Tyzack who plays Clotilde Bradbury Scott in Nemesis; in Artists in Crime, Rory’s mother Lady Alleyn is played by Ursula Howells who is Miss Blacklock in A Murder Is Announced.  They are not the only ones, but they’re probably the most obvious*.  There’s also cross over with Campion and Poirot as well as the BBC TV Narnia adaptations…

Audible screengrab showing Ngaio Marsh novels

Several of the Alleyn mysteries are on fairly heavy rotation in my audiobook library.  I think I’ve mentioned before that I am Very Bad With Silence and often listen to audiobooks to go to sleep to while I’m away from home.  And the audiobook fan is particularly lucky with this series – there’s abridged and unabridged versions of many of the novels with a variety of different narrators.  Benedict Cumberbatch has done shortened versions of three of them – Artists in Crime, Scales of Justice and Death in a White Tie – but I also like Anton Lesser (who is particularly good at accents).  And if you want something even shorter there are also a few radio plays available on Audible.  My favourites on audiobook are probably the Cumberbatch Scales of Justice and then Lesser’s  Opening Night and James Saxon’s unabridged Final Curtain.

If you fancy trying some Inspector Alleyn, you should be able to get hold of them fairly easily – they are available as ebooks, or as the three novel omnibuses that I have and they’re often in secondhand bookshops (although not usually charity shops, the most recent editions are a bit too old).  I started at the beginning and worked my way through (over the course of just under five years) but I don’t think you need to read them in order to enjoy them.  There is also an unfinished Alleyn, recently finished by Stella Duffy, which is out in paperback next month and which I have on my to read pile to get to sooner rather than later now that I’ve finished the series proper.  If you’re an Alleyn fan, let me know which your favourites are in the comments – and if you’ve read the “new” one let me know what you thought!

Happy Reading!

*Keen Marple readers/viewers will spot what those two characters have in common, which is why they sprung to mind!

Cover of Money in the Morgue by Ngaio Marsh and Stella Duffy

books, stats

January Stats

New books read this month: 39*

Books from the to-read pile: 6

Ebooks read: 15

NetGalley books read: 11

Library books: 7 (all ebooks)

Non-fiction books: 1

Most read author: Simon Brett.  NINE Charles Paris mysteries…

Books read in 2019:  39

Books bought: 3 – two books and one ebook!!!!!!

Books on the Goodreads to-read shelf: 579 (I don’t have copies of all of these!)

Another year, another tweak to the monthly stats post.  This year I’m not doing any reading challenges – after last year I got swamped.  My main reading focus at the moment is getting down the NetGalley backlog and the actual number of physical books waiting to be read so I’ve tweaked the categories appropriately.

The Physical book count is low this month – on account of that holiday and because of the shock I got when I compiled the NetGalley backlog list!

*Includes some short stories/novellas/comics (4 this month)

Bonus picture: a film crew at work with some very powerful lights on my walk from work to the station last Friday. This is the same house used in Phantom Thread. No idea what they’re up to this time though!

Film crew with powerful lights outside a Georgian town house in Bloomsbury

Book of the Week, non-fiction

Book of the Week: The Immortal Life of Henrietta Lacks

There were a few options for BotW this week, but I have some other posts planned involving some of them so I thought I’d mix it up and go with a non-fiction pick this week – after all it’s been a while.

Cover of The Immortal Life of Henrietta Lacks

The Immortal Life of Henrietta Lacks is the story of how cells from a poor Southern tobacco farmer became one of the most important and influential tools in modern medicine.  HeLa cells are immortal – easy to crow and still multiplying today more than 60 years after Henrietta’s death.  In The Immortal Life of Henriett Lacks, Rebecca Skloot has meticulously researched the life of the woman previously known to scientists as HeLa in order to tell her story and the story of her cells and to put her back at the centre of it, refocussing a what has been seen as a story of medical advancement and triumph on the woman who was hidden from the public by the scientists.

Henrietta’s cells were taken as she was being treated for the cervical cancer that killed her, and after they were cultured by lab at John Hopkins hospital it was discovered that they reproduced at a remarkable rate and could be kept alive longer than any other cell they had previously studied.  Scientists have been using them ever since.  Patients were not asked for permission or consent for this sort of procedure at the time, and the Lacks family didn’t know what had happened until years after the fact and, as the book was being researched, still didn’t really understand fully what actually happened to their mother’s cells or the implications.  As well as the story of the HeLa cell, and the ethical questions raised by it, Skloot also tells the story of the Lacks family, how she met them and eventually managed to get their side of the story and helped them understand what had happened to Henrietta and her contribution to science.

I’m not really a science person, but Skloot’s explanations of the medicine and biology in this were at a level that I could follow and understand, however the personal side of the story was what really kept me reading the book.  The way that the hospital acquired Henrietta’s cells is definitely unethical by today’s standards, but was common practice at the time – although issues of race and class seem also to have been at play here.  But effect on Henrietta’s children of the discovery of what had happened to her cells was massive and it’s explored sensitively and empathetically.

This book is fascinating, but also depressing.  It’s easy to see the HeLa cells as an example of the injustices that African Americans have faced at the hands of medicine and science – there are a lot of others in here too.  I don’t read a lot of popular science, but  had heard a lot about this and it lived up to the reviews.  It’s been turned into a TV film now and I hope that Henrietta’s descendants have done better from the book and the film than they have from her cells.

My copy of The Immortal Life of Henrietta Lacks came from the library, but it’s available in Kindle and Kobo as well as in paperback and as an audiobook, so I’m hoping that you should be able to get hold of it fairly easily if you’re interested. I’ll be keeping an eye out for the film.

Happy Reading.

books, stats, The pile, week in books

The Week in Books: January 21 – January 27

Back to the real world this week – although I had a couple of days laid up at home with a poorly ankle.

Read:

Dead Room Farce by Simon Brett

A Decent Interval by Simon Brett

Chasing Perfect by Susan Mallery

Hummus and Homicide by Tina Kashian

Light Thickens by Ngaio Marsh

Bright Young Dead by Jessica Fellowes

The Cinderella Killer by Simon Brett

The Immortal Life of Henrietta Lacks by Rebecca Skloot

Started:

The Life Changing Magic of Tidying by Marie Kondo

Still reading:

Priestdaddy by Patricia Lockwood

A Well-Behaved Woman by Theresa Anne Fowler

The Binding by Bridget Collins

One book bought – Lesley-Ann Jones’s biography of Freddie Mercury, after I heard her as the expert on this week’s Great Lives.  She and Matt Lucas made a great duo talking about one of my favourite singers.  I learnt a few things and it was much more nuanced than many interpretations I’ve seen of Freddie’s life.  I’ll keep you posted on the book.

 

Book of the Week, new releases, reviews, romantic comedy, women's fiction

Book of the Week: Don’t You Forget About Me

As you can see from last week’s Week in Books (and the week before as well to be honest) I read a lot of books while I was away.  But in the end the choice for this week’s Book of the Week was easy – there was one standout that I’m still thinking about and have already recommended to a bunch of people.

Cover of Dont You Forget About Me

Don’t You Forget About Me is the new novel from Mhairi McFarlane.  Your heroine is Georgina, who we meet as she gets fired from The Worst Italian in Sheffield and then goes home to find The Worst Boyfriend in the World in bed with someone else.  Is the universe out to get her? When she gets a one-off job at a newly refurbished pub and then gets a fulltime job offer from there it seems like she might be about to turn a corner.  But her new boss turns out to be her sixth form crush-slash-secret-boyfriend which is a whole new disaster in the making.  Or it would be if Lucas remembered her, which he doesn’t – and which is crushing in its own way.  Because you never forget your first love do you?  Still at least it means that Georgina can keep working for him, just as long as she keeps her mouth shut and Lucas never finds out who she is.  Except that that gets harder and harder to do because there’s still something between them – and there’s no way Lucas isn’t going to work it out in the end is there?

I loved this.  In fact it was hard for Him Indoors to persuade me to go sightseeing with him one morning because I was 100 pages from the end and needed to know what happened to everyone.  This is just delightful.  Georgina is such an engaging heroine, Lucas is brilliant, I wanted to punch Georgina’s family at times – especially her stepdad -and I spent some considerable time thinking of extravagant punishments for Robin the Bad Boyfriend (but his actual comeuppance is very satisfying).  And on top of that the book is so, so funny.  It was in fact exactly what I have been looking for and what I have been finding so hard to find at the moment.  It’s a romantic comedy but it has a serious side as well.  There are Reasons why Georgina is still working jobs her family consider pointless and dead end.  And there’s a reason why she picked such a terrible boyfriend.  And they’re proper, life changing reasons, but there’s such a light touch about it that it all works beautifully together.

This also captured some of my memories of my sixth form experience so perfectly that it nearly took my breath away.  I’m a couple of years older than Georgina is meant to be but Mhairi McFarlane has captured that feeling of not being able to do the right thing no matter what you do when faced with the popular kids, that everything is life and death and that the path of your life can be changed by one wrong decision.  I always mistrust people who say that their schooldays were the best of their lives, because mine were terrifying and scary and I wouldn’t go back there for all the tea in china – especially not now social media is a thing.

I know that chick lit is a problematic term – and I have as many issues with it as everyone else.  But if you read “chick lit” back in the early 00s and find it hard to capture that same feeling from books now – then try this.  I read a lot of books (as you know) but I really struggle to find funny, romantic books with happy endings that aren’t all humour through humiliation (not my thing) or finding happiness again (or in the end) after dead husbands or life threatening illnesses (or terminal diagnoses).  Something with something more to it than *just* a romance but where you’re not going to have your heart broken before you get to a sort of happy ending.  But This Is It.  It is fun and funny and it all works out in the end – but not because A Perfect Man has made it better – but because Georgina has figured out who she is and how to start fixing her life herself.

I know that sounds gushy and a bit OTT, but I can’t tell you how relieved I was to start reading this and just sink into it and enjoy letting it all happen.  I’ve read so many books recently where I either can’t see how it can all possibly work out all right in the end (or even satisfactorily) or been braced for something bad to happen, that it was a joy to realise that I was in safe hands and could just relax and read.  And my tears at the end were happy ones.

I’ve read two of Mhairi McFarlane’s previous books – but there’s been a big old gap since I read the last one so I had forgotten how much I like her writing.  I now need to go back and figure out why I haven’t read the other two and remedy that as soon as possible.  Knowing me and the state of my to-read pile, I’ll probably have at least one of them sitting on the kindle already…

My copy of Don’t You Forget About Me came from NetGalley, but it is out now on Kindle and Kobo and the paperback comes out at the start of March.  I’ll try and remember to remind you – and I’m sure it’ll be in all the usual placed – but you could always pre-order it now.  I’m just saying.  I don’t think you’ll regret it.  And if you’ve got any recommendations for other books you think might scratch the same itch for me, let me know in the comments.

Happy Reading!

 

books, stats, The pile, week in books

The Week in Books: January 14 – January 20

Can you tell that I’ve been on holiday? It was my birthday so we went away to get a little bit of sunshine in Spain. It was warmer than the UK, we did lots of sightseeing and I read plenty of books. A win all around.

Read:

Wreath Between the Lines by Daryl Wood Gerber

A Brush with Death by Ali Carter

The Italian’s Passionate Proposal by Sarah Morgan

Sicken and So Die by Simon Brett

Louis and Louise by Julie Cohen

Something to Tell You by Lucy Diamond

Don’t You Forget About Me by Mhairi McFarlane

Counting on a Countess by Eva Leigh

Born to be Wilde by Eloisa James

Dance All Night by Alexis Daria

Second Chance Girl by Susan Mallery

Rivers of London: Action at a Distance by Ben Aaronovitch et al

Started:

Light Thickens by Ngaio Marsh

The Binding by Bridget Collins

Bright Young Dead by Jessica Fellowes

Still reading:

Priestdaddy by Patricia Lockwood

A Well-Behaved Woman by Theresa Anne Fowler

The Immortal Life of Henrietta Lacks by Rebecca Skloot

No books bought – not even at the airport.  Wasn’t I good?!

Bonus picture: the beach on Sunday evening

reviews, women's fiction

Book of the Week: The Seven Husbands of Evelyn Hugo

A really, really easy decision about what to pick for BotW this week, but I’m ashamed to say that my copy of The Seven Husbands of Evelyn Hugo had been sitting on my Kindle for more than 18 months before I finally got around to reading it.  It was one of those occasions where I requested something from NetGalley, with eyes too big for my reading time and it got lost in the backlog.  And the NetGalley backlog is huge.  One of my aims for the year is to solve that.  We’ll see if that happens, but certainly the attempt has turned up a real gem.

The cover of The Seven Husbands of Evelyn Hugo

Evelyn Hugo was a huge star in her day, but these days she’s pretty much a recluse.  So when Monique Grant is sent out to do an interview with her it’s a big deal.  A massive deal.  And Hugo would only talk to Monique – but why?  Monique is a virtual unknown – a junior reporter at a magazine – and she’s as clueless as everyone else about why Hugo has picked her.  And when Monique arrives to do the interview, Evelyn has a different proposal for her – she doesn’t want to give an interview, she wants Monique to write her biography – she wants to tell Monique the stories and secrets behind her career and her seven marriages.  Monique’s marriage has just broken up and she’s looking to rebuild, so she takes the job.  Soon she’s spending her days listening to Evelyn telling the story of her rise to stardom – from her childhood in poverty in New York to the top of the Hollywood tree.  It’s no holds barred – the domestic abuse, the Hollywood catfighting, backbiting and machinations – and the truth about who was the love of Evelyn’s life.  And Monique finds herself warming to Evelyn, even though the story she’s telling isn’t always pretty or nice and Evelyn doesn’t always come out of it in the best light.  But still she wonders, why was she picked to be the one to tell it.  But as Evelyn’s story goes on, it becomes clear that there’s a purpose to all of this – and somewhere Evelyn’s life is linked to Monique’s.

And I’m not prepared to say any more about the plot than that.  I’ve checked the blurb and I don’t think I’ve given away too much beyond what’s there.  And that’s because Taylor Jenkins Reid’s novel is best discovered blind.  I hadn’t checked goodreads or read any reviews when I went in, so I didn’t know any of the twists and turns that were ahead of me and I think if I had, it would have been a real shame.  But that does mean it’s hard to explain how clever this novel is.  It is a totally page-turning book – the sort of thing you could sit and read on a sun-lounger all day without being bored (if you can read slow enough) but it’s also a very smart look at the world we live in.

Evelyn is a Cuban-America and as she rises up through the Hollywood machine you see the challenges that she faces as a woman and as a Latina and to be herself.  She’s constantly having to change, to tone-down or hide aspects of herself in order to be acceptable and accepted and successful.  But it’s so well written that it’s only afterwards you realise how much social commentary is in there. It’s good and it’s very, very clever. I’ve also gone down a few Google and Wikipedia rabbit holes since finishing this, trying to work out which bits of Evelyn’s story are based on which real life Hollywood stars. I can’t tell you my conclusions though because it’ll give too much away. Sorry, not sorry.

My copy came from Netgalley an age ago, which means this is out in paperback now as well as on Kindle and Kobo. I’m hoping it should be relatively easy to find in an actual bookshop too. Taylor Jenkins Reid has a new book out shortly – which I mentioned in my anticipated books post (my excitement about this has only increased after reading this!) on New Year’s Day – so keep an eye out for that too!

Happy reading!