Children's books, children's books, Forgotten books, Uncategorized

Book of the Week: Dimsie, Head Girl

For this week’s BotW, we’re back in the world of the boarding school books that I love so much, after I happened upon this on the collectible shelf of the charity shop last week for the bargain price of £2.  My love of the Chalet School, Drina books and boarding school and ballet books in general is well known, but I’d never had a chance to read any of the Dimsie series – which was out of print by the time I was old enough to read them.  This is the sixth book in the series, and so probably not the best place to start, but I’m not one to let a trifle like that stop me!

Colour illustration from the front of Dimsie, Head Girl
Who hasn’t felt a bit confused when reading a Girl’s Own book? The illustration is lovely though.

Dimsie is a prefect at Jane Willard Foundation, and the start of this book sees the prefects shaken by the unexpected departure of the head girl Erica and her replacement with the dreamy second prefect Jean.  The title gives it away that Jean’s reign may not be a long one, but it’s a lot of fun watching how it all unfolds.  Dimsie is a butter-inner, slightly lacking in tact, but utterly devoted to her school.  When she sees that Jean isn’t pulling her weight in the way that she should be, she tries to set the Head girl on the right track.  When one of the new prefects proves to be too officious and inflexible in her dealings with the younger girls, it’s Dimsie who tries to sort the situation out.  To be honest, I’m surprised she wasn’t Erica’s replacement in the first place – except for the fact of course that that if she had, the author wouldn’t have had a book!

It wouldn’t be a boarding school book without the Middles causing trouble – here it takes the form of insubordination to the prefects, illegal pet keeping and midnight feasts.  What more could you want?  And yes, this is a slightly higher level of spoilers than I usually give out – but to be honest, I can’t  imagine that many of you are going to be able to lay your hands on a copy of this!  Which is a shame really, because it’s not half bad – some of it is funny in a way the author didn’t intend but that’s one of the joys of reading a book written for children in the 1920s now!  It does have some of the usual problems of outdated language and a very homogeneous cast, but that’s sadly to be expected in a children’s book of this era and it’s by no means as bad as some.

My copy of Dimsie, Head Girl
Im inclined to think that this was a proper bargain for £2.

This was my Dorita Fairlie Bruce book, and I suspect it won’t be my last – I’ve already been playing on the used book websites to see if I can find more.  Because of course what I need at the moment is more books.  Of course it is.  The big worry is if it sends me off down another rabbit hole of classic school story authors that I haven’t read.

Happy reading!

fiction, Forgotten books, literary fiction, women's fiction

Book of the Week: The Making of a Marchioness

This week’s pick comes from the bottom of the to-read pile – which is now the top because of the unfortunate fireplace situation.  I acquired a little stack of Persephone Print books from a friend a year (and the rest) ago and some how they ended up getting relegated to one of the piles behind the sofa arm.  What a mistake to make.  Frances Hodgson Burnett’s The Making of a Marchioness, although not perfect, turned out to be a little gem.

The Making of a Marchioness is a story of two parts.  Both are about Emily Fox-Seaton, a well-born lady in her early 30s (so on the shelf for the era – this was published in 1901) who has very little money and who supports herself by running errands for people better off than herself.  In part one, she gets invited to visit a country house to help out and during the course of her stay her fortunes change.  The second part chronicles how she adapts to her change in fortunes.

Now, in order to explain my feelings about this book, I’m going to have to give some spoilers. Sorry. So, if you don’t want to be spoilt (so to speak) then don’t read below the photograph that’s coming up.  But if you like a Cinderella story, but one that’s populated by really quite unromantic people who aren’t all beautiful or clever, than this might well be the book for you.  The latest Persephone edition, although not quite as pretty as mine is £9.00 on Amazon and Foyles as I write this or in the edition that I own for £14 from Waterstones, but the total bargain is the ebook because both Kindle and Kobo have a free versions.

Photo montage of The Making of a Marchioness
I do love these Persophones – plain unassuming grey cover and then a beautiful design inside.

And now the spoilers.  I did warn you.

I really, really, liked the first part of the book – with Emily winning the Marquess by being herself and realising what she was doing.  Emily is an immensely likeable character who is cheerful and uncomplaining and just generally indispensible.  Part two, where we see her adapting to life as a Marchioness is really very Gothic and melodramatic and I didn’t like it as much – perhaps because it was so different from the first part of the book.  Emily’s obliviousness to the machinations of the unsuitable heir and his wife (and her maid) started to annoy me a little after a while and I just wanted her to buck up and write that letter to her husband (away in India on government business) or confide in Lady Maria who would have sorted it all out.  The two parts were originally published as separate books, and I can’t work out if I would have liked the second part more or less if I’d read the first part in isolation and then come across its sequel.

What is true of both parts is that they are very well written and without the overblown romantic transports of many similar novels.  And the way it portrays marriage is also very different from other novels of the time.  Emily is not on the prowl for a husband in part one, she’s content to try and live her life without a man (even if she is worried about old age and poor health) but when she does get married, her husband is not a romantic hero – in fact he’s really not sure why he settled on Emily at some points – and their relationship is very stiff and Victorian (and Edwardian).  There are some slightly dated attitudes in here – but I’ve read much (much) worse and it’s on the nicer end of the attitudes and problems of its time.

Anyway, I really enjoyed reading an adult novel by an author that I only knew for her famous children’s stories like The Secret Garden – and I’m really looking forward to reading more of the Persephones on my to-read pile.

Happy Reading.