Book of the Week, new releases, romantic comedy

Book of the Week: Headliners

As you can tell from yesterday’s post, a lot of reading happened on the holiday. It was glorious. Sun, sea, sand and a nice mix of stuff from the digital TBR pile and upcoming books. And this week’s pick for Book of the Week even came out yesterday so that’s some actual good timing from me for once!

Cover of Headliners

Sabrina Carlton and Nick Davenport do not get along.  They’re professional rivals and have been sniping at each other across the airwaves for years.  But now the feuding TV presenters are being forced to work together on morning television – and if it doesn’t work, it could finish both of their careers.  The ratings are in the toilet and they’ve got the month leading up to Christmas to turn it around. As long as they don’t kill each other first.  But when mishaps start happening on set, it seems that they may have a common enemy.  And then there’s the fact that the general public seem to be developing a misapprehension that these two are secretly lusting after each other.  Which they’re totally not, right?

This is the fifth book in the London Celebrities series, and if you’ve read the previous installments, you’ve come across our leads before – Sabrina is the sister of Freddy, the heroine of the previous book, and we saw Sabrina’s combative professional relationship with Nick come to a head at the end of The Austen Playbook.  Now while you don’t have to have read the rest of the series to enjoy this, it will completely spoil the plot of The Austen Playbook if you haven’t read that one first.  Lucy Parker seems to specialise in enemies-to-lovers tropes and this is another really good one.  What I particularly liked about it is that once they’ve got over their issues with each other, they move on as a team and the rest of the plot is not about people constantly trying to sow doubt in each of their minds about the other or silly misunderstandings between them that could be solved with a conversation.

As with the other books in the series, the dialogue is great – there is so much witty banter, and not just between the leads – the supporting characters get their share too. And I loved the situations that Nick and Sabrina found themselves in on the TV show – they’re exactly the sort of thing a ratings-obsessed editor might come up with and they’re funny but not in a cringey hide-behind-your-hands way.  And if you have read the rest of the series, there are some nice callbacks for you.  Obviously Freddy is in it, because she’s Sabrina’s sister, but there are also appearances from previous leads – and antagonists.  It was a real treat – I even made myself slow down and go away and read something else to make it last longer at one point because it was that good.  And don’t be put off by the fact that this is set in the run up to Christmas and it’s January, because it’s not that Christmasy – the Christmas deadline is just that, it’s not really the centre of the plot.  I  mean I read it on a beach in Lanzarote – and thought it was really a perfect book beach read, but equally it would lighten the winter gloom if you’re not fortunate enough to be somewhere relaxing and sunny!

My copy came from NetGalley, but Headliners is available now in Kindle and Kobo and as an audiobook.

Happy Reading!

books, stats, The pile, week in books

The Week in Books: January 13 – January 19

It was my birthday this week, so as is traditional we went away. But this time we went and got some winter sun so I had some quality reading time on the sun lounger.

Read:

If I Never Met You by Mhairi McFarlane*

Show Trial by Thomas Doherty*

Maigret and the Murderer by Georges Simonon

Headliners by Lucy Parker*

Department of Sensitive Crimes by Alexander McCall Smith*

Lethal White by Robert Galbraith

The Doll Factory by Elizabeth Macneal*

How to be a Footballer by Peter Crouch

The Blood Card by Elly Griffiths

Black, Listed by Jeffrey Boakye*

Applied Electromagnetism by Susannah Nix

Xeni by Rebekah Weatherspoon

The Butterfly Bride by Vanessa Riley*

Will My Cat Eat My Eyeballs by Caitlin Doughty

Time Traveller’s Guide to Elizabethan England by Ian Mortimer

Started:

Burnout by Emily Nagoski*

Miss Austen by Gill Hornby*

Gone Viking by Helen Russell*

Still reading:

The Case for Jamie by Brittany Cavallaro

Bonus photo: can confirm, we have been on holiday. Bliss.

View across a very quiet beach

An * next to a book title indicates that it came from NetGalley.

Book of the Week, new releases, romance

Book of the Week: Sweet Talkin’ Lover

Another Tuesday, another book of the week post.  I read a few books I really liked last week, and it was a close decision on what to pick, but I think Tracey Livesay’s new book was my favourite last week.

Cover of Sweet Talkin' Lover

Caila Harris is ambitious and driven. She’s given up her social life and is working all the hours she can to get her next promotion as she climbs the ladder in the beauty industry.  But when her beloved grandfather dies, she makes some bad decisions – and suddenly her chances of promotion are on the line.  The assignment she’s given to turn it around: go to a small southern town, and write the report that justifies shutting a factory down.  But when she gets to Bradleton, she runs into more trouble than she expected in the form of the town’s mayor, Wyatt Bradley. He’s determined to do whatever it takes to keep the plant open.  Soon sparks are flying between Caila and Mayor McHottie as the town calls him – but will their relationship survive if she finds out the sneaky tactics he’s using to try and keep her in town and when he finds out that the closure decision has already been made.

This is smart, fun and has a hero and heroine with great chemistry.  I like enemies/rivals to lovers as a trope and Sweet Talkin’ Lover does that really well. I also loved Caila’s relationship with her group of friends.  Livesay has said that the group is based on her own friendship group – and the holiday they’re on at the start is what they do every year. I love a ride-or-die friendship group in a story and these ladies really are that – and I’m looking forward to reading the books about the others, because this is the first in a series.

My only quibble with the book was from right at the end.  I didn’t quite believe that Wyatt’s family issues – either with his career or the way they treated Caila – were really all sorted out.  I believed that Wyatt and Caila wanted to make it work between them and that some of the roadblocks were removed, but I wasn’t quite confident that it was really all resolved enough to be confident that the happy ending was really going to be all ok if that makes sense. But that’s quite a minor quibble in the grand scheme of things.

Sweet Talkin’ Lover is Livesay’s print debut and came out in the middle of all the RWA problems.  She was also one of the resignations from the RWA board on Boxing Day (because of the way the Ethics Committee handled the complaint against Courtney Milan), so I think it’s fair to say that RWA messed up her Christmas and a big moment in her writing career.  And this book did not deserve to get swamped by RWA being a trashfire.

My copy of Sweet Talkin’ Lover came from the library, but its availalble now in Kindle, Kobo and as an audibook, but the paperback isn’t out in the UK until February 20.  I’ll try and remember to remind you.

Happy reading!

books, stats, The pile, week in books

The Week in Books: January 6 – January 12

A steady week in reading – but not much progress on the NetGalley target…

Read:

When A Duchess Says I Do by Grace Burrows

When We Left Cuba by Chanel Cleeton

Two for Sorrow by Nichola Upson

The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee

The Other Side of the Coin by Angela Kelly

Sweet Talkin’ Lover by Tracey Livesay

Vanilla Beaned by Jenn McKinlay

Started:

If I Never Met You by Mhairi McFarlane*

Still reading:

The Blood Card by Elly Griffiths

The Case for Jamie by Brittany Cavallaro

Lethal White by Robert Galbraith

Bonus photo: I went to Eurofest at the Royal Vauxhall Tavern on Friday night and because my friend Tom is a super fan, he staked out the front row. So here’s my picture of Tamara Todevska – who represented North Macedonia last year!

An * next to a book title indicates that it came from NetGalley.

Award nominated, Book of the Week, non-fiction

Book of the Week: Furious Hours

Starting off the New Year with a book from that NetGalley backlog I said that I was trying to deal with.  I try to only have one non-fiction book on the go at once, and this one is one I kept meaning to get around to – and in fact even started a while back and then got distracted by the arrival of a bunch of non-fiction library book holds and I forgot about it.  But it made the final of the non-fiction category of the Goodreads awards* which jogged my memory and gave me the push I needed to come back to it.

Cover of Furious Hours

So Furious Hours is Casey Cep’s first book and it tells the story of an Alabama serial killer whose trial caught the eye of Harper Lee.  The first part of the book tells you about the frankly astounding story of Reverend Willie Maxwell, who was suspected of killing members of his family – and who was then killed at the funeral of one of his alleged victims.  And just to add to what is already an eye-popping story, the killer was defended at the murder trial by the same lawyer who had previously defended Reverend Maxwell when he was accused of murder.  The second part of the book is about Harper Lee – the author of To Kill a Mockingbird – who took attended the trial with a view to writing her own true crime book about it, in the same way that her friend Truman Capote wrote the story of the Clutter family murders in In Cold Blood.  Now as you probably know, until the (somewhat controversial) publication of Go Set a Watchman, Harper Lee famously had only one published book – so you know a bit about how that went for her, but that’s only really part of the story, and Cep takes you through Lee’s life that lead her to that point and beyond.

Both of the stories told here are absolutely fascinating, and if I have a complaint about the book it’s that they feel like two separate stories for a long time.  When I first picked up the book I had picked up on the Harper Lee element of the story and was surprised when the start of the book didn’t mention her at all.  But having now read the whole thing, I understand why it was structured like that and that you need to know one story fully to understand the other and I’m not sure I could have come up with a way of integrating the two that wouldn’t have been just far too confusing.  So it requires you to read the blurb properly (bad Verity) to understand what you’re about to read – and then to go with it because it will all make sense in the end.

As well as the Goodreads awards, this was a nominee for the Baillie Gifford prize (which was won by another former BotW The Five) and made a lot of end of year lists – including Barack Obama’s – so it’s well worth a look if you like true crime or books about authors and that sort of thing.  As previously mentioned, my copy came from NetGalley, but Furious Hours is out in hardback at the moment – with the paperback due in April in the UK.  You should be able to get hold of a copy from any bookshop with a reasonable non-fiction section.  It’s also available on Kindle and Kobo and as an audiobook from Kobo and Audible.

Happy Reading!

*Alongside previous BotW Catch and Kill – in fact there were a lot of books on that shortlist that I fancy reading – but they were all beaten by Girl, Stop Apologizing by Rachel Hollis, which given my experience with Girl, Wash Your Face I don’t think I’ll be reading!

books, stats, The pile, week in books

The Week in Books: December 30 – January 5

It’s strange – because this post covers the very end of last year as well as the first five days of 2020 and yet the end of 2019 books feel like I read them eons ago already.  Strange.  Anyway, here we are in 2020 – if you missed it, I wrote a post last week about the books that I’m looking forward to this year.  A couple of house keeping updates: firstly I’ve been trialing adding links to these posts for a couple of weeks, back to posts where I’ve written about those authors before and I’m going to try and make a habit this year.  Secondly, I’ve got a huge NetGalley backlog going on at the moment – and have had for a year, so my big reading resolution (yes I know I said I hate them, but this is the only one I’ve made) this year is to get that down, so I’m trialling marking them here with an asterix, and hopefully the end of month stats posts this year will show an uptick in NetGalley reading. We can but hope.

Read:

Dancing Star by Gladys Malvern

The Chicken Chronicles by Alice Walker

100 Nasty Women of History by Hannah Jewell

Rules by Jenny Colgan (writing as Jane Beaton)

The Angel with Two Faces by Nicola Upson

Girl Wash Your Face by Rachel Hollis*

The Making of a Manager by Julie Zhuo*

Furious Hours by Casey Cep*

Weird War Two by Richard Denham*

Started:

Lethal White by Robert Galbraith

When A Duchess Says I Do by Grace Burrows

Still reading:

The Blood Card by Elly Griffiths

The Case for Jamie by Brittany Cavallaro

Four books from Nick Hern ordered as I was writing last week’s BotW post and a book and a cook book from Amazon. So not exactly a great start to the year in terms of not buying stuff, even if technically the Nick Hern order was in 2019…

Bonus photo: A follow up from the picture in the December Stats post – here’s this year’s Beat the To-Read Shelf bookcase drawing ready to go…

An * next to a book title indicates that it came from NetGalley.

Book of the Week, memoirs, reviews

Book of the Week: Year of the Fat Knight

My final BotW of 2020 continues the Year of Non-fiction, except this is one from the to read bookshelf and not from the library. If you’ve missed my look back at my reading obsessions over the year, you can find them here, and also my best books of the year. Coming up tomorrow, instead of the stats, is my look ahead to some new books coming in 2020. The stats will follow later in the week. Because I’m that good to you. Anyway, to the review.

Year of the Fat Knight on a bookshelf

Ever wondered what it takes to be an actor? Or more particularly if you’ve got what it takes to be an actor? You sort of half think it might be an easy life right? Wrong. Over the course of this book you watch (in your mind’s eye at least) Antony Sher agonise over taking a part, preparing for the part and playing the part. And as you read, you realise all the hidden hard work that goes into crafting a performance, an interpretation of words on paper.

The Fat Knight of the title is Falstaff, one of Shakespeare’s iconic creations. But not, as Sher muses, one that The Big Names often play. He muses that there are traditionally two tracks for Shakespearean actors – one leads to King Lear, via Macbeth and Hamlet, and the other to Falstaff (via parts like Bottom) and that never the twain shall meet. But here is Sher – who famously played Richard III as a young man (which Sher also wrote a book about) and who I saw play Macbeth just after the turn of the century* – considering an offer, from his partner no less, to play Falstaff. Illustrated with Sher’s own drawings, it’s fascinating and eye opening and incredibly readable. Sher’s partner is Gregory Doran, a director who at the start of the book is just taking over the helm at the RSC so as well as the musings on Falstaff, you get a peek behind the curtain at the RSC and in the world of theatre generally. The two are named as a power couple in the media in a couple of lists during the book, which perplexes Sher but reminds the reader that there are fairly large stakes here professionally. The production – and Sher’s performance – were a success but that never feels anywhere near certain as you read it.

I raced through this and although I didn’t see the productions of Henry IV Sher is writing about, I have seen a couple of the others that are mentioned in it and have seen some of the other actors in other things which made for an added bonus as a theatre nerd.  I don’t know that you need to be a theatre nerd to enjoy this though – I think you just need to be someone who is interested in process and creation.  If you’ve ever wondered how a production of Shakespeare is put together, whether the actors really understand what they’re saying and how they create a character, this would certainly interest to you.  But if you’re a creator of something else, I think this would be worth a look as well – and you can compare your process in your field to this.  I’m sure you’d get something out of it.

I had this on the shelf – I think it came from a work book sale a year or so ago (it came out in , but you should be able to get hold of a copy fairly easily from a bookshop with a theatre section.  Mine is a hardback, but there is also a paperback edition now. If you want to buy online, may I suggest you go direct to Nick Hern Books, the publisher, where the price is within pennies of that of Amazon as I write this and will undoubtedly benefit them more direct.  They’ve got 20% off everything at the moment – so in one of life’s more predictable moments, I ordered myself Sher’s other two books on acting – the aforementioned Year of the King and his latest, Year of the Mad King about King Lear – when I went to check this out.

Happy Reading and Happy New Year!

*Gosh that makes me feel old saying that, but although the turn of the century automatically makes me think of the start of the 20th century, we’re far enough into the 21st now that I probably should get used to it.  I saw Macbeth with Sher and Harriet Walter at the Swan in Stratford sometime around 2000 – I still have the poster somewhere, but I’m not getting it out to check!