I’m safely home now, so I can exclusively reveal that we’ve been away on holiday for nearly two weeks. And that is why the reading lists this week and last week look so healthy – sun lounger time (and flights) mean more reading time – and why the still reading list looks as it does – the remaining ones are physical copies that were at home. I’ve got a Recommendsday coming up this week with some of my holiday reads, but more of them will be popping up over the next little while too because some of them were advance copies of books coming out over the next few months. Check me getting ahead – who even know I could do that!
Six ebooks and one preorder arrived (at my parents!)
Bonus picture: some beautiful Cretan countryside. You can’t see them but there was a herd of goats among the olive groves and their bells were tinkling madly as I took this.
*next to a book book title indicates that it came from NetGalley. ** indicates it was an advance copy from a source other than NetGalley.
Because there’s the revival of Rocky Horror opened on Broadway this week, I thought it was a good time to finally post about my trip to the UK Rocky Horror Show tour. Now I saw this back in January when it was in Sheffield, as an extra treat as part of my trip there to see the Figure Skating, but as Rocky is almost always touring the UK, I have been holding onto this since then.
Now if you’ve been living under a rock(y), the Rocky Horror Show is Richard O’Brien’s rock n roll musical tribute to science fiction and horror B-movies that he grew up watching. It turned 50 last year and was the subject of a (very good) documentary about the early days of the show, and the making of the legendary cult movie. The musical has been touring the UK (and other parts of the world) almost constantly ever since and fans will turn up in costume, shout out to the cast and it’s generally a very different experience from going to any other musical.
I first saw Rocky 20 years ago (almost exactly) in the previous touring version, with David Bedella as Frank N Furter, and although I saw it a bunch of times after that first one, I realised as I sat down in the stalls that I’d actually never seen another actor play Frank live. So this was a first on that front. And since the last time I saw Rocky, there’s also been a bit of an update on the sets and a few tweaks to costumes and staging, although it has to be said that Rocky is Rocky, and like The Producers, a lot of it s is sort of baked in, although in this case it’s also because the audience has expectations as well as it being in the script.
And I had a lot of fun. It was great to see the changes to the staging and costumes, but it still felt like the Rocky that I remember. That said, the rocky I remember has David Bedella in it, a man with more charisma in a little finger than many people have in their entire body. The things that man can do with a raised eyebrow. Anyway. I saw Stephen Webb as Frank (Jason Donovan is doing some dates of this tour) and he is good, but he’s no Bedella. That said, if you haven’t experienced the wonder of Bedella as Frank, he may hit a little differently for you. As ever, when you’re really familiar with a property or a performance it’s hard to work out how a first timer would see things.
Where I thought there as a big improvement on previous iterations was the narrator. I saw Nathan Caton, who is a stand up comedian as the Narrator, and he was really, really good at handling the audience participation side of things. I’ve seen a few narrators who get a bit flustered or didn’t quite know how to deal with the more aggressive/persistent audience members, but Caton had it nailed. I think the experience of being a stand up meant he knew what he was doing with hecklers and dealt with them as he would have with people at one of his comedy sets. There were a couple of troublesome people at my performance (and I knew they were going to be trouble as soon as I laid eyes on them) and he had them handled – until they got evicted during Sweet Transvestite (which is really quite early!) by the ushers (who were also really good at what must be a tough gig).
I had a couple of understudies performing on my night in Sheffield – which was actually pretty cool, as I’ve seen Haley Flaherty as Janet before, so that made another point of difference from previous visits. And bother the understudies – Lucy Aston as Janet, and Nathan Zach Johnson as Riff Raff (another role I’ve only ever seen played by one person in the tour) – were really good and you wouldn’t have known they weren’t performing their regular track if you hadn’t seen the notice in the foyer.
Like I said further up, I don’t know how this will hit if you’re not familiar with the source material and also that this has an atypical theatre audience, so it’s a strange one to recommend in a way. I wouldn’t take my mum to see it for example and it’s definitely not a show for people who only do Serious Theatre. But if you’re a fan of the film then it’s great – and I think if you like the back and forth you can get with live comedy then it might be a nice thing to try. it’s a short show – only two hours including an interval – so if it’s not for you it’s over fast. What I would say though is that if you are going for the first time and are a bit nervous or feel intimdated, I would pick a weeknight performance over the Friday and Saturday evening ones, because I think they’re less likely to be as full of people in costumes. I was there on a Tuesday night, on my own, not in costume and I was absolutely fine. Aside from the two (evicted) trouble makers, it was a lovely friendly audience.
And I mentioned at the top that it’s on Broadway at the moment – complete with Luke Evans as Frank. This a new staging – nothing like the UK tour – it’s got a gender flipped Riff Raff and all sorts of stars in the cast. Here’s a bonus video from their Instagram:
Happy Saturday everyone! It’s independent bookshop day in the US today – in the UK ours is in October – but really any excuse to go and visit a bookstore is a good one. As you know I’m always wandering around book shops and then writing about them on here. I’ve currently got a list going of ones that I want to visit when I get a chance and because I’ve been to some of the buzzy ones it meant that when I read this article about the new TikTok bestseller list this morning I recognised the top image (and the second bottom one) as being taken in Saucy Books in Notting Hill!
If you’re in the US lots of them are throwing special events and have promotions or competitions on: click here for a searchable map of participating stores and also a list of bookstore crawls you can do and click here for a list of events at bookstores across the US (remember control/command + f will bring up the find box so you can search the list without having to scroll).
If you’re not in the US – just go and visit your local book store anyway – or go to bookshop.org, choose a bookshop (top right) to benefit and buy something on there!
The new Hawthorne and Horowitz came out this week, so the time has come for a redux post for the very meta but very fun series from Anthony Horowitz. I have read the new book and it’s even more meta than ever – and I’ll get to that in a minute, but first your basic set up: a fictionalised version of Anthony Horowitz is the Watson figure to ex-policeman and now private investigator Daniel Hawthorne. At the start of the series in The Word is Murder Horowitz is chosen to be the ghost writer for Hawthorne, who is investigating the murder of a woman who was found dead hours after she visited a funeral directors to plan her own memorial. As you go through the series Hawthorne’s status increases as Horowitz’s seems to decrease and there are plenty of references to Horowitz’s real life and other works – including his other meta-mystery series featuring Atticus Pünd.
The latest is A Deadly Episode and I know I often say this will work best if you’ve read the others in the series but it’s especially true here – at least the first book – because the set up here is that The Word is Murder is being turned into a film – the script is written (not by Anthony), the roles are cast (the Anthony character is just called “the writer” and is played by an actor who is mid career crisis) and filming is underway (Hawthorne is a consultant and gets a car to set, Horowitz is not and does not). You won’t necessarily get spoiled for the outcome of that first book by reading this but you’ll definitely get more out of the story if you have. And I have to say I enjoyed this book so, so much. I basically read it in one evening – stopping only to eat my dinner – and it raced by so fast that I was sad and surprised when it was over.
I have often said before that I prefer the Atticus Pünd series to this one – but perhaps this is the book that tips me over the other way. The whole series is really worth reading, but this one especially. And full respect to Anthony Horowitz for making his fictional self so downtrodden and behind the curve. The temptation as an author must surely be to make yourself the clever and popular one, but he’s really leaning into the Hastings (getting the wrong end of the stick) and Watson (only there because Holmes is) of it all. Just delightful.
A mini bonus review for you this week as A Death in the Dark, the second book in the Novel Detectives series came out and I have read it already! This sees Annie and Fletcher investigating after the high school’s track coach comes into their offices covered in blood and claiming not to remember the previous evening. When the body of his assistant coach is found, it becomes a murder investigation and Annie and Fletcher find themselves digging into a tangled web of secrets among the staff at the high school to try and work out who the killer is. I had the murderer pegged pretty early on, but there were enough twists and turns going on to keep me guessing about whether I really was right! I like the set up and the characters, although because the series has a running story going on in the background I find that the actual murder-of-the-week is perhaps less complex than other series. However, I do want to find the answer to the long running backstory so I will definitely keep reading them!
It’s been a while, so for this Wednesday’s post I have a non-fiction Recommendsday for you. And as promised yesterday, it sort of ties in with D is for Death a little bit which is a delightful coincidence that I didn’t really realise when I started reading D is for Death after I finished Square Haunting last week – which was the last book I needed to finish reading to finish this post off!
Square Haunting by Francesca Wade
This is a group biography of literary and academic women who are loosely tied together by having lived in Mecklenberg Square. The most celebrated of the five is Virginia Woolf who is the final of the five, but the one that I was most interested in (unsurprisingly) was Dorothy L Sayers – who was living in Mecklenberg Square when she created Peter Wimsey. I’ve written about my love of Sayers’s Gaudy Night before, but the problem at the core of that book, can a woman have her own life and intellectual pursuits and identity and be in a relationship, is a key theme running through this whole book too. The early 20th century was a time when a woman’s right to an academic education was still a matter of debate, and several of the women in this book were at the vanguard of the fight. I found some of the lives more interesting than others (as is always the case) but definitely wouldn’t have heard of or known anything about some of the women without having picked the book up because of the Sayers of it all. Definitely worth reading and one of the more successful group biographies I’ve read. And just to tie it back to D is For Death, here’s a link to a podcast where Harriet Evans and Francesca Wade are talking about Gaudy Night. You’re welcome.
Five Love Affairs and a Friendship by Anne de Courcy
Anne de Courcy turns her focus on Nancy Cunard in this one. Cunard was an heiress (her father was one of the shipping line Cunards) and was part of a pre-Great War literary circle and then went on to spend the 1920s deeply enmeshed in the literary movement in Paris. She was a muse to many writers of the time – some of whom were also her lovers – and set up her own literary press, before going on to fight racism and fascism. She led quite a sad life in many ways – and this book doesn’t shy away from that, but it’s a really interesting read and a good look at the Parisian side of the roaring twenties. I’m not sure it’s your best place to start with de Courcy though – if you haven’t read any of her books before I might start with The Fishing Fleet or Chanel’s Riviera.
The Crichel Boys by Simon Fenwick
This is a group biography of Eddy Sackville-West, Desmond Shawe-Taylor and Eardley Knollys who bought Long Crichel Rectory in the immediate aftermath of World War Two. Later they are joined by Raymond Mortimer to form a sort of surrogate family and literary Salon (per the author) that lasted across the rest of the century. I’d never heard of this before I saw the book, but they seemed adjacent to the sort of inter-war Bright Young Things set that I’m always fascinated by (and have read a lot about at this point) so I gave it a go. The big problem for me is that there’s not actually enough to say about the core four (so to speak) so it has to expand out to the rest of their circle. And while that does include Nancy Mitford, Cecil Beaton, various Bloomsbury-set types, Benjamin Britten and more, in doing that there’s a lot of jumping backwards and forwards in time as you get sections on various people and it starts to get very confusing. So not entirely successful, but not a disaster either – Square Haunting definitely worked better!Almost the best thing about it for me was the passing mention of Gervase Jackson-Stops and Horton Menagerie – which is just down the road from where I grew up.
Happy Tuesday everyone. And I’m back with a murder mystery this week after taking a break for romance with While You Were Seething last week.
It’s 1935 and Dora is on the run from a fiancée she didn’t want in the first place. When she arrives in London she finds he has followed her there and hides in the London Library together away from him. Except inside the library she finds a dead body. Now she’s inside her first murder investigation and she is not the girl to walk away. She’s a book lover who particularly likes detective fiction but who is also the sort of person who notices everything and she’s sure she can help Detective Inspector Fox. He however is not so convinced.
Harriet F Townson is actually Harriet Evans writing under a different name to differentiate this from her usual genre. Because this is a historical mystery romp. It really is a romp. Dora is a delightfully quirky heroine and the plot just rattles along as she makes new friends in London, meets old friends and tries to solve the crime. There are references galore to the golden age of crime – including one of the characters living in Mecklenberg Square – home of Dorothy L Sayers in real life (more on that tomorrow) and her creation Harriet Vane (in the Gaudy Night).
I raced through this in one evening basically and I really hope there is a sequel because Dora is a lot of fun and there are enough plot threads left hanging to suggest it’s a possibility. It was also nominated for a Crime Writers Association Award so that’s got to help to right? This has got comps in the blurb with the aforementioned Sayers as well as Margery Allingham, Enola Holmes (only watched the Netflix films) and I Capture the Castle which sounds a bit bonkers on the eclectic front but I sort of endorse that! If you (like me!) like series like Veronica Speedwell, Daisy Dalrymple or Phryne Fisher, this is definitely worth a look.
I read this on Kindle, but it’s also in Kobo and should be available in paperback too
Happy Monday everyone. I’ve had a very productive week in reading – having finished the Francesca Wade book and got the still reading list down a bit. Need to work on the NetGalley list a bit though!
Another Sunday, another show! This time it’s the return to the West End of one of my favourite shows, Avenue Q. Eighteen months ago I wrote about the 18th birthday concert staging featuring the original cast but now its back in the West End until the end of August coinciding with the twentieth anniversary of its West End debut.
Avenue Q is the story of Princeton, a new college graduate, and the people he meets in his rundown neighbourhood after he moves to New York after graduating. The cast is a mix of puppets and humans and the vibe is very much Sesame Street but for adults. Life has changed a lot since this show first hit the stage – smart phones, apps, streaming, *gestures around* the world. And the question for producers staging any revival of any show is how much do you put on the show as it was written and how much do you update to make it work for a modern theatre goer. There were always a few changes in the London version compared to the US one – Gary Coleman was originally a woman on Broadway but was a played by a man in London and lyrics changed to explain Gary’s backstory more clearly, Christmas Eve in London says she worked in a Chinese restauran rather than a Korean deli etc and this revival has mostly followed that pattern – a few light updates to jokes and references but not whole sale cuts or rewrites.
As I said in my prior post about the show, Q has a special place in my heart because when I first saw it I was at the same stage in my life as the characters were and that makes it hard for me to judge how it will come across to people who have never seen the show before and who don’t remember the early 2000s, hard as it is for me to believe that those people can be adults. Now of course that didn’t matter for the concert staging – it was just two performances on one day but for a five month run it sort of does and I’m fascinated to see how this performs in the West End. The night that I went the audience laughed at the first joke and I relaxed. But I was there early in the second week of previews (in fact I spotted original West End cast member now Associate Director Julie Atherton in the audience watching) so potentially a house more loaded with existing fans than it will be later in the run. But that just gives me an excuse to go back and see it again – not that I needed one! I enjoyed it – and enjoyed the twenty minutes I spent on the phone to Him Indoors analysing the changes on the way home too.
Well I realise that this looks bad. I’ve been talking about how hard I’ve been working to try and bring the size of the to-read pile down and here I am with another bumper crop of purchases, but bear with me – I can explain. Seven of these came from one day out in Leicestershire (there was also a cook book purchase that isn’t in the picture because it’s down in the kitchen being used!) which I’ve written about thelastfewSaturdays. And those seen are: the two Emily Wildes and Murder off the Books which are sequels to books that I’ve already enjoyed, In Want of a Suspect – a Pride and Prejudice adjacent books which is a special interest of mine, the Kate Bateman – who was at the Book Extravaganza in person and Just Playing House and Mrs Plansky’s Revenge which were the beautifully wrapped blind date with a books from the Book Extravaganza.
Once you’re take those out of the list, that just leaves Paris Match and Honey Bee Mine which were pre-orders and the George Plimpton which is a second hand copy of his book about Capote and the Angela Thirkell which is the latest in the Virago copies of her Barsetshire books. So it’s actually almost reasonable. If you look at it sideways and squint and don’t think about my logic too hard. I’m fine with it at any rate!
Verity Reads Books (lots of them) 