Category: streaming

book adjacent, streaming, tv

Not a Book: Capote vs The Swans

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It’s only taken two years, but I’ve finally managed to watch Feud season 2 – Capote and the Swans. After having checked Disney+ for it for ages with no joy, suddenly when I was on there the other weekend there it was. When that happend for the UK, who knows, but the fact remains it has and now I have watched it.

This is an eight episode series based on Laurence Leamer’s book Capote’s Women, which I read back in early 2024 when this originally dropped in the US in preparation for watching this series – expecting to arrive way sooner than it has! Capote is played by British actor Tom Hollander, following in the footsteps of Philip Seymour Hoffman who won an Oscar for playing him in 2005’s Capote and Toby Jones in 2006’s Infamous. And the rest of the cast is incredibly starry – the main Swans are Naomi Watts (Babe), Diane Lane is (Slim), Chloe Sevigny (C Z) and Calista Flockheart (Lee) with Demi Moore and Jessica Lange also in the cast.

For me it’s always interesting to see how a work of non-fiction is turned into a drama – particularly an episodic drama, where you need to have cliff hangers and peaks and troughs to keep the audience watching. I had a couple of issues with the book – the omission of a couple of the swans and the non linear nature of the book, which deals with the Swans mainly one at a time so it is fairly easy to lose track of where in time you are. And if anything this is even less linear than the book was – jumping backwards and forwards between before and after Capote publised the article that exploded his relationship with the women. And that’s the problem with it. You don’t really get to know – or understand – the women’s relationship with Truman or even why they found him so alluring before he blows it all up (so to speak).

The outfits are fabulous and it looks beautiful but somehow – despite some great performances – it struggles to hold your interest. I watched it across a couple of days but that was because I wasn’t feeling very well and wanted some mindless TV to watch rather than because I was obsessed with it and desperate to see what happened next if that makes sense. There is so much drama in the story that it’s telling – but I wanted more of the women and less of maudlin drunken Truman and his terrible abusive boyfriend – even if Russell Tovey is doing a great job of playing the boyfriend.

So if you’ve got your Disney+ subscription turned back on for the new series of Rivals, then this isn’t a bad option for wiling away the time before the next episode drops, but it’s not one to take a subscription out for. And perhaps that’s the real reason it took so long to turn up to watch in the UK!

Have a great Sunday.

not a book, streaming

Out Today: Rivals Series 2!

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Happy Friday everyone – a bit of a break in the normal order of things today because the first part of the second season of Rivals has arrived on Disney+ (or Hulu if you’re in the US) today. You will remember how much I loved the first series when that came out in 2024 (I think I’ve watched the whole thing nearly three times now) and I’ve been so excited for the new series. I fully intend to spend my weekend watching as much of this as Eurovision and other life commitments permits because I can’t wait to how they carry everything on. I mean I’ve read Rivals so I know how that turns out but there isn’t enough of the plot of that left to do another whole season let alone a season which is four episodes longer than the first. There’s a lot of polo-playing in the trailer and the next book in the series is Polo so they may be including some of that in this I guess – although there’s not a lot of Rupert and co in that – or I guess they could be doing their own thing and expanding the world out in their own direction. Either way, I can’t wait.

not a book, streaming

Not a Book: False Prophet

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After a podcast last week, I’m back with a Netflix documentary this week to make it two whole weeks in a row that I haven’t talked about theatre. Even though I did go to the theatre (twice) this week. I actually watched this the weekend that it came out last month – but this got caught behind the theatre posts in the queue because they were more time sensitive.

Trust Me: The False Prophet is a four episode mini-series following Christine Marie and her husband Tolga Katas who move to the Short Creek community in the hopes that they can help members of the FLDS community in the aftermath of the arrest and conviction of their leader, Warren Jeffs. Christine is a cult expert who has a fascinatingly varied prior life, Tolga is a videographer. Both are very much city people and get the sort of suspicious reception from the locals you might expect. But Christine is incredibly persistent and helps the women to start a shop to sell their products and make some money. But during the course of this they discover a new “prophet” is emerging from the chaos and vacuum that has been left by the absence of Warren Jeffs.

I’ve written previously about Keep Sweet: Pray and Obey, which covers Rulon and Warren Jeffs and the Fundamentalist Mormon Church (and was made by the same director and executive producer) but after Warren Jeffs was imprisoned the community was left isolated and leaderless. Then Samuel Bateman appears in town with a group of wives – some of whom look to be underage and the community starts talking. Christine and Tolga decide that they’re going to try and find out what is going on and bring him to justice – and they’re going to film it as they do it. It’s astonishing. And what makes it even more astonishing is that Bateman approached them to make a documentary about him to help him spread his word – as in he thinks this is a good idea.

The big difference from Keep Sweet is that this has all of Tolga’s footage of the documentary that they were filming and so has all of the people that they are talking about in the documentary in their own words on camera at the time that it was happening. Including Samuel. I said in the post about Keep Sweet that the first parts of that were grimmer than I expected (and I was expecting that to be pretty grim) but I think having seen that gave me a really good background coming into this – and although this is pretty horrifying, ultimately it has a satisfying ending (or as satisfying as things can be in these circumstances) to their quest to help the young women that Bateman was marrying*.

I watched all of these episodes back to back in one sitting. I thought it was really well made and realy clever. I admired Christine and Tolga for what they were trying to do – and the nerves of steel that they showed while they were doing it. I have a few questions about the local police response, but that’s not about the documentary! And if you do watch this, this Guardian article from last week and this Hollywood Reporter profile of Christine Maire are interesting reading too.

Have a good Sunday.

*Spoiler: Samuel Bateman was sentenced to 50 years in prison in late 2024

not a book, streaming

Not a Book: America’s Team

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While I am going to be deep in the Winter Olympic Figure Skating Team event this evening, it’s also the Super Bowl tonight, and as you know by now, I’m a bit of a NFL fan. But it’s lucky I’ve got the Olympics to distract me, because once again the Cowboys aren’t in it. It’s been a while now. I’m starting to lose patience, but what can you do they’re my team and you have to stand by them even when they’re playing terribly. But while the Vince Lombardi won’t be heading back to Dallas this year, I thought I’d write about Netflix’s documentary about the Cowboys and the team’s owner Jerry Jones.

The official title for this is America’s Team: The Gambler and His Cowboys, and that’s very much the tone of the doc – this is the story of Jerry’s Cowboys: how he bought them and what he did with them. And it’s quite the ride. Thirty plus years on from the start of the Jerry Jones era it’s easy to forget – or depending on your age not really appreciate what happened in Dallas in the decade from the mid-80s to the mid 90s. And this will give you that – the main focus of the bulk of the episodes is the building of the team that won three Super Bowls in four years and the stories and excesses around it.

The success of this is that its has managed to get pretty much everyone involved in the rise (and fall) who is still alive to take part. And that’s some feat given the feuds and the strong feelings that people have about it all. The Jerry Jones-Jimmy Johnson situation was quite something, for perspective it was only in 2023 that Johnson was inducted into the Cowboys Ring of Honor – nearly 20 years after the three key players of the Super Bowl winning teams that he coached. And they’re all pretty frank too. It’s very warts and all – not just with the backroom staff, but with players admitting their drug use and the special treatment they got from the police. So there’s plenty of salacious stuff in here for the casual view and fan.

The thing that really struck me was that it felt like while the massive success was happening, the players and the organisation didn’t really seem to think it would come to an end – like this is the Cowboys domination era and it will continue. And these things never go on forever in sports – whether it’s Manchester United in football or Ferrari or Red Bull in F1 you can’t stay on top forever no matter how hard you try. I also found it really interesting to help understand some of the decisions that the organisation (well Jerry!) has taken since. Even though the documentary glosses over the last thirty years quite a lot, if you’ve been following the team you can see Jerry trying to recreate the trades or the deals that brought them to that early 90s domination in the hopes that it will bring it back again.

And that explains why fans can get so exasperated with the Cowboys – it’s the most valuable sports franchise in the world according to Forbes (and has been since 2016) but it hasn’t won the SuperBowl or a Conference championship 1995. Jerry is the General Manager of the Cowboys as well as the owner – and that’s not a usual thing. But watching him in this, he’s supremely unbothered by what people think of him – he wants to do it his way or not at all.

This one is on Netflix – if you’re a sports fan it’s an interesting watch but if you’re a casual viewer and only going to watch one documentary about the Cowboys though, it should still be the first season of America’s Sweethearts!

comedy, not a book, streaming

Not a Book: I’m Chevy Chase, and You’re Not

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Happy Sunday, it’s documentary o’clock again, and this is one that came out around New Year, so I’m even kind of topical for once. Check Me.

I’m Chevy Chase and You’re Not is a documentary film exploring the life and career of Chevy Chase. For those who are younger than me: Now in his 80s, Chevy Chase was the breakout star from the first season of Saturday Night Live in 1975 and left the show in its second season to go to Hollywood. In the 1980s he was in a string of box office hits – in Caddyshack, three National Lampoon’s Vacation movies and the one I remember being repeated on TV when I was a child: Three Amigos. But as the 90s progressed his movie career stalled out and he only really returned to prominence when he was cast in the sitcom Community in 2009, and then that ended badly. As you can see from the trailer, this has interviews with the man himself, his family, some of his costars and others who have worked with him behind the scenes and a few other famous talking heads.

Now the other thing that you need to know about him is that he’s got a bit of a reputation for being an “asshole”. I read Nick de Semylen’s Wild and Crazy Guys back in 2023 and he didn’t come over as particularly sympathetic in that. And he’s not helping himself out in some of the interviews that he does for this either. There are some glaring absences among the talking heads of people who have worked with him. So he’s not a massively sympathetic figure a lot of the time. But his childhood sounds grim and he’s been married to the same woman for more than 40 years and so that helps soften him a little. And he’s been ill recently – with time in a coma which has left him with some memory loss, which along with the coke addiction may mean that he’s not (always) lying when he says that he doesn’t remember doing or saying what others say he did or said.

This is directed by Marina Zenovich, who also made Lance about Lance Armstrong (which is really good) and Robin Williams: Come Inside my Mind (which I have on my to watch list) as well as other documentaries including two about Roman Polanski and another about Richard Prior. So she has plenty of experience with making films about comedians and it shows because the clips she’s picked of Chevy in his comedy prime are really good. If you weren’t around for his hey day (which I wasn’t) it’s easy to just dismiss him because of the stories about what a nightmare he can be. But he’s hard going when he’s not playing a character. He really is. Just read this New York Times interview he did with Zenovich to promote the documentary if you don’t believe me.

This is on Sky Documentaries and Now TV in the UK and on CNN in the US at the moment. It is due to appear on HBO Max at the end of January

Happy Sunday!

not a book, streaming

Not a Book: Death Cap

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Happy Sunday everyone, I’m back with a documentary series for you this week, but just a warning to start with, it may make you wary of eating mushrooms for a while after you eat it!

Has there been a more notorious true crime case in the last five years than the case of the Mushroom Murders in Australia? I’ll wait. Erin Patterson invited four of her in-laws over for lunch and afterwards three of them died and the fourth nearly died. When the investigation started it discovered that the four victims had ingested death cap mushrooms. The story was soon being covered by international media outlets, and when the trial happened this summer there were multiple daily podcasts about the case as well as a huge amount of reporters from around the world covering the case.

This is a three part documentary which explores the investigation and trial and has the advantage of many true crime docs because of all the coverage that this case had. I’m not a big true crime person, but so many of the series that I have watched are reliant on reconstructions. This does not have that issue. There were journalists on the ground from the start, this was clearly in the process of being made during the trial and because it’s so recent the memories of the locals that are interviewed are fresh. It’s so fresh in fact that Erin Patterson’s appeal against her sentence (sorry, spoiler!) was only lodged in November.

For me, the most interesting part of this case was seeing and finding out more about the part of Australia where this happened. Leongatha has a population of less than 6,000. Morwell where the trial took place has around 15,000 residents. They’re both in the Gippsland area of Victoria, which basically looks like beautiful English countryside and not like the desert outback that you so often picture when you think of Australia. And the Paterson case turned the town upside down – firstly because everyone knows everyone there and secondly because of the huge attention it garnered. I watched all three episodes back to back one night in the run up to Christmas and could have watched another hour if there was one. All of which means that I suspect this won’t be the last content about this case I consume, even if I haven’t knowingly eaten mushrooms since!

If you want to watch this, it was made by the Australian streamer Stan and has been sold on to various different streamers in other parts of the world. The trailer I found on YouTube is for CNN and says it’s a CNN Original, but in the UK it’s on Netflix. So you may have to have a little hunt on your local streaming services to find out where this is in your territory.

film, not a book, streaming, tv

Not a Book: What I watched this Christmas

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Happy Sunday everyone, it’s the last day of the Christmas and New Year holidays and so I thought I’d treat you to a recap of some of the Christmas viewing in my household.

I should start by saying that much sport has been watched, thanks to the Africa Cup of Nations, the Premier League and the NFL. Three months until the motorsport seasons starts again. Which, given the seasons only ended in December this year is altogether too short a break for all the teams and people involved. But that’s a story for another day.

We have also watched an awful lot of Taskmaster. This is because there was a Champion of Champions on this Christmas and I realised that we had only watched two of the seaons that the champions were from. So we’ve now watched all of series 18 and 17 and havr started series 16 which I have definitely seen some of but not all of. Fun fact: This time last year I hadn’t watched any Taskmaster at all, I watched my first ever episodes a year ago next week as it was on in the background when I was visiting my sister and her new baby. And now I have watched rather a lot of episodes just with not a lot of logic or order to them.

BBC Four is often the home of unexpected treats. This year one of them was the John Le Carre night, with a couple of documentaries and the first two episodes of the Alec Guinness adaptation of Tinker, Tailor, Soldier, Spy. The whole series is on the iPlayer. In fact there was a bit of a spying theme to some of my watching, because as part of the tribute night to Prunella Scales, BBC Four also showed the TV adaption of Alan Bennett’s play A Question of Attribution about the Soviet spy Sir Anthony Blunt which has a rather scene stealing turn from Scales as Elizabeth II.

Then there was Secrets of the Conclave about the behind the scenes of the real selection of the new Pope – which had a really good selection of talking heads, including the two British Cardinals who were there, one of the American cardinals and Cardinal Tagle who was named as one of the Papabile ahead of the conclave. I definitely got the feeling that one of the reasons the people were so willing to take part in this was because they had thoughts on the movie Conclave and wanted to set the record straight on how it really works – as opposed to how the Robert Harris book and movie say it goes. But that just made it an even more interesting watch.

It was also a particularly good Christmas for movies – especially old favourites. Both Murder on the Orient Expresses (Finney and Branagh) as well the Ustinov Death on the Nile and Evil Under the Sun for the Agatha Christie fans. There were a string of classic movies including Alfred Hitchcock’s The Man Who Knew Too Much and North by Northwest and Carol Reed’s The Third Man. If you wanted something a bit newer there were some Austen adaptations as we’ve just come past the 200th anniversary – with the Emma Thompson Sense and Sensibility and Clueless. I also watched When Harry Met Sally again, because how could I not, especially after the death of Rob Reiner and his wife just a few weeks ago.

And finally, it will not surprise you that I watched Kiss Me Kate again when it was on TV on New Year’s Eve. And I’ve kept it on the box so I can watch it again at a time of need. If you haven’t watched it yet despite this being the third time I’ve written about it, you can find it on the iPlayer for then next year.

Have a great Sunday and I hope you don’t have the return to work horrors ahead of the back to normal tomorrow.

book adjacent, film, streaming

Book Adjacent: Muppet Christmas Carol

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It’s Christmas Day, and I probably should have posted this yesterday because most of the action takes place on Christmas Eve, some of it is on Christmas Day, so I’m going with it. And yes I realise that this my second post about a Christmas Carol adaptation in less than a week but I maintain that this isn’t just the best Muppet Movie, it’s also the best on screen Christmas Carol adaption.

I can’t believe any of you don’t know this, but The Muppet Christmas Carol is the Muppet’s take on Dickens’ classic novel. Michael Caine plays Ebenezer Scrooge, and human actors play his nephew and his nephew’s wife, as well as Scrooge’s former love interest, but every other character in the story is played by a muppet. Kermit is Bob Cratchit, Miss Piggy is his wife, The Great Gonzo is Charles Dickens guiding us through the story, with the help of Rizzo the Rat (“light the lamp not the rat!”).

I think it goes without saying that Michael Caine is brilliant in this. There’s this quote that does the rounds on reddit every year about the movie:

The reason Michael Caine and Tim Curry are so good in their respective Muppet movies is that Michael Caine treats the Muppets as fellow actors, and Tim Curry treats himself as a fellow Muppet.

And it’s right – I’ve seen quotes where he says he treated it like he was acting at the RSC – deadly serious, straight acting. And he clearly loved making it and loves the film – as you can see in this GQ interview from 2016. But as well as Michael Caine being excellent, the Muppets are great and they’re playing characters that aren’t (just) themselves. And there are so many little touches that make it brilliant – like adding a second Marley brother so that they can be played by Stadler and Waldorf, Tiny Tim being Robin the Frog but all the girls being pigs.

So it’s got great acting, but it’s also got songs and a surprising amount of actual Dickens dialogue and it will make you smile what ever time of year you watch it. One of my friends had this on VHS when we were kids and we would watch it maybe every other month when I was over at hers. I think I knew all the words to all the songs and could probably still remember most of them although an extra one has been restored since so I’m not as good on that.

It’s on Disney+ these days, but you can also rent it from other streaming services if you don’t have that one.

Happy Christmas!

film, not a book, streaming

Not a Book: Knives Out 3

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I’m breaking my own rules today, and instead of a post about a book series, it’s a post about the latest movie in the Knives Out series, which is hitting Netflix in the UK today after a two week cinematic release – and we went the other weekend.

Wake Up Dead Man sees Benoit Blanc return to investigate the death of Monseigneur Jefferson Wicks, a charismatic but fire and brimstone type priest, who is killed in a seemingly impossible crime during the middle of taking mass. He is assisted by Reverend Jud Duplenticy, a young priest who has been set to Wick’s church as punishment for having punched another deacon. Jud is the obvious suspect – as he has had conflict with Wick, but despite the fact that Wick’s congregation is in a thrall to him, but all of them might also have reason to want him dead.

I’ve seen all of the Knives Out films at the cinema and I don’t remember the other two being as laugh out loud funny as this one is. As in there were multiple moments where the screening I went to was audibly laughing at the movie. There is also a literary connection to this, which I can’t explain without spoiling the plot, but which had my brain working in the background of watching it to try and figure out what clues I could take from it to the solution. Daniel Craig looks like he’s having a ball as Blanc – again – and that just adds to the fun of the thing too. The supporting cast is as starry as ever, I particularly enjoyed Andrew Scott’s turn as

It does have a slightly different tone than the previous films – but not so different that if you didn’t like the previous movies I don’t know that this will change your mind. I think Rian Johnson is also making more commentary on the state of the world at the moment as part of this as well. If the last movie was picking at the ultra-rich and their lives, this one is going at organised religion – and that may hit differently with audiences too because obviously there are more people involved in religion than there are ultra rich! I’ll definitely be watching it again on Netflix though to try and spot the things that I missed first time around too.

Have a great weekend.

not a book, streaming

Not a Book: Victoria Beckham documentary

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It’s Sunday again everyone and I’m back with a Netflix documentary series.

Last year we had Beckham, about David Beckham, this year we have Victoria Beckham, about his wife the artist formerly known as Posh Spice who is now a fashion designer. As it’s framing device this is focussing on the fashion business in the run up to a big show at Paris Fashion Week.

Now I’m not going to lie, this is no where near as good as the first one. We’ve covered the contours of Posh n Becks life together in the first doc and so there are times when there is not a lot of new to say. There is a lot about her fashion brand and if you were reading newspapers or online gossip pages when she started that up you will remember the suggestions that Roland Mouret was doing all the work, and she (and Roland) have Things To Say about that. And of course if you’ve been following the Family Drama, you will spot the notable absence of Brooklyn from the documentary, but it’s never discussed – and he wasn’t at Windsor Castle this week when David was knighted so it’s clearly all still going on.

If you’ve watched the first one, the second one is worth watching for contrast and completeness, but if you haven’t then watch the first one instead. No memes will be spawned by this new one…