Now I’ve written about Albert Campion as well as Peter Wimsey, it would be remiss of me not to write about Ngaio Marsh’s brilliant creation, not least because I spend as much time re-reading or re-listening to the Roderick Alleyn mysteries and watching the BBC TV versions while I iron as I do revisiting Wimsey or watching Miss Marple. And as I have now finished reading the series, having treated myself to the last omnibus in the January sales, this is an even better time to write about them!
In some ways, Roderick Alleyn is another of the gentlemen detectives so popular in Golden Age detective fiction – he’s a well-educated younger son of a baronet, born in the 1890s and who served in the First World War – but with one major difference: Alleyn is actually a police officer. At the start of the series, in A Man Lay Dead he’s a Detective Chief Inspector, by the end he is a Chief Superintendent. A Man Lay Dead was published in 1934, the final novel came out in 1982 and the setting of the series moves with the time period – although Alleyn’s age… doesn’t really. At the start of the series Alleyn is single, but later marries artist Agatha Troy, who he first met during the course of the case in the sixth book. Troy, and later their son Ricky, pop up in several more cases, but by no means all of them -his regular companions are Inspector Fox and xxx Bailey.
Most of the books are set in and around London and the south of England, but there are several novels set in Marsh’s native New Zealand. Marsh was passionate about the theatre and the arts and several of the novels are feature actors as well as the Unicorn Theatre in London and artists and artistic circles. This means there’s a really nice variety of settings, and combined with the fact that Alleyn is a police detective, helps avoid the series seeming repetitive of like bodies are following Roderick around. Alleyn is also a more peripheral figure in some of the novels than many of the other Golden Age detectives are. In A Man Lay Dead, most of the story is mostly told from the perspective of Nigel Bathgate, friend of Alleyn and a guest at the party where a man has been really killed during a game of Murder, A Surfeit of Lampreys is seen through the eyes of Roberta Grey, visiting a family of penniless and eccentric aristocrats when their uncle is killed in a lift and there are more.
As I mentioned at the start, I’ve read all the books now, but I’ve watched the early 90s TV adaptation so many times that I’ve had to go back and do some actual re-reading of the novels as the TV versions are colouring my memories of the novels slightly. There are eight TV Alleyns – and there are a few differences from the book. The most obvious is probably that Troy is in almost all of them, with the relationship between the two their relationship builds over the course of the series. The second is the condensing and moving of the timeline – while the series starts before the Second World War and continues in the post-war period, the TV series specifically sets the first case in 1948 and moves on from there.
There are also fairly major alterations to the plots – some have less victims than their book equivalent, others have characters removed and replaced, others have extra subplots added in and others taken out. The other obvious difference for the viewer is that two different actors play Alleyn – Simon Williams in Artists in Crime, the pilot episode and the story where Alleyn meets Troy, and Patrick Malahide in all the others. Williams’ Alleyn is also a slightly different character – he’s said to have had a difficult war and is seen having some emotional difficulty with the resonpsibilty of the job – generally more Wimsey-ish than when Malahide plays him in the subsequent episodes. I have reminder set on my TiVo box to record The Alleyn Mysteries and generally have two or three saved at a time for watching while ironing. My favourites are – bizarrely – the aforementioned pilot and Dead Water In fact if you fancy it, Alibi are showing two Alleyn’s this weekend and another two the week after. They all have the added bonus that if you’ve watched any other murder mysteries (or costume dramas to be honest) of the same sort of vintage, you can spot the same people popping up all over the place – particularly the Joan Hickson Miss Marples: Emily Pride in Dead Water is played by Margaret Tyzack who plays Clotilde Bradbury Scott in Nemesis; in Artists in Crime, Rory’s mother Lady Alleyn is played by Ursula Howells who is Miss Blacklock in A Murder Is Announced. They are not the only ones, but they’re probably the most obvious*. There’s also cross over with Campion and Poirot as well as the BBC TV Narnia adaptations…
Several of the Alleyn mysteries are on fairly heavy rotation in my audiobook library. I think I’ve mentioned before that I am Very Bad With Silence and often listen to audiobooks to go to sleep to while I’m away from home. And the audiobook fan is particularly lucky with this series – there’s abridged and unabridged versions of many of the novels with a variety of different narrators. Benedict Cumberbatch has done shortened versions of three of them – Artists in Crime, Scales of Justice and Death in a White Tie – but I also like Anton Lesser (who is particularly good at accents). And if you want something even shorter there are also a few radio plays available on Audible. My favourites on audiobook are probably the Cumberbatch Scales of Justice and then Lesser’s Opening Night and James Saxon’s unabridged Final Curtain.
If you fancy trying some Inspector Alleyn, you should be able to get hold of them fairly easily – they are available as ebooks, or as the three novel omnibuses that I have and they’re often in secondhand bookshops (although not usually charity shops, the most recent editions are a bit too old). I started at the beginning and worked my way through (over the course of just under five years) but I don’t think you need to read them in order to enjoy them. There is also an unfinished Alleyn, recently finished by Stella Duffy, which is out in paperback next month and which I have on my to read pile to get to sooner rather than later now that I’ve finished the series proper. If you’re an Alleyn fan, let me know which your favourites are in the comments – and if you’ve read the “new” one let me know what you thought!
*Keen Marple readers/viewers will spot what those two characters have in common, which is why they sprung to mind!
47 thoughts on “Series I love: Roderick Alleyn”
Would you by any chance have an audiobook of “Scales of Justice” by Ngaio Marsh, read by James Saxon? Would be great if you could help? Many thanks.
Pretty much all of my audiobooks are via Audible rather than actual physical audiobooks. I do have Scales of Justice – twice – from Audible but the Unabridged is Philip Franks and the abridged is Benedict Cumberbatch…
Thank you so much for coming back to me – I’ll have to get back to the drawing board I think, will just keep trying. Thanks again.