Tag: not a book

book adjacent, theatre

Book Adjacent: The Lion, The Witch and the Wardrobe

veritywilde

I’ve got another lovely theatre visit to tell you about this Sunday – but if you want to see it in London, you’ll need to hurry, because it is only on in London until September 7th, then it’s back out on tour around the UK.

I can’t believe there’s many people out here who don’t know the story, but in case you don’t the four Pevensie children have been evacuated to escape World War II and find themselves living in a big house, owned by a professor. In the house there is a wardrobe that leads to the land of Narnia, which the children help free from the tyranny of The White Witch, with the help of Aslan the Lion and some talking animals. This is a really neat and compact adaptation – it’s a tight two hours ten including interval, which considering the 2005 movie was two and a half hours, and the 1988 tv series which I grew up on was 6 parts and nearly three hours in total. It’s still got all the stuff you remember – Mr Tunmus, the Turkish Delight, the Beavers, Father Christmas etc – so you won’t be disappointed on that front, but short enough that children (hopefully) don’t get too fidgety*.

I wouldn’t exactly describe this as a musical, but it has got some songs – wartime inspired in the “real” world and then folky ones in Narnia. The supporting cast are playing the instruments as well as dancing and playing multiple characters so they’re a really talented group. The children near me seemed to find Maugrim (the chief of the secret police) scary, but that was the only bit that seemed to be an issue- and I think the child in question was about five. There are some great bits of stage illusion and puppetry too so it would make a great alternative to a panto if you’re near Salford at Christmas.

Honestly it really flew by and I would totally recommend it, maybe not as a first show for children but certainly as an early theatre experience. It’s got some really clever puppetry and set design to turn a stage into a magical land. I don’t even think you really need to be familiar with the original book to enjoy 5)3 show.

The Lion, the Witch and the Wardrobe is at Sadlers wells until early September and then it goes back out on tour around the UK. You can find tour dates here.

*the night I was there someone had been giving out bags of popcorn and the noise was insane for the first 20 minutes or so, but there wasn’t any restlessness before the interval.

not a book

Not a Book: National Trust Roundup

veritywilde

It’s summer and we’re trying to take advantage of the good weather to get out and about a little bit and make use of our National Trust cards a bit. We live in a little bit of a National Trust desert, so you have to go a little bit further afield meaning we often end up doing things on the way home from somewhere else. Our latest jolly was over to Norfolk for a couple of nights, mostly to a concert at Sandringham, but it we did two Jacobean mansions on the trip.

Lets start with the bigger of the two: Blickling. This is a Jacobean house built on the same site as an earlier house that is believed to be the birthplace of Anne Boleyn. Designed by the same architect as Hatfield House, it has a main building with two wings alongside and framing the main building. The main house has an important and large collection of books and manuscripts in the various libraries and galleries. It’s got huge grounds including a lake, a big walled kitchen garden and a parterre. It’s also got a museum dedicated to the RAF base that was set up nearby in World War 2 and whose personnel were housed at the house. It’s also got a big second hand bookshop. There is plenty to do and see – we were there on a really, really hot day, so we didn’t do any of the walking trails (there are loads) because we didn’t want to melt, but you could really easily spend the whole day here.

Felbrigg is the smaller house – and we were expecting it to be the quieter one, but it actually seemed a bit busier, possibly because we arrived just as the house was opening for the day and so maybe it seemed like there were more people in the house than at Blickling. It was in the same family for most of its life and has a really interesting collection of artefacts from the family’s travels over the centuries. It also has a fair bit of bird taxidermy, which is in the process of being conserved. In fact there are a few conservation projects going on here, including on their state bed, and I appreciate the information that the National Trust now gives you about the work that they’re doing on their properties.

Talking of taxidermy and conservation, I present Calke Abbey in Derbyshire, which we visited a few weeks ago after a night out seeing Tim Minchen in Nottingham. This is a very different stately home, because it has had very little restoration and is largely in the state that it was when it was handed over to the trust, at the end of about a century of decline. The work at the Abbey has been about preventing further decay and stabilising what remains. So many grand houses were lost in the 20th century as the world changed and the families who owned them could no longer afford the upkeep and Calke demonstrates that – as the money started to run out, the family just shut up more and more of the house and lived in smaller and smaller portions of it. So there is peeling wallpaper, abandoned rooms, and so much taxidermy. I cannot tell you how much taxidermy. Honestly, the last time I saw this many stuffed animals and birds was when we visited the National History Museum at Tring. And yes, Tring has more, but it’s a museums you expect that!

One thing that all three of these had in common was that the National Trust have made a big effort with the activities for kids this summer. All three of these had a Summer of Play area with games and activities to do, there are passports for children to get stamped and trails and treasure hunts. I’m pretty sure I would have been a lot more enthusiastic about National Trust trips when I was little if all this had been about then!

Have a lovely Sunday everyone.

not a book, streaming, tv

Not a Book: Death Valley

veritywilde

Happy Sunday everyone. This week I’ve got a recommendation for you if you liked Ludwig and need some comedy murder mystery in your life. I’m a bit behind because the series finished a few weeks back on TV in the UK, but hey I’ve been very busy and there’s been a lot of motosport to keep up with.

Death Valley features a detecting duo of an actual police detective and an actor best known for playing a TV detective. Janie is somewhat socially awkward, still lives with her mum and has never really got over the death of her best friend back when they were students. John Chapel has retired from acting after his big role as Caesar and is basically hiding out in his home in Wales after the death of his wife. It’s got a mystery of the week format with a few running threads across the series as well.

We really enjoyed this – the episodes are only 45 minutes so don’t expect them to be super complicated – they’re just a light confection that you can watch without engaging your brain too much or being too terrified to go to sleep! They definitely lean into the comedy side of things – so your mileage may vary, but I definitely found them a lot more fun than when Death in Paradise leans into the comedy. And the cast is great. Timothy Spall is always a lot of fun to watch and Gwyneth Keyworth is really engaging as Janie and their fractious relationship makes for a really fun watch. We actually saw Keyworth in Twelfth Night at Stratford back at the start of the year and she was a great Viola/Cesario as well. There are lots of other familiar faces in the cast as well, including Steffan Rhodri, Melanie Walters and Jim Howick in the regular cast and people like Patricia Hodge among the guest stars.

This one is on the iPlayer and if you’re not in the UK, it’s on Britbox. I don’t think there is any official word on a series two, but series one did well in the ratings and that production of Twelfth Night I mentioned has announced a run at The Barbican over Christmas where it’s mentioned that Sam West and Freema Agyeman are reprising their roles – but not Gwyneth Keyworth (yet at any rate) so it could be that’s because they’re filming season 2 in the autumn. We can hope anyway…

not a book, theatre

Not a Book: Nye

veritywilde

Happy Sunday everyone and I apologise profusely for doing a theatre show two Sundays in a row, but this one only has a couple of weeks left in London (and then a run in Wales) so I’m trying to give you the best chance to get to see it if you want to!

In case you don’t know, the Nye of the title is Anuerin ‘Nye’ Bevan – who was the Health Secretary who created the NHS. The play finds him faced with death and reliving the key moments of his life. Michael Sheen is playing Nye and is turning in an amazing performance as the former miner turned union official then politician and eventually minister. Apart from Sheen and Sharon Small as his wife Jennie Lee, the rest of the cast are all playing a variety of roles as you travel through the moments in his life. I knew the rough outlines of his life story but really that’s not necessary to follow the play – once you’ve got the idea that it’s all going on inside his head (and hopefully the pyjamas are the clue to that).

I’ve put the trailer in if you want a taste, but basically this is a really clever and well put together journey through one man’s life that also outlines what healthcare provision in the UK was like before the NHS and how it was brought about and the resistance it faced. As someone who has only ever known healthcare through the NHS, it is easy to not realise what the reality was before the NHS and this really captures that. It’s 2 hours and forty minutes (including interval) but it really flies by. And you get a rendition of Get Happy (one of my favourite Judy Garland performances) to boot.

It’s on at the National until August 16 and then it moves to the Wales Millennium Centre from the 22 to 30 August.

not a book, theatre

Not a Book: The Midnight Bell

veritywilde

I’m back in the country and back in the theatre this weekend, and this time it’s the new Matthew Bourne show, which was in my town this week. This is great to start with, because my local theatre didn’t use to be on the touring list for him, but now it is which is a good sign. The theatre was very full on Tuesday night and stayed pretty full for the q&a with Matthew Bourne himself afterwards.

So The Midnight Bell is a series of interconnected stories, all playing out at basically the same time in and around a pub in Soho in the 1930s. It’s inspired by the novels of Patrick Hamilton, which I will admit I haven’t read but during the Q&A (and in the programme) Matthew Bourne explained that he has mixed characters from different novels together, added his own and made it all a bit less bleak than the novels are. And it’s definitely darker than some of Bourne’s other works that I’ve seen (currently standing at six of his New Adventures shows plus the latest production of Oliver! which he choreographed) and perhaps less hopeful. But it is brilliantly atmospheric – dark and seedy with beautiful dancing and acting.

I think this is the best cast of dancers that I have seen for a New Adventures show – it’s got lots of their longtime company members all doing brilliant work. There are two people for each role, so there are lots of variations on who you could see, but almost all the names were familiar to me and I was excited to see Dominic North again, as well as Liam Mower. As I said at the top, the theatre was very full on Tuesday night, although I was disappointed to hear some people grousing at the interval about the fact that there was a gay storyline and a couple of couples left. But they missed out because the second half – set a month after the first act – has even more beautiful dancing and clever and interesting resolutions to the various storylines. I liked the device of having characters miming to old songs as well – it added to what you understand of the characters and their motivations and is something different that I haven’t seen Bourne do before – in the Q&A he said he liked it because it is “on the edge of not working, which makes it exciting” and I would agree with that.

This is on tour through until the autumn – check out the New Adventures website for dates and locations, and most of them also have a Q&A night too.

Have a great Sunday.

film, not a book, streaming

Not a Book – Liza: A Truly Terrific Absolutely True Story

veritywilde

Another Sunday, another documentary from me. And it’s probably not unexpected that a musicals geek like me would watch a documentary about Liza Minelli, but I’m here to make a case forwhy you’d be interested in it even if you’re not a fan of musicals or divas.

This is a documentary about Liza Minelli, which focuses principally on Liza’s life after the death of her mother Judy Garland, and her work establishing herself as separate to her mother and building her own legacy and legend. As you can see from the trailer, Liza is in it (a lot) as are numerous of her friends – both famous and not.

Liza’s life is pretty incredible. She’s the daughter of one of Hollywood’s most beloved (but troubled) stars and a legendary director of musical films, She was in the public eye from the day that she was born, but she went on to be an iconic performer herself. She’s one of only six people to be a non-competitive EGOT – her Grammy is an honorary one, but she won her Oscar, Emmy and three Tonys in competition (and has a fourth honorary Tony too). And that career is covered extensively in this documentary.

But the reason that I think that this is of interest to people beyond the Liza fans, is because of that life time of fame. Liza has never really had a private life, and she’s had a public persona from the moment her parents first put her in front of a camera. in a way, she’s one of the last vestiges of the studio system: a child brought up in the business who watched how her mother was portrayed in the press and who has deliberately and constantly guarded what facets of herself she shows to her fans and her public when she’s not performing. So don’t go expecting any big revelations or confessions here – but that’s what I found so fascinating – what Minelli is like in normal life is essentially unknowable unless you’re in her inner circle. And you get glimpses of that from the friends and family – but just that, glimpses because her one overriding motivation in her public persona is to prove to everyone that she’s not Judy Garland and that she didn’t inherit all the problems that her mother had.

So it’s incredibly watchable, but there’s a lot of smoke and mirrors. There’s loads of great archive and lots of evidence that she’s a kind person but she’s not going to tell you how she feels, or what she really thinks. I know that Peter Allen was the husband that she liked the most – according to her friends but there’s nothing really good or bad from her about any of them, although various of her friends are not shy to tell you that they really didn’t like David Gest. She’s still sticking to it that she never really saw any drugs at Studio 54, despite all other evidence to the contrary. You come away feeling doused in showbiz pizzaz, and slowly realise that you’re none the wiser about the reality. Just fascinating.

This one is available on different streaming services depending on where you are – in the UK it’s on the iPlayer at the moment.

Have a good Sunday!

not a book, streaming

Not a Book: Hillsong Documentaries

veritywilde

After writing about Scamanda a couple of months ago, this week we’re in another one of my special interest/fascination areas – mega churches. And the mega church in question here is Hillsong. Firstly for those of you who haven’t come across them before, Hillsong is a charismatic megachurch that started in Australia and spread through the world. They had a very successful music arm which wrote Christian pop and contributed to the church’s success, and then gained fame when one of their pastors, Carl Lenz became spiritual advisor to celebrities like Justin Bieber.

Hillsong first came to my attention when Vanity Fair ran an article about them in 2021 when a scandal blew up around the church’s charismatic pastor. And soon after a documentary popped up – and then in 2023 a second Vanity Fair article about them after a documentary series on Hulu. And as at the moment I’ve got both Disney+ and Discovery+ I’ve watched both of them and I’m here to give you my thoughts!

So the Discovery+ doc was the first one to come out – and covers the founding of the church, the rise and fall of Carl Lenz and other current day scandals and then the historic child sex abuse allegations. It has a final episode which came out six or so months after the first three and covers the fallout to the original three episodes.

The Secrets of Hillsong came out in 2023 and covers a lot of similar ground in terms of the founding of the church, the Carl Lenz scandal and the historic child sex abuse scandal. But what it has that the Discovery+ one doesn’t is interviews with Carl and his wife as well as the latest on the downfall of the church’s founder Brian Houston.

If you’re only going to watch one of these – and given that each is four parts, we’re talking about eight hours of your life if you watch all of both – then The Secrets of Hillsong is probably the one. And that’s mostly because of actually hearing from Lenz but also the fact that it covers some of the later allegations made against Brian Houston. But each of them had stuff that the other didn’t – so if you’re going to watch both, do it chronologically and watch Mega Church exposed first and then do Secrets of.

And if you’ve got any more documentaries (or podcasts) about mega churches or cults and their scandals, drop them in the comments for me, because I’m still fascinated!

not a book, theatre

Not a Book: Sondheim Shows

veritywilde

I did two Stephen Sondheim shows in just over a week and I have thoughts. I mean I always have thoughts, but I particularly do this time. You may remember from my post about Old Friends (which coincidentally has just finished up a run on Broadway) that I have seen a lot of Sondheim documentaries and love a lot of his music.

The first of the duo was Here We Are, Sondheim’s final show which he was working on for about the final decade of his life. It’s based on two Luis Bunel films and is as bonkers as you might expect considering that. It’s also, as you can probably tell from the video below possibly Peak Sondheim. There were a bunch of moments where the music reminded me of other Sondheim shows, which I don’t remember ever thinking at one of his shows before. I would not suggest you pick this for your first experience of Sondheim, but if you like him you will probably enjoy this – even though it has a lot less singing than I was expecting. The production at the NT had a brilliant cast – Jane Krakowski, Jesse Tyler Ferguson, Rory Kinnear, Martha Plimpton, Paulo Szot and Tracie Bennett have got five Oliviers, three Tonys and an Emmy between them – and they were great. I am so glad I saw it, but I won’t be running back to see it again the way I did with Follies.

The second show was the Southwark Playhouse revival of The Frogs, which is Sondheim’s musical based on the ancient Greek comedy by Aristophanes from 405BC. Sondheim’s version premiered in the mid 1970s and was described as “freely adapted” from the original, and then in 2004 Nathan Lane “even more freely adapted” it to the current book and Sondheim wrote a bunch of new songs for it. The plot is that the god Dionysus and his slave Xanthius are going to Hades to bring back George Bernard Shaw to raise the standard of drama being produced. If you’ve watched the recorded version of the original Old Friends concert or the Sondheim 80th birthday concert, the song from this that you will know is Invocation and Instructions to the Audience.

And it was such a good night. The cast was great, especially the ensemble who were rotating through different roles as well as acting as a chorus and the dynamic between Kevin McHale (of Glee fame) as Xanthias and Dan Buckley as Dionysus was great. I laughed a lot and came away humming the music. I definitely liked it more than I liked Here We Are – if another production of Frogs come around in a few years time I would go and see it again, and this is the one that I would be recommending to people of the two.

From my observations the night that I saw it, there was a considerable amount of the audience who were there to see Kevin McNally, rather than because they love seeing Sondheim shows. But that’s fine. Sondheim can be a hard sell, and a plot based on an Ancient Greek comedy might also not appeal to the casual theatre goer, but this was so good and so much fun hopefully they all went away as happy as me and might give another Sondheim production a go in future. I hadn’t actually been to Southwark Playhouse since it moved to it’s current location (which is more than a decade ago so shame on me) and so I was playing seat roulette a little bit but my front row spot on one of the sides was great and you really were quite up close and personal with the cast!

Both of Here We are and The Frogs finished yesterday, so it’s already too late for you to go and see them so sorry about that. And as ever with Sondheim who knows when they will be put on again. Oh and by the way, I’m still hoping for a DVD of the National Theatre Follies…

not a book, streaming

Not a Book: America’s Sweethearts is back

veritywilde

One of my favourite documentary series from last year is back! We have a second season of America’s Sweethearts, Netflix’s documentary about the Dallas Cowboys Cheerleaders. I wrote a whole post about last year’s series – and I think you really need to watch that one to get the most out of season two, and I say that as someone who is only two episodes into the new season. So do go and read my post from last year and then go and watch it. As I said last year so many people I know watched it who aren’t into sport but also people who are really into sport but not into dance – the first series was just a really good documentary. I’m not sure how series two can live up to that, but I’m excited to see it try! Oh and in case you’re wondering – the original subreddit still hasn’t come to terms with the fact the change to the series compared to the CMT one…

Have a great Sunday.

not a book, streaming, tv

Not a Book: Signora Volpe

veritywilde

Back with a TV/streaming recommendation today, for those of you who like a murder mystery series at the gentle end of the spectrum.

Our set up is this: in episode one Sylvia Fox, a British spy, is off to Italy for her niece’s wedding. Then someone turns up dead and the groom goes missing so she starts to investigate. There’s a hot Carabinieri officer and by the end of the first episode she’s solved the crime, decided to take a career break and bought a house to do up. There are two more two hour mysteries for her to solve in series one and another three in series two. And I really do hope we get a series three.

For all that Sylvia is an ex spy, these are pretty chill mysteries – there’s not a lot of blood, no jump scares and until the last episode of series two not a lot of peril. And by the time you get to that final episode you’re fairly sure it will all work out ok in the end. There’s lots of beautiful scenery and I want Sylvia’s house, wardrobe and defensive driving skills. I’ve been watching Emilia Fox in things since she was Georgiana in Pride and Prejudice and she’s always very watchable and in this she makes a nice duo with Tara Fitzgerald as her sister.

There are a few occasions in series one why you wonder why the Italian characters are speaking English to each other rather than Italian, but that’s mostly sorted out in season two. The romantic strand is very slow moving – and more long looks and brooding stares than anything else (so far) but Capitano Riva does a very good brooding stares than anything so I forgive it and just hope that we get a bit of progress if we get a series three!

These have just been shown on U and Drama in the UK, and are on their streaming service at the moment, elsewhere in the world they are available through Britbox.

Enjoy!