This Recommendsday post has been a long time in the making, but actually really fits in with the theme of this month in a way – I’ve written about the theatre and careers on the stage a fair bit – but also featured a children’s film starring one of the actors in it!
Forever Young by Hayley Mills
So lets start with that one – Hayley Mills is the star of my favourite version of The Parent Trap, but was also the biggest child star of her day. She was born into an acting family – her father was Sir John Mills, her Mother Mary Hayley Bell and her sister Juliet is also an actress. She won a Bafta for her first film role and was signed by Disney. This book takes you through her childhood career and what happened when she grew up. It’s got plenty of Old Hollywood and British Acting Royalty detail in it as well as all the sorts of thing you want to know about being a child star and what sort of effect it has on you. It doesn’t talk a lot about her life after the mid-1970s, but given that most people are probably reading this because they’ve watched her juvenile performances, and by that point she’s all grown up and married, that’s probably a reasonably wise decision unless the book was going to be much longer. The good news is that I came out of the end still liking her, although some of the decisions she made in her early adulthood were not the best!
Home Work by Julie Andrews
From the star of one of my favourite childhood films to the star of two of them! This is the second memoir that Julie Andrews has written – and the first of them, Home, finishes just before she becomes a major star. So as the Sound of Music and Mary Poppins are among my favourite movies, I was looking forward to reading this to see what the experience of making them was like for her. And that is in there – but just not in as much detail as I was expecting. Andrews and her co-writer, her daughter Emma, rattle through 30 years of her career and personal life at breakneck speed and without ever really letting you in on what Andrews was thinking or feeling. She’s been in psychoanalysis since the 1960s, so you would assume that she has more insight into what was going on than she is telling you, but she’s definitely keeping you at an arms length and preserving that Old School Hollywood aloofness that some old school stars like her have cultivated since the early days of their career. Now whether some of her reluctance to talk about what must have been the very real difficulties of her second husband’s prescription drug dependence are because she was writing this not long after his death (or even before) and she doesn’t have the perspective yet, I don’t know. But for all that the details of making Mary Poppins and SoM are satisfying (in as much of them as you get, and I’m not sure there’s masses here I didn’t already know) the lack of everything else holds this back.
I Was Better Last Night by Harvey Fierstein
Most of us probably first saw Harvey Fierstein in Mrs Doubtfire – or heard his voice in Mulan, but Fierstein is something of a Broadway legend – he wrote the play Torch Song Trilogy, the book for the musical version of La Cage aux Folles and won a Tony as the original Broadway Edna in Hairspray. His memoir follows him through growing up in 1950s Brooklyn through all those big moments and achievements. It’s a long and hard journey – with addiction and loss along side spectacular highs but as well as being a personal story, it also shows the development and evolution of New York theatre in the last third of the twentieth century and the changing face of gay culture.
Mean Baby by Selma Blair
At the other end of the spectrum to Julie Andrews is Selma Blair’s memoir. Blair doesn’t hold anything back – her drinking from an incredibly young age, her fraught relationship with her mum, her self destructive behaviour – it’s all here along along with the professional successes you already know about, or at least that you know about if you’re my age – Legally Blonde, Cruel Intentions, Hellboy – and her activism after her diagnosis with MS three years ago. It’s a story of resilience through adversity and proof that no matter how someone’s life might look like on the outside – movie roles, front row seats at fashion shows – you never know what is going on in secret and the struggles that are going on behind the scenes.
And that’s your lot for this post. I do have several more actor memoirs sitting on the pending self, so there may well be a follow up at some point, but who knows when that might be given my current track record!
Happy Humpday everyone!
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