not a book, streaming, tv

Not a Book: Buffy the Vampire Slayer

I’m not going to lie, I had a different post in mind for today, but when news broke on Friday that Anthony Stuart Head had died, I went to delay Friday’s post to do a repost of my post about Buffy the Vampire Slayer only to realise that I have never written a post about Buffy. And so I thought that now was (sadly) the time to change this.

In case you have been living under a rock for the last nearly thirty years, I’m going to quote Anthony Stuart Head’s character Rupert Giles to explain the premise:

In every generation there is a Chosen One. She alone will stand against the vampires, the demons and the forces of darkness. She is the Slayer

Buffy Summers might look like an ordinary teenage girl but she is the Slayer. At the start of the first season she’s just moved to Sunnydale, California after getting expelled from her school in LA*. She wants to make a fresh start only to discover that Sunnydale is also the Hellmouth – a mystical portal between earth and other dimension and basically the place that all demons are drawn to. Thus begins seven seasons of vampire hunting, demon slaying and teenage angst for Buffy and her group of friends – known as The Scooby Gang.

I’m going to date myself here, but I was basically the perfect age when this arrived on screens in the UK. Buffy was ever so slightly older than me and I wanted her outfits, her boyfriend (Angel! Oh Angel!) and her wisecracks. I hated school a lot of the time so a high school could literally be hell was also appealing. Coincidentally, I had been watching the first series (again) earlier this week and put it on again while I was writing this and within minutes there was one (“bad hair on top of that outfit?”). I recorded every episode on video (in order) so that my sister and I could watch them again (and again). I used IMDB’s quotes feature (already in existence even back then), Microsoft word and coloured paper to create a wall of quotes on the side of my desk. The reason I got into spoilers is because I went on the internet as soon as series two finished to find out (spoiler) if Angel was really dead.

Obviously vcrs became obsolete a long time ago, and my budget never stretched to the DVD boxsets, so it was only when Sy Fy did a complete repeat from the start sometime after I moved to Northampton that I realised how much of my sister and my shared language is pulled from Buffy because it was a staple of our Saturday nights in together**. I have a strong preference for the first three series which I will happily rewatch over and over and there are probably some from the final series that I’ve still only watched once or twice max, but I can recite you whole chunks of other episodes and if I close my eyes and think hard enough I can still conjure up the scene in the Yoko Factor (season four) where Angel completely mentally outwits (stupid) Riley after beating him up physically.

It’s another one of those things where I have absolutely no perspetive on how it would work for someone who has never seen it – the pretty girl fighting the baddies (not getting killed by them) is not as subversive/revelatory as it was then, but I still think it’s funny and clever and great and the special effects aren’t even too awful because the late 1990s was a work of practical effects, make up and long distance shots of stunt doubles with occasional bits of cgi rather than the cheap computer effects for everything that came a decade later. Oh and the soundtrack was cracking – I owned both “songs from” albums, and the cast recordig for the musical episode*** and my ambition was to be able to play the Buffy-Angel love theme on the piano. I know. It was a simpler time.

To go back to where I started – Anthony Stuart Head’s Giles is at the heart of the show in those first three years. He’s the fish out of water British Librarian but he’s also the father figure that Buffy needs in the absence of her real dad. The show is poorer when he’s not in it, and the world is poorer without him in it. Seventy two is no age. And obviously I’m sad as a fan of his work (he’s also brilliant in the radio sitcom Cabin Pressure and as Adam Klaus in the first episode of Jonathan Creek) but my thoughts are really with his daughters – their mum and his partner died in December and so to lose their dad so soon must be unimaginably devastating.

Here are some of season one’s best bits, featuring loads of Buffy, plenty of Giles and some Nicholas Brendon who also sadly died a couple of months back. The Buffy cast has had a really bad 18 months, as Michelle Trachtenberg, who played Dawn, died in February last year.

Go watch some Buffy -(or if you’re an F1 fan enjoy the Monaco GP and *then* watch some Buffy).

*in events in the original movie (with a completely different cast) that came out in 1992.

**Along with Clueless, She’s All That, Never Been Kissed, Ever After, Pretty Woman and the Richard Curtis oevre

***And I bet I could still sing along to pretty much all of it.

not a book, streaming, tv

Not a Book: Death Valley

Happy Sunday everyone. This week I’ve got a recommendation for you if you liked Ludwig and need some comedy murder mystery in your life. I’m a bit behind because the series finished a few weeks back on TV in the UK, but hey I’ve been very busy and there’s been a lot of motosport to keep up with.

Death Valley features a detecting duo of an actual police detective and an actor best known for playing a TV detective. Janie is somewhat socially awkward, still lives with her mum and has never really got over the death of her best friend back when they were students. John Chapel has retired from acting after his big role as Caesar and is basically hiding out in his home in Wales after the death of his wife. It’s got a mystery of the week format with a few running threads across the series as well.

We really enjoyed this – the episodes are only 45 minutes so don’t expect them to be super complicated – they’re just a light confection that you can watch without engaging your brain too much or being too terrified to go to sleep! They definitely lean into the comedy side of things – so your mileage may vary, but I definitely found them a lot more fun than when Death in Paradise leans into the comedy. And the cast is great. Timothy Spall is always a lot of fun to watch and Gwyneth Keyworth is really engaging as Janie and their fractious relationship makes for a really fun watch. We actually saw Keyworth in Twelfth Night at Stratford back at the start of the year and she was a great Viola/Cesario as well. There are lots of other familiar faces in the cast as well, including Steffan Rhodri, Melanie Walters and Jim Howick in the regular cast and people like Patricia Hodge among the guest stars.

This one is on the iPlayer and if you’re not in the UK, it’s on Britbox. I don’t think there is any official word on a series two, but series one did well in the ratings and that production of Twelfth Night I mentioned has announced a run at The Barbican over Christmas where it’s mentioned that Sam West and Freema Agyeman are reprising their roles – but not Gwyneth Keyworth (yet at any rate) so it could be that’s because they’re filming season 2 in the autumn. We can hope anyway…

not a book, streaming, tv

Not a Book: Signora Volpe

Back with a TV/streaming recommendation today, for those of you who like a murder mystery series at the gentle end of the spectrum.

Our set up is this: in episode one Sylvia Fox, a British spy, is off to Italy for her niece’s wedding. Then someone turns up dead and the groom goes missing so she starts to investigate. There’s a hot Carabinieri officer and by the end of the first episode she’s solved the crime, decided to take a career break and bought a house to do up. There are two more two hour mysteries for her to solve in series one and another three in series two. And I really do hope we get a series three.

For all that Sylvia is an ex spy, these are pretty chill mysteries – there’s not a lot of blood, no jump scares and until the last episode of series two not a lot of peril. And by the time you get to that final episode you’re fairly sure it will all work out ok in the end. There’s lots of beautiful scenery and I want Sylvia’s house, wardrobe and defensive driving skills. I’ve been watching Emilia Fox in things since she was Georgiana in Pride and Prejudice and she’s always very watchable and in this she makes a nice duo with Tara Fitzgerald as her sister.

There are a few occasions in series one why you wonder why the Italian characters are speaking English to each other rather than Italian, but that’s mostly sorted out in season two. The romantic strand is very slow moving – and more long looks and brooding stares than anything else (so far) but Capitano Riva does a very good brooding stares than anything so I forgive it and just hope that we get a bit of progress if we get a series three!

These have just been shown on U and Drama in the UK, and are on their streaming service at the moment, elsewhere in the world they are available through Britbox.

Enjoy!

film, not a book, tv

Old Favourites at Christmas

Every year in the run up to Christmas, I need to clear space on the TiVo for all the new stuff that’s coming – and that means that I’ll delete a few of my favourite movies to clear space – knowing that they’ll be on again at some point over the 10 days of Christmas and if the TV happens to be on when they’re showing, I’ll probably switch over and watch too. So today, here are a few things that are on that list…

Some people say it’s not Christmas if the Wizard of Oz isn’t on TV, I say it isn’t Christmas if The Sound of Music isn’t on somewhere. It is in my top 10 favourite movies, if not my top five. But it’s also now a tradition to read this genius article from McSweeneys: I Regret to Inform You that My Wedding to Captain Von Trapp has been Cancelled. It’s thirteen years old now and it’s still as funny as the first time I read it. I think I like it more than I like their Decorative Gourd Season article. And that’s saying something!

I’m also a big Doris Day fan – and Christmas is often a time when her movies pop up on TV. This year as well as Pillow Talk (definitely in my top five) there’s Lover Come Back, Move Over Darling and Calamity Jane where you can also enjoy the wonder that is Howard Keele – star of the movie version of Kiss Me, Kate (which inexplicably isn’t on this Christmas damnit).

And then there’s the Agatha Christie adaptation situation. Unusually this year there are no repeats of the Joan Hickson Miss Marples (Alibi are repeating some of the Ngaio Marsh Alleyn adaptations this year though) but you can watch the Albert Finney Murder on the Orient Express, which is definitely a Christmas movie (snow!) and has an all star cast and amazing music and is much better than the recent remake – which isn’t bad, it’s just not that one!

Oh and Some Like it Hot is on too. Another from my all time my top five. My TiVo is going to be so, so full!

Happy Christmas Eve everyone!

book adjacent

Book Adjacent: Tinker Tailor Soldier Spy

On a slight tangent today, because the 2011 movie was on TV the other night and if I come across it I can’t help but end up watching it.

Tinker, Tailor, Soldier, Spy is John Le Carré’s Cold War spy masterpiece, where a retired spymaster is brought back into the fold to try and track down a mole in the British secret intelligence service. George Smiley had been forced out after a failed assignment which had secretly been to investigate the same mole- but is contacted some years later by the minister to investigate the potential mole. The title refers to the code names the former chief – Control – had given to the suspects in the case. What follows is a chess game of a book as Smiley tries to unravel what is really going on from a group of men who are used to obfuscation and secrecy.

This is one of those rare occasions where I have read the book, watched the TV series and seen the movie – and I’m pretty sure I read the book first to see if I could cope with the movie, and then the TV series was repeated on BBC Four after the success of the movie. And they’re all brilliant. The TV version was made in the late 70s, so less than a decade after the book was set, and has the authentic contemporary look as well as more time to tell the story, the movie has an all star cast doing excellent work and the adaptation to get it down to film length is very neatly done.

Warning: don’t look at the comments on the TV version of you haven’t read the book/seen the movie because it gives the culprit away.

I’m not normally a thriller watcher – or reader really – but the movie for such good reviews I made an exception and it’s really worth it. I wish they had made a sequel – there are more Smiley books and they did with the TV series – but I think too much time has passed now for it to be feasible. But in the absence of more, I’ll happily watch the film again. And again.

Have a great Sunday.

not a book, streaming, tv

Not a Book: Our Flag Means Death

It’s Sunday again and time for me to talk about something that isn’t a book again, and today it’s Our Flag Means Death – which is a comedy series about pirates very loosely based on a real life pirate.

It’s the early Eighteenth Century, and Stede Bonnet is tired of his comfortable life as a husband and father on Barbados and buys a ship and runs off to be a pirate. Except that he’s a really, really bad pirate. Like terrible. He has no aptitude for killing and his ship is outfitted for luxury rather than anything else. When we meet him at the beginning of the series, his crew are so fed up of him that they’re considering mutiny, but decide that he’ll manage to get himself killed soon enough. Except he doesn’t and soon he and his crew come across the notorious pirate Blackbeard, and they make a deal – Blackbeard will help Stede become a better pirate and Stede will teach Blackbeard how to become an aristocrat. Except it’s not as simple as that. Oh and it’s a romantic comedy.

If you’re struggling to get your head around all this, and I’ll admit I’m not doing a very good job of explaining it (luckily the first series came out in the US a year ago, so I’m hoping some of you will already have watched this and have thoughts to share), but you’ve probably spotted Taika Waititi in the trailer, and he’s also an executive producer. So the easy way to describe this is to say think of the same sort of humour as What We Do in the Shadows, but with pirates in the 1700s (and not a mockumentary). The episodes are only 25 minutes long, they’re very easy to binge and if it works for you (and it really works for me!) it will leave you with a big smile on your face.

If you’re in the UK, the first series is available on the BBC iPlayer to watch now. If you’re elsewhere in the world, you’ll need to look for it on a streaming service – probably whatever HBO Max is called in your territory. Series two has finished filming but there’s no news yet on a release date for it.

Have a great Sunday everyone.

announcement, tv

Magpie Murders redux

It’s Easter weekend everyone and if you’re looking for something to watch – and in the UK – the Magpie Murders is being shown on TV at last. The second episode is on this evening but the whole series is on the iPlayer already. I hadn’t realised this was happening until I saw a trailer for it before Match of the Day last weekend, so apologies for the slightly late notice. I wrote about the adaptation of Anthony Horowitz’s book last year when it was on BritBox – you can read that review here.

Have a great weekend everyone.

not a book, tv

Christmas bonus post: Festive TV

It’s the final-final run towards the big day and the TV schedules are starting to look awfully festive, so today I’m back with some suggestions about what to watch out for this year.

Obviously the first thing and the programme that I’m most excited about is the return of Detectorists for a Christmas special. We’ve actually started another rewatch ahead of the feature length special on Boxing Day. If you haven’t ever watched the show, go read my post about it and then start at the beginning!

But before we get to Boxing Day there are a few other shows to mention – namely Ghosts. I don’t think I’ve mentioned Ghosts here before, but this is the BBC One comedy about a couple who inherit a dilapidated stately home complete with ghostly residents that only one of them can see. I love it. It’s funny but not mean and I find it so hard to pick who my favourite character is. There’s also a bunch of reruns of various of the Mischief Theatre Christmas offerings – if you’re in the UK and have missed them you can find them on iPlayer. And if Mischief are doing a show anywhere near you next year, do go and see it. I think that The Play That Goes Wrong is one of the funniest nights out you can have.

I’m also recording the repeat of the Sky adaptation of Going Postal, which although it is not as good as the book is still a pretty good go at it, and has Claire Foy (pre the crown) and Richard Coyle as Moist – who is about to read the new version of the audiobook, which I have preordered, even though I love the Steven Briggs version!

If you want more pre-Crown Claire Foy, BBC Four is repeating Wolf Hall at the moment – which is one of the best TV adaptations of a novel I’ve seen in ages. It’s in memory of Hilary Mantel who died earlier this year – and ahead of the first part they had an interview with the director, who revealed that the adaptation of The Mirror and the Light is in the works, although whether I’ll be able to bear watching it I don’t know. If you know your history, you’ve known from the start what is going to happen but that doesn’t make it easier. And they did such a powerful job of Anne Boleyn’s execution, I can’t imagine how they’ll do Cromwell. And Mark Rylance is possibly the best actor I have ever seen live. To the point where I would go and see him in anything.

I’m sure there were more new things I meant to write about, but I’ve got a bit carried away with the repeats! To be fair, the TiVo recording schedule hasn’t made this any easier. Maybe I’ll have to do a part two of the bits I forgot?!

not a book, tv

Not a Book: Luxe Listings Sydney

I worked my way through a lot of TV during my shingles situation, and today’s Not a Book is for one of the series I watched – which has a new season out this week.

We watched the first few series of Selling Sunset and then got fed up that it was turning into all drama and no property. Luxe Listing Sydney has – so far – resisted that urge and serves up plenty of expensive properties to gawk at with a side order of rivalries between rival agents. You’ve got Gavin and D’Leanne who work at rival sales agencies and then Simon who is a buyers agent. In series two we added another rival sales agent in Monica – and who knows who they might add in to series three, although the trailer is promising (more) Delta Goodrem…

Basically if you need a bingeable property show, with plenty of multimillion dollar properties, this ticks a lot of boxes. Although I couldn’t work for anyone on it except maybe D’Leanne!

not a book, tv

Not a Book: MotoGP Unlimited

It was the Japanese MotoGP Grand Prix today – time differences mean it’ll already be all over by the time this post goes up, but for today’s Not a Book, I’m writing about Amazon’s Drive to Survive rival – which focuses on the world of grand prix motorcycle racing.

For those of you who are unfamiliar with the motorbike racing world, MotoGP is the premiere category in motorbike racing. The riders ride purpose built, specially designed bikes – as opposed to World Superbikes where they race versions of production models. MotoGP weekends also include two feeder series, Moto 2 and Moto 3, with smaller bikes and developing riders – a bit like Formula one has F2 and F3, except that the paddocks are all more linked – some of the MotoGP teams have junior teams in the junior categories and some of the riders themselves own junior teams. The first season of MotoGP Unlimited follows the 2021 season, primarily looking at the MotoGP action, but the other categories feature where the action crosses over.

The big difference between the actual sports is that motorbike racing is much more dangerous than F1 is. Every year MotoGP has broken bones and injuries. In fact if you look across the three categories you’d probably say every weekend has a rider breaking something. There are a number of people in the paddock in wheelchairs as a result of bike crashes. And sadly sometimes people die – and I warn you that it happens in one of the junior categories in this season although you don’t see it happen, but you do very much see the effect it has on the riders.

Then I would say there are two big differences between the MotoGP Unlimited and Drive to Survive. The first is that while English is the first language of the paddock in F1, it is very much not in MotoGP. So the producers decided to let the riders speak which ever language they are most comfortable with – which means a lot of Spanish and Italian. Initially they released the series dubbed, but there was an outcry and they added a subtitles version (much better). This means you get a real sense of the riders and their personalities and the rivalries and friendships, which I don’t think you would have got if the producers had forced them to speak in English.

The second is that while Drive to Survive picks centres each episode around one story and follows it across a couple of races or even most of the season, Unlimited takes the season in chronological order. As someone who watches both sports all season long, I think the unlimited approach gives you more of a sense of what it actually felt like to follow along, whereas the DTS approach creates more drama and tension and gives you backstage shenanigans you don’t know about as the races are happening. Both approaches have their merits – DTS has come under fire for creating drama where there was none but it has also boosted F1’s profile enormously, made Daniel Ricciardo everyone’s second favourite driver, turned Günter Steiner into a meme and boosted Haas’s profile. I’m not sure Unlimited has done the same for MotoGP, but it’s only had one season yet so give it time.

I’m not sure it will convert fans the same way that Drive to Survive has, but if you’re a casual motor bike racing fan it’s definitely worth a look – and hopefully we’ll get a second season to see it get into its stride – MotoGP is struggling a little this year with how to deal with the retirement of charismatic sporting icon Valentino Rossi which could make for an interesting side story to the 2022 title fight.

Bonus photo: We went to the Silverstone race that features in the series – and here’s my best attempt at a photo of Valentino Rossi at the end of the race.

Happy Sunday everyone.