Long time readers will recognise this bookshelf – it use to be the to-read shelf back at the old house.* Or at least one of the to-read shelves… Anyway, in this house (I can’t call it the new house any more because we’ve been here since before the pandemic and that’s like another lifetime) it lives in the spare bedroom and it’s a mix of stuff I don’t need very often – like the travel books – stuff I can’t bring myself to part with – like the French language stuff from uni – single issue comics, coffee table books and a small selection of books that don’t belong anywhere else or that might be of interest to anyone sleeping in that room. That’s why you can see stuff like The Night Circus, Confessions of a Southern Lady, Finn and Lady and Where’d You Go, Bernadette? on there. It’s not the neatest or most coherent – and I wasn’t sure if I wanted to post it at all – but hey, I have my reputation to maintain of having bookshelves everywhere so I’ve just gone for it and leaned into the chaos of it all. I’m sure everyone has an equivalent thing – whether it’s a drawer or a cupboard stuff with oddments related to their hobbies!
Have a great Saturday!
*yes I tried to find a picture of it back then, but for some reason WordPress wasn’t showing me any… whether that’s a glitch or whether it’s because the site design has changed since then, who knows and I’m probably not going to investigate!
We’ve been living through a heatwave this last week – which may or may not have been the entirety of this year’s summer! Still 25 plus degrees at night is hard to sleep in, and Ive been really feeling it. But there’s been some good reading in there – I’m really enjoying the new audiobook versions of Terry Pratchett and some of the summer’s new romances continue to be delightful. All in all, a good week if humid!
It’s Father’s Day today – so Happy Father’s Day to all the dads out there. And for those of you who don’t have your dad around any more, I hope you’re doing ok too.
I was thinking about some of my favourite dads in books for today’s post – and threw the question out to my little sister who suggested Mr Bennet from Pride and Prejudice (mainly for the comebacks not the actual parenting), Bridget’s dad from Bridget Jones’s Diary and Arthur Weasley from Harry Potter, all of which I can get on board with. I’d add Sam Vimes from Discworld to the list – in several of the Watch books he worried that he wasn’t a “good” man, in his early days he was a drunk, but he’s devoted to his son, Young Sam, and comes home every night to read Where’s My Cow to him – which when you know Vimes is quite a big turn around.
I’m also going to throw Thursday Next‘s dad into the mix – ok so he’s travelling through time hiding from the Chronoguard, but he drops in on Thursday whenever he can and tries to help and offer her advice when he can. Technically not their dad but their guardian, I’m still going to include Arthur from The House in the Cerulean Sea because he will do anything to keep his kids safe. On the same front, Mr Tom from Goodnight Mr Tom gets the nod from me too – after all he does adopt William – and by the end of the book William is calling him dad. Obviously the traditional choice in any list of great dad’s in books is Atticus Finch in To Kill a Mockingbird, so you can take that one as read.
What I will say is that in writing this, I realised how many of my favourite books have dead or absent dads, which is a bit of a concern – but then the dead parent is a big thing in children’s books of a certain age – and often the drama in a historical novels is generated by the death of a father and the impact it has on the family – see Calamity of Mannerings most recently, but also a lot of the Georgette Heyer heroines and a lot of the more recent historical romance heroines too.
Which dads would you add to the list? Let me know in the comments.
This is a week late, but I’m blaming it on the fact that my preordered copy didn’t get delivered on time (don’t get me started), but the latest Rivers of London novella is out so this seems like a good time to point you at my series I love post about everyone’s favourite police wizard, Peter Grant. Except that the new novella is actually not a Peter PoV story – it’s Agent Reynolds and I’m very excited to read it. I’m planning on it being my treat this weekend…
It’s the second Wednesday of the month, and that means Kindle offer time – and it’s actually quite a good crop this month, I mean I bought a few when I was writing this as well as spotting a lot of old friends!
One of my favourite reads of the year so far The Three Dahlias is 99p, I think because it’s just come out in paperback – and we’re not far away from the sequel arriving now either. Also arriving in the not too distant future is the new book from Ashley Poston – the last one Dead Romantics (a former BotW) is 99p too. I mentioned The Cazalet series only the other week when I was talking about World War Two set novels and this is your chance to read the series because the first one, The Light Years, is 99p. Fingers crossed that the others follow!
In the Taylor Jenkins Reid universe, Malibu Rising is 99p, I assume to coincide with Carrie Soto‘s arrival in paperback. Magpie Murders is 99p again (or maybe it’s still) because the TV series is about – if you haven’t read it, it really is very good and so is the sequel, and I really hope that we get another one. I read Great Circle earlier this year – I found it a bit of a slog until (at least) the half way point, but then it picked up, but as you know I often struggle with award nominated stuff, so if you’re better at that sort of thing than me, you may love it and 99p for 600+ pages is a bargain.
I read Sue Monk Kidd’s The Secret Life of Bees well before I started this blog, but I keep meaning to reread it because it has just been adapted for the stage and had a run at Almeida theatre – which I suspect may go into the West End at some point. Dissolution, the first of the Matthew Shardlake novels is 99p – I keep meaning to read some more of these Tudor-set mysteries, I definitely have at least one on the Kindle…
In the Discworld, Guards! Guards! is £1.99 – I’ve been relistening to the City Watch series over the last few weeks because there is a new audiobook version with Jon Culshaw and it really is a treat. And obviously it has Errol in it. I’m nearly done with my relisten to all of the Peter Wimsey novels (and it’s been really good) and one of my favourites is the 99p offer this month – the seaside-set Have His Carcase, which is one of the ones with Harriet Vane. We’re still waiting for a date for series three of Bridgerton, but if you need a Julia Quinn fix, The Sum of All Kisses, from her Smythe-Smith series is 99p This one is a forced proximity, enemies to lovers romance. If you’re building your Georgette Heyer collection, Sprig Muslin is 99p and it’s one of the lesser spotted favourites – older heroine who has been left on the shelf but who has been secretly in love with someone for years. Another of my favourites,These Old Shades, is £1.52 but in the weird out of copyright editions and it’s sequel Devil’s Cub is £1.99 in a normal edition..
I bought a couple of books while writing this – the aforementioned Alexandria Bellefleur, plus Jane Ridley’s George V biography.
I said yesterday that I hadn’t decided what I was writing about today, and this did take a bit of thinking about. Luckily I came up with a really good plan that means I can write about more than one of them, and today you get the new Christina Lauren which I absolutely devoured on Sunday.
As I said in my post on release day, The True Love Experiment features Fizzy, the best friend from The Soulmate Equation. Fizzy is a romance author suffering from writers block. Her fans are clamouring for her next book, but she’s just realised she’s never been really in love and now she can’t get past a meet cute in anything she writes. Connor Prince wants to make documentaries, but the small production company she works for has just pivoted to reality TV (there’s more money in it) and now he needs to produce a TV dating show or look for another job, which will probably mean moving away from his daughter. He decides Fizzy should be the heroine of his series after a chance encounter, she decides she’s going to teach everyone who looks down on romance novels and reality TV a lesson. Only trouble is, how can she fall for any of the heroes on the show, if she can’t stop thinking about the show’s producer?
Oh boy. This is so good. So good. I ate it up in one giant sitting, not even putting it down to eat my pizza for dinner. Fizzy and Connor are an absolute delight. There is snark and witty banter, there is just having sex to get it out of their systems (such a fun trope) and seemingly no way that these two can end up together without it being a professional disaster for one or both of them. And it’s just such a nice world to spend time in – awful parents aside; all the characters are a delight and it’s lovely to see River and Jess again along with lovely Juno and Connor’s adorable daughter Stevie. There’s boyband concerts and romance in jokes and I was so happy with how it turned out but sad that it was over too. Just lovely
So that’s pretty much an unqualified rave from me, which is why I’m bending some rules and recommending a Christina Lauren book again so soon after The Soulmate Equation. And I should say that this summer is shaping up as a good one in the romance stakes. I’ve read a few duffers, but the new books from Elissa Sussman, Annabel Monaghan and Curtis Sittenfeld have lived up to expectations and I have high hopes for the Ali Hazelwood too. And then there’s the Cathy Yardley I read last week – of which more in the not too distant future, I promise.
The True Love Experiment is out now in paperback, and I’ve seen it in bookshops of varying sizes although not in a supermarket yet, but I’m hopeful. And of course it’s in Kindle and Kobo too.
Well that was a bit of a week. Surprisingly so. I went to an RTS even about staging Eurovision (which was fascinating), a weekend in London for a house party (which was fabulous) and a morning at the dentist (which was horrid). And that last meant that I definitely treated myself to reading some of the new romances I had waiting on the shelf. And I also treated myself to two new houseplants. But I’m meant to be telling about about the books, not about my growing plant acquisition problem. I think I know what I’m writing about tomorrow. I think. But there are several options which is always a nice position to be in!
One ebook bought – and I should have had two preorders arrive (the new Andrew Cartmel and the new Rivers of London) except that wherever Amazon think they delivered it to, it definitely wasn’t my letterbox…
Bonus photo: making a change from houseplant photos, here’s Olympic park from the Elizabeth Line on a very hot and sunny Saturday.
*next to a book book title indicates that it came from NetGalley. ** indicates it was an advance copy from a source other than NetGalley.
Happy Friday everyone, I hope you’re all having a good week and have a delightful weekend planned. Allow me to usher you towards it with a post about a 1960s-set cozy crime series!
It’s the 1960s and Eleanor Trewynn is a retired widow who is living over the charity shop she’s running in a Cornish village. Her niece Megan is a police detective who has recently transferred to the local force and now finds herself with a commanding officer who doesn’t really think female officers are a good idea. There’s an artist living next door and a cast of side characters who work in the charity shop. Eleanor and her husband lived all over the world working for a charity and this life experience means that she can handle almost anything and is used to trying to solve problems. And thus you have all the ingredients for a satisfying mystery.
As I’ve mentioned before, I really like Carola Dunn’s other mystery series – the 1920s-set Daisy Dalymple series. I don’t love these quite as much, but they have good puzzles to solve and an interesting premise and it’s nice to read a series set in the 1960s – there are lots of interwar historicals, and some immediately post war and 1950s ones, but not as many sixties ones. Yes Inspector Alleyn gets into the 1960s, but none of them are my favourites, his age is getting a bit fuzzy and Ngaio herself was in her 60s when she was writing them. There are only four of these which is a shame but I’ll take what I can get in these cases.
My copies all came from various bookshops – I read most of them when they first came out a decade ago, but the last one came out a year or two later (as you can tell by the non matching cover…) and I hadn’t seen it in the flesh (or at least I don’t remember seeing it) until I spotted it in Gower Street Waterstones the other week when I was on that little buying spree. What a fortunate circumstance. They’re also on Kindle and Kobo.
It’s been a while since I’ve done a supermarket, so I’ve had a wander to see what they have to chose from at the moment. This is my local Sainsbury’s – and I should say that I went to the local Big Tesco first, but they have done another rearrange of everything and have massively shrunk the book section down from nearly a whole aisle on both sides (including children’s books and colouring books etc) to a couple of carcasses for everything. A Paddington stare to you Tesco. Very disappointing. Anyway, this is Sainsbury’s and it’s a bit chaotic in organisational terms, but it is at least bigger and better stocked than their competition…
So the headline hardbacks on this one are the latest crop – the Queen Charlotte tie-in novel, Happy Place, the final book in the Seven Sisters series – which I did try back when the first one came out but wasn’t really my thing but I know they’ve been hugely popular – and the new Tom Hanks novel which was the preorder that arrived chez moi last week! If you look carefully you can also see the new Mhairi McFarlane in the middle of the paperbacks as well. The Maid is in there too – which seems to be having a really long tail and hanging around a while, but I did see an advert on the tube this week for a sequel so that may well explain it.
Another couple of new hardbacks at the top here – I keep seeing the Steve Jones around and obviously I’ve written about how much I enjoyed Pineapple Street and it’s suitability as a summer read. The paperback of Lessons in Chemistry is there too – which is another great summer read if you didn’t read it last year and prefer a paperback.
Having had the new Emily Henry in hardback, this one has got last year’s – Book Lovers – twice (!) as well as two of the Richard Osman series – including the latest one which is now in paperback – as well as Malibu Rising and the books from supermarket shelf regulars Jenny Colgan and Marian Keyes. You can also spot my purchase on this one – The Darkest Sin. I also keep seeing Icebreaker around and debating reading it, but I’m not sure I dare – it’s about a figure skater and an ice hockey player who team up and just the idea that a hockey player can transfer over easily makes me nervous and that’s without my recent poor track record in enjoying sports romances that turn out to be too angsty for my tastes.
And finally we have this one – with some (more) repeats from earlier as well as Daisy Jones and the new Philippa Gregory (which is a magicky one). And I guess this is the point where I muse about the balance between mysteries and thrillers and women’s fiction and how that seems to have changed over the last few years. It used to be fairly rare that I would go into a supermarket and come west without having bought a couple of women’s fiction books in whatever the current Two for… deal was and I would have had a hard time narrowing down which two that was going to be. But now there are a lot less options – and they come from a smaller group of authors. You can also see that in the colours of the covers – we’ve got a lot more of the dark covers – blues, greens, greys, blacks – of the thriller and mystery genre and fewer in the brighter hues. And some of that is also that the women’s fiction novels have gone for darker colours – and turned a bit darker. Basically what I’m saying is that it’s hard to discover new romance-focused novels at the supermarket now, and that makes me sad.
Still at least I did buy something, and if I was a casual consumer (aka not someone who reads 300 plus books a year) there are plenty of good options here for you to read – it’s just I’d like to see more variety of authors.
I was very much buying pop music through a lot of this era, so it was fascinating to read the story behind the music, as told by (most of) the people who were there. The majority of this book takes the form of quotes from the people involved – with comments and context from the author inserted where necessary. Michael Cragg is a music writer, who works (or has worked) for a lot of major UK publications – so if he hasn’t interviewed the people specifically for this book, he has interviews that he’s done with them in the past that he can draw on. So you have four of the five Spice Girls (you can guess which one isn’t in this) and members from pretty much every band that is mentioned.
As someone who was a young person at the time that a lot of this was happening, I found it really interesting to read about what was going on behind the scenes and the press coverage and see how that affected my perception of the various bands and band members involved. And of course the other thing that’s really fascinating is how the spotlight of fame affected the people in the bands. Many of them were very young when they joined the bands – and you get to see an array of different ways that fame – or being in a band can mess your life up. But in the early stages of this period, a lot of it was going on behind closed doors – as the book hurtles towards the mid 00s, you see the arrival of TV talent shows and people learning how to be in a band whilst on camera and making their mistakes in public.
As you may remember – I went to an event for this book where Michael Cragg interviewed Nicola Roberts from Girls Aloud – and it was absolutely fascinating (and sort of horrifying) to hear her talking about her own experiences, now she has the benefit of distance (and I suspect some counselling/therapy) to analyse what was going on and how it affected her. She also talked about how the era of the adverts in the stage, open auditions and TV talent shows provided a gateway for people without connections in the industry to get their big breaks – even if they didn’t have the advice and support that they needed to navigate the world that they found themselves in – and that the pendulum has now swung the other way and that music is the poorer for it.
This is really good – but it’s a big old book – so it took me a while to read just because you can’t heft a 500 page hardback around with you. It is however broken up into nice chapters so you can pick it up and put it down as you need to. But if you have an e-reader, it might be worth considering buying it on that for ease of reading! It is available on Kindle and Kobo although the prices reflect the fact that it’s currently a hardback release – the paperback is due out in October, in time for Christmas.
Verity Reads Books (lots of them) 