It’s nearly the end of March and I’m back to some classic crime and another British Library Crime Classic for this week’s pick.
This is the first of John Bude’s Inspector Meredith series and sees the detective investigation what appears to be the suicide of one of the co-owners of a petrol station in a deserted corner of the Lake District. The dead man was due to get married and as Meredith investigates he discovers a plan to emigrate after the marriage. And when he digs a bit deeper he discovered suspicious going’s on at the garage. What follows is a complicated plot involving all sorts of aspects of rural life that I can’t really go into with spoiling things!
This isn’t the first book in this series I’ve read and the Sussex Downs Murder was a book of the week as well when I read that five years ago. I’ve had this on my radar and been wanting to read this and waiting for this to come into my hands for a while. It’s really cleverly done, a little bit bonkers in its own way and also a lovely window onto 1930s life, which I really enjoyed. Definitely worth a couple of hours of your life if you can get hold of it. I’ve got the next book, The Cheltenham Square Murder, lined up to read already.
My copy came from the Willen Hospice bookshop, but it’s available on Kindle, Kobo and from the British Library themselves. It was in Kindle Unlimited when I started writing this post, but it’s dropped back out now and the cover has even changed. A couple of the other books in the series are in KU at the moment though, so if you want to try some John Bude, there is that option for you if you’re a subscriber.
I said yesterday that I wasn’t sure what I was going to write about today – and here’s the answer – I finished this on Monday evening, so it’s a bit of a cheat but hey you’re used to that now!
Ann Stafford’s Silver Street follows a group of people from Armistice Day in 1918 through til 1932. Although initially unconnected, by the end their lives have all intertwined, mostly because of Alice Gedge a former ladies maid who ended the war as a supervisor of a group of clerks at a Ministry but who, when the men return becomes a “treasure” – aka a rather superior sort of daily maid to the residents of a building in Silver Street. Over the years the tenants include an elderly woman who likes to hold court for her birthday, a spinster who works as a social worker, two independent young women, a newly married couple and a single young man. And on top of that there’s Alice’s husband and her two children.
This is quite an every day story of normal people and normal lives – where there is no huge drama, I mean except your future happiness, but not death or peril if that makes sense. It’s not comic, but it’s not tragic – it’s closer to Barbara Pym than Miss Buncle but it’s another example of a novel by a women, first published in 1935 and now a bit forgotten and as such was right in my wheelhouse. And yes I know that Barbara Pam isn’t forgotten, but you know what I mean. I read it in two sittings – and it would have been finished for last week’s list if we hadn’t gone out for the day on Sunday and I didn’t have space in my bag to take it with me – even if I hadn’t borrowed it from someone and not wanted to mess it up!
My copy is on loan from a friend and this is going to be one of the harder books to get hold of I’m afraid – as it’s published by a small house and there is no ebook version. So if you want to read it, please buy it from Greyladies here. And mum, if you’re still reading and haven’t already messaged me to ask, yes, you can borrow it.
Yes I finished this on Monday. So yes it’s cheating. But it is a book set in a ski resort and I spent the part of my weekend that I didn’t spend in London watching the Winter Olympics so I am going with it!
Death Goes on Skis is one of a series featuring Miriam Birdseye, written in the years following the Second World War. Miriam is a revue artist and has a champagne lifestyle and a coterie of hangers on. This is the first in the series that I have come across (and isn’t it gorgeous!) but Good reads tells me it is the fourth in the series. It sees Miriam on holiday in a ski resort popular with Brits. Her fellow travelers include a ballerina and her night club owner husband, a playboy, his wife and their children and their governess and a wealthy couple whose family make their money from perfume. Most of these people are awful, but when they start dying in mysterious circumstances, Miriam and her friends investigate. But, crucially, they’re investigating because they are bored and not because they have a burning passion for justice or to see the criminal behind bars.
And that is the difference to other Murder mysteries of the era that I have written about – this is a farce and a (black) comedy and doesn’t quite follow the genres connections that you might expect. Think Evelyn Waugh does murder mysteries. And it works very well. You’re not going to like any of the suspects, and the children are truly awful, but it’s really quite entertaining. It also comes neatly broken up into nice small chunks, which makes it perfect for bedtime reading – which is mostly what I’ve been doing with it, although I did read some of it on the sofa on Monday night because I wanted to finish it!
If the name Nancy Spain sounds familiar, well that may be because she’s one of the women featured in Her Brilliant Career, but in brief she was a great niece of Mrs Beaton (of household management game) she went to Roedean and then became a journalist after being asked to write about women’s sport. She served in the WRNS in the war and afterwards started writing detective fiction. This got her a newspaper column and also turned her into a personality who appeared regularly on TV and radio. Her partner was editor of She Magazine, Joan Werner Laurie and they lived openly together in what sounds like a somewhat complicated household with the rally driver Sheila Van Damme. They were friends with Noel Coward and Marlene Dietrich and she was the inspiration for a song. Spain and Laurie died in a plane crash at Aintree in 1964 – they had been travelling there to cover the grand national.
I bought my copy of Death Goes on Skis as a birthday present for myself, and I’ve already ordered another one of them, as Virago have helpfully reissued several of them now, all with delightful covers in this style. They’re also on Kindle and Kobo and in a matching audiobook to this from all the usual vendors.
Another week, another British Library Crime Classic pick. I’m not going to apologise though because they’ve got seem to have changed their Kindle Unlimited selection and you have to take advantage of that while you can!
Murder in the Basement opens with a newly married couple moving into their first house together and promptly discovering a corpse being in the cellar. It has been there for some time and Chief Inspector Moresby’s first task is to figure out who it is. The first section of the book deals with the routine police work necessary to try and identify a body in pre-DNA times. When Moresby discover it, the reader is still left in the dark – you know it is a woman who worked at a school – but not which one. The next section of the story is a book within a book as you read the novel that Moresby’s friend Roger Sheringham wrote while working at the school and try to figure out who the victim is. And then the final section features the attempt to prove a case against the Very Obvious Suspect.
Now if I’ve made that sound complicated, I apologise but do go with me – it makes much more sense when you read it and it really is very cleverly put together and out of the ordinary for Golden Age crime novels. This is only my second Anthony Berkeley and from what I can deduce from my review of the other one I didn’t like that anywhere near as much as this one. I can’t quite work out whether part of my delight in this is because I love a boarding school story so much that seeing the seething rivalries between the teachers in the book within a book really really works for me, but it may well have something to do with it. Moresby and Sheringham are both interesting characters and the resolution is somewhat unexpected. Definitely worth a look – especially if you’re a Kindle Unlimited member.
And if you aren’t a Kindle unlimited person, the kindle edition isn’t too much to buy or you could just get the paperback. I assume the Kobo edition will reappear when it rotates out of KU.
I mean I would say that this is slightly cheating but you know that already because I told you yesterday that I hadn’t quite finished this because I went to see Jools Holland, so you already know that I finished this on Monday. But I did read most of it last week and it is my favourite thing I (mostly) read last week so it’s fair game for this.
These Names Makes Clues is a classic closed group mystery. Detective Inspector MacDonald is invited to a treasure hunt at the house of a well-known publisher. Along the other guests are writers of mysteries, romances and other books all with pseudonyms to hide their identities as part of the game. But before the night is over, one of the guests has been found dead in the telephone room and MacDonald is suddenly involved in an investigation filled with fake names and complicated alibis.
I really enjoyed this. I’ve recommended some books by E C R Lorac before and this is right up there. There are plenty of mysteries among the cast of suspects, even though some of them are revealed quite late on which is verging on cheating for the rules of Golden Age mystery writing but I forgave it because it’s a proper thrill ride towards the end as it all unravels. If you have kindle unlimited this is definitely worth a look as it’s currently in the rotation of BritishLibraryCrimeClassics included in your membership in the UK.
My copy of These Names Make Clues came from the British Library bookshop during my book buying spree on my London trip in mid-October, but as mentioned above it’s available on Kindle Unlimited at the moment – which means I can’t find it on other ebook vendors, but when the unlimited period ends it may well pop up on Kobo again.
Back with another murder mystery again this week. It’s another British Crime Classic, but it’s a new to me author so that makes variety right?!
Scotland Yard are called in to investigate the murder of the landlord of a pub in an East Anglian village known for its insular nature and hostility to outsiders. Samuel Whitehead was a stranger to the neighbourhood, but somehow he seemed to be making a reasonable go of it – right up until the point that someone stabbed him in is own bar around closing time one night. Detective Inspector Young is struggling to make inroads in the case, so he calls on a friend and amateur sleuth, Desmond Merrion, to help him solve the murder.
This is the first book by Miles Burton that I’ve read, but it has a number of recognisable Golden Age crime tropes – east Anglia and it’s villages being a bit strange (see also: a fair few Margery Allinghams, but particularly Sweet Danger, Sayers’ The Nine Tailors, the Inspector Littlejohn I read the other week) and of course the gentleman amateur detective. Burton’s Merrion has a military background – but this time it’s the navy, which is useful because there is a lot of sailing in this plot. It’s a bit uneven in places – the focus of the narrative switches abruptly to Merrion from Young, Mavis the love interest is a little bit of a one dimensional Not Like Other Girls character and the secret is, well. But if you’ve read a lot these sort of classic murder mysteries it’s worth a look – to see how someone different tackles all these things. I would read some more of these – partly just to find out what Merrion turns into and see if he evolves the way that some of the other similar characters did (but particularly Campion). The British Crime Library have republished at least one other of these so I’ll keep an eye out.
My copy of The Secret of High Eldersham came via Kindle Unlimited, but it’s also available as a paperback – which you can buy direct from the British Library bookshop as well as the usual sources.
Honestly I nearly started this with “another week, another crime pick” but then I got such bad deja vu that I realised I did that last week. But it’s still true. For the third week in a row, I’m picking a murder mystery book for my BotW. But as I said yesterday, I’m in a distinctly murder mystery mood so I don’t know how surprising this news is!
Sally and Johnny Heldar have helped solved mysteries before, so when the woman that Johnny’s cousin Tim wants to marry finds herself caught up in a murder case, it’s only natural that Tim turns to them for help. Prue’s employer has been murdered and as a result she’s called off their engagement. Tim is desperate for Sally and Johnny to clear Prue’s name and win her back for him; but the more they investigate, the more complicated the mystery gets, with infidelity and blackmail and wartime treachery to contend with.
I read a previous Heldar mystery, Answer in the Negative, last year and really enjoyed it. I like Sally and Johnny as characters in both books – they have a nice relationship where they both get to do investigating. This is a previously unpublished entry in the series that the author’s nephew discovered in a stash of manuscripts. It’s not known when exactly this was written, but I would guess around the time that it was set – which is the early 1950s. The introduction says it went unpublished because tastes changed, which makes me sad because it’s too good to have only come to light now.
I’ve read a lot of mysteries with roots in the First World War and a lot set in the Wars but not a lot in set in the fifties with links to the Second World War. So this is a nice change. It’s also interestingly twisty, but follows the rules that the clues are there if you know where to look. On the basis of this, I’m hoping that more of the unpublished Heldar books find their way into the light soon.
I got an advance copy of this, but it’s actually out on Thursday in Kindle and Kobo.
Another week, another classic crime Book of the Week pick. And this time it’s a Margery Allingham that’s *not* an Albert Campion. On to that in a second, but first a reminder that there will be Mini Reviews tomorrow, and that if you missed the July Stats you can find them here.
Black Plumes starts with the slashing of a painting at a prestigious art gallery. Then the owner’s son-in-law is murdered. At the centre of the mystery is 90-year-old Gabrielle Ivory, formerly a society beauty, now side-lined by the younger generation who think she’s past it. But as the mystery develops it becomes clear that she may know more than they think she does – and she’s not going to let them ignore the threat to the gallery and chalk it up as a practical joker – even if there is a risk that the person behind them may be rather close to home.
This is a clever and atmospheric murder mystery. There are a lot of unlikeable characters in this, but also a lot of suspects – not all of whom are the unlikeable ones! You see this story mostly by following Frances, youngest of the Ivorys. At the start of the book her brother-in-law is pressuring her to marry the unpleasant co-owner of the gallery and artist and family friend, David Field, proposed a fake engagement to her as a way of getting out of it. Frances is convinced that something is wrong at the gallery but her concerns are dismissed by other members of the family – even after the murder has happened. David – whose painting is the one that is slashed at the start of the novel – is one of the only people who listens to her, but he is a bit of a rogue and some of the clues seem to point at him. I really enjoyed it – and if you haven’t read any Allingham before, this wouldn’t be a bad place to start – especially as the Campion series takes a while to settle in, which can make it tricky for people who like to start series at the beginning.
My copy came from Kindle Unlimited but it’s also available to buy on Kindle where they also have a modern paperback edition, which Foyles also has available to order but not in store pickup. This was originally published in 1940 so there are likely to be second hand copies around – but I can see from some reviews mention of racially offensive language, which as I didn’t notice it in my Kindle edition has presumably been edited out in the newer versions but which will be in old editions
So after a week of old favourite authors and only a few new things, I find myself back in the realms of classic mysteries for this week’s BotW pick.
So Smallbone Deceased is a murder mystery set in the offices of a firm of London solicitors. Horniman, Birley and Crane is a well established and prestigious firm – who have just lost their senior partner, Mr Horniman. Some weeks after his death, when his son has taken over his share in the firm, a body is discovered in a deed box and the firm is thrown into turmoil. Inspector Hazlerigg is sent to investigate what strongly seems to be an inside job, and receives some assistance from Henry Bohun, the newest solicitor of the firm – newly qualified and arrived after the body must have been placed in situe.
Michael Gilbert was a solicitor by training, and this is a wonderfully drawn picture of the characters of the law firm and the way the wheels of the legal profession turned in the late 1940s. I think I’ve mentioned before how much I like all the details about the advertising company in Dorothy L Sayers’s Murder Must Advertise, and this does the same sort of thing for a solicitors office. The mystery itself is very clever, although a little slow to get started, the pace picks up nicely and by the end its tense and fast paced as Hazlerigg and Bohun race around (not together!) trying to catch the killer.
I’ve read a lot of British Library Crime Classics now and written about a fair few of them here (like Murder by Matchlight, The Sussex Downs Murder and The Division Bell Murder). I find them such a reliable series for discovering new-to-me Golden Age murder mysteries. They may not all be to my precise taste, but they’re always well constructed – even in the ones when the writing style doesn’t appeal to me. And they also have a habit of rotating their titles through Kindle Unlimited so if you’re smart you can work your way through them quite nicely.
My copy came via the wonders of the aforementioned Kindle Unlimited, but it’s also available to buy in the Crime Classics edition on Kindle for £2.99. Kobo has a slightly different looking version, for a slightly higher price. The Crime Classics version is also available in paperback – and if you get a big enough bookshop you should be able to get hold of it fairly easily. You could also buy it from the British Library shop direct – where they’re doing 3 for 2 on their own books so you could also grab
Well it was actually a proper contest for BotW this week between this and the new Taylor Jenkins Reid book, Malibu Rising, but The Feast really impressed me and is definitely lower on the radar than the TJR. But I’m sure I’ll find a way to talk about that too – after all summer holidays are coming – theoretically at least, so perhaps there’s a sunlounger (in your garden if no where more exotic) reading post in my future!
This one is really hard to summarise without giving too much away, and that would really ruin some of the enjoyment, but here goes: At the start of The Feast we hear about the Pendizak Manor Hotel, now buried under a collapsed cliff, with seven guests dead. The rest of the book is set in the week running up to that cliff collapse, which happened in the middle of summer 1947. You spend the book getting to know all the people who live and work at the hotel and the ins and outs of their lives. I went through the book wondering whether it was going to turn out to be a thriller, or a tragedy or something else – it’s a complete page-turner. And the characters, oh the characters. Of all of the adults, there’s really only Nancy who is sensible. The hotel is owned by a formerly genteel family fallen on hard times and who have turned the family home into a boarding house to try and make ends meet, and their guests tend to be people Mrs Siddal thinks are the “right sort” – although as you learn about them, you realise that “the right sort” may not be nice people at all…
The Feast was first published in 1949 and this is a new edition with an introduction from Cathy Rentzenbrink. Now I’ve been had by spoilers in introductions before so I deliberately skipped it before I read it so it wouldn’t ruin anything for me and I recommend you do the same because it really repaid me – both in reading the book the first time through and then when I read the introduction in giving me more layers and levels to think about. I read Margaret Kennedy’s more famous book, The Constant Nymph, a couple of years back and could see why it was influential, but didn’t love it – mostly because the characters were annoying but not in a so annoying you want to see them get their comeuppance sort of way – but with this lot, the ones that are annoying are really annoying, and you have the added suspense of whether they’re going to end up under the cliff or not! And on top of everything, the cover for this new edition is gorgeous too. I’m seriously tempted to get myself a physical copy.
Anyway, my copy of The Feast came from NetGalley, but this new edition is out now in paperback – Foyles appear to have copies at Charing Cross Road (and a couple of other London stores) and Bristol judging by their click and collect, so I’m hoping it’ll be fairly findable in the larger book stores. And of course it’s on Kindle and Kobo. Audible also appear to have a fresh version of it too – which is a bit tempting I have to say. The blurb describes this as “rediscovered” which suggests that it may not be that easy to find secondhand – the cheapest that aren’t this new edition all appear to be in the US (with the associated postage costs) so it might have to be an actual antiquarian/second hand bookshop rather than the charity shop if you want something older, but the introduction in this edition is a really nice touch – provided of course you don’t read it first!
Verity Reads Books (lots of them) 