Authors I love, Recommendsday, Series I love

Recommendsday: Comfort Reading

I had an entirely different Recommendsday book planned, but for some reason I’m feeling a bit terrified about the world today, so I thought some of you might appreciate some comfort reading suggestions.  I’m talking books with resolutions, preferably happy endings that don’t deal with nightmarish dystopian futures or imminent doom. I wonder why that’s off my menu at the moment…

Firstly, you might want to consider revisiting an old favourite.  Something that you can enjoy all over again and that can conjure memories of when you read it the first time.  The best example of that for me is Regency Buck  which is one of my favourite Georgette Heyers, brilliantly romantic (another smart woman this time reforming a rake) and which I finished reading on the bus after my last A Level exam.   Or just a book that you’ve read over and over -my top rereads are A Winter’s Tale by Trisha Ashley, the much mentioned Gone with the Windsors or any of the four Peter Wimsey books which feature Harriet Vane.

But if you don’t have an old favourite to hand, I’ve dipped into my reading archive to find three more books where it all turns out right in the end:

Miss Buncle’s Book: Miss Buncle is an impoverished spinster to decides that the best way to earn some more money to improve her situation is to write a book.  Her loyal maid thinks she’s mad – but it works.  The book that Miss Buncle writes is published under a pseudonym and is a roaring success.  The only trouble is that the book is based on the people in her village – and they recognise themselves.  I nearly cried laughing reading this and then lent it to everyone I could think of.  Perfect for my current mood.

The Reluctant Landlady: When struggling actress Evie inherits a house from a family friend, it seems like a dream and she and her best friend Bing move in.  But the house is comes with a motley crew of tennants who she’s not allowed to evict and soon Evie is trying to sort their lives out for them, whether they want her to or not.  This was the first Bernadette Strachan book that I read and I think it’s still my favourite.  Evie is fabulous and Bing is just one of the best and funniest sidekick characters I’ve come across in this sort of book. Strachan now writes as  Juliet Ashton and Claire Sandy – her A Very Big House in the Country would make a good choice at the moment too.

Welcome to the Real World: Fern is having a good week: she’s landed a job as PA to a world famous singer and she’s got a chance to try and realise her own singing dream with a slot on the newest TV talent show.  But when it turns out her new boss, Evan, is also going to be a judge on the talent show, things start to get complicated, because Fern really wants to keep her singing under wraps from him.  I see from Goodreads that reviews on this are somewhat… divided, but this is my favourite Carole Matthews book.  It focuses mostly on Fern and what is going on in her life, but I liked that – and there’s plenty of drama as well.

I hope one of these tickles your fancy and improves your mood.  I’m off to re-read some Peter and Harriet.

Happy Reading!

fiction, Forgotten books, literary fiction, women's fiction

Book of the Week: The Making of a Marchioness

This week’s pick comes from the bottom of the to-read pile – which is now the top because of the unfortunate fireplace situation.  I acquired a little stack of Persephone Print books from a friend a year (and the rest) ago and some how they ended up getting relegated to one of the piles behind the sofa arm.  What a mistake to make.  Frances Hodgson Burnett’s The Making of a Marchioness, although not perfect, turned out to be a little gem.

The Making of a Marchioness is a story of two parts.  Both are about Emily Fox-Seaton, a well-born lady in her early 30s (so on the shelf for the era – this was published in 1901) who has very little money and who supports herself by running errands for people better off than herself.  In part one, she gets invited to visit a country house to help out and during the course of her stay her fortunes change.  The second part chronicles how she adapts to her change in fortunes.

Now, in order to explain my feelings about this book, I’m going to have to give some spoilers. Sorry. So, if you don’t want to be spoilt (so to speak) then don’t read below the photograph that’s coming up.  But if you like a Cinderella story, but one that’s populated by really quite unromantic people who aren’t all beautiful or clever, than this might well be the book for you.  The latest Persephone edition, although not quite as pretty as mine is £9.00 on Amazon and Foyles as I write this or in the edition that I own for £14 from Waterstones, but the total bargain is the ebook because both Kindle and Kobo have a free versions.

Photo montage of The Making of a Marchioness
I do love these Persophones – plain unassuming grey cover and then a beautiful design inside.

And now the spoilers.  I did warn you.

I really, really, liked the first part of the book – with Emily winning the Marquess by being herself and realising what she was doing.  Emily is an immensely likeable character who is cheerful and uncomplaining and just generally indispensible.  Part two, where we see her adapting to life as a Marchioness is really very Gothic and melodramatic and I didn’t like it as much – perhaps because it was so different from the first part of the book.  Emily’s obliviousness to the machinations of the unsuitable heir and his wife (and her maid) started to annoy me a little after a while and I just wanted her to buck up and write that letter to her husband (away in India on government business) or confide in Lady Maria who would have sorted it all out.  The two parts were originally published as separate books, and I can’t work out if I would have liked the second part more or less if I’d read the first part in isolation and then come across its sequel.

What is true of both parts is that they are very well written and without the overblown romantic transports of many similar novels.  And the way it portrays marriage is also very different from other novels of the time.  Emily is not on the prowl for a husband in part one, she’s content to try and live her life without a man (even if she is worried about old age and poor health) but when she does get married, her husband is not a romantic hero – in fact he’s really not sure why he settled on Emily at some points – and their relationship is very stiff and Victorian (and Edwardian).  There are some slightly dated attitudes in here – but I’ve read much (much) worse and it’s on the nicer end of the attitudes and problems of its time.

Anyway, I really enjoyed reading an adult novel by an author that I only knew for her famous children’s stories like The Secret Garden – and I’m really looking forward to reading more of the Persephones on my to-read pile.

Happy Reading.