Book of the Week

Book of the Week: Dark Tort

After breaking the rules last week with a book I finished on Monday, I’m breaking a different rule this week and writing about a book that’s later in a series. But it’s ok. I can explain.

This is the thirteenth in the Goldy Schulz series and sees our heroine taking on a catering contract for a local law firm. One of the staff at the firm is Dusty, a friend and neighbour who has recently started working at the law office and who has asked Goldy for cooking lessons. But when Goldy arrives at the office to prep the next day’s breakfast meeting food, she finds Dusty dead on the office floor. Of course she can’t help but start investigating – especially when the victim’s mother asks Goldy to because she doesn’t trust the police. It turns out that there’s a lot going on behind the scenes at the law firm – and plenty of options for Dusty’s killer. But can Goldy avoid the killer’s attentions herself?

What I like about this series – apart from Goldy herself and I’ll come back to that – is the way that Mott Davidson uses the catering business to find new and interesting settings for the murders that Goldy gets caught up in. This means that there are always new characters coming through (so your old favourites don’t get killed or turn into killers) and helps combat the “how does this business stay open with all these murders” issue of so many small business cozies. And Goldy is such an appealing character – and she’s so consistently herself too. I’ve read all bar two of the series now and although her life has changed and improved, she’s still recognisable as the same person as the first book and that’s not always the case – especially when a series has been written across a long period of time.

This is an older cozy crime series (the first one Catering to Nobody came out in 1990!) and in my series post a year ago I said that it was tough to get hold of some of them because they’re not all in ebooks. But much to my delight since that post (and since I ordered a second hand copy of Dark Tort and sighed sadly over the cost of the others second hand) the rest of the series has not only appeared as ebooks but is currently in Kindle Unlimited. Meaning that I could read this on KU while away from home and still get a book off the pile! And of course it means that it’s easier for the rest of you to get hold of it too now. Three cheers all around.

Happy Reading!

books, stats, The pile, week in books

The Week in Books: January 6 – January 12

Well it’s that time of year where the counters are reset and some of the audiobooks that I listen to more than once a year will appear on the lists again. And aside from that, I’m also trying to be better with the NetGalley reading than I was for some (most?) of last year. So still a bit behind on clearing the long runners, and of course I broke my own rules with last week’s BotW so we’ll see what I do about tomorrow on that front…

Read:

The Cinderella Killer by Simon Brett

The Paradise Problem by Christina Lauren

Dark Tort by Diane Mott Davidson

Murder and Mendelssohn by Kerry Greenwood

Scared Off by Barbara Ross

Murder on the Marlow Belle by Robert Thorogood*

A Man Lay Dead by Ngaio Marsh

Started:

Deadly Summer Nights by Vicki Delany

Murder on the Celtic by Edward Marston

Still reading:

White House by the Sea by Kate Storey

A Traveller in Time by Alison Utley

Cher: The Memoir Part One by Cher

Only one ebook bought I think, but that’s seems strangely low so I might have missed something…

Bonus picture: beautiful but cold Northamptonshire on the way to Stratford for Twelfth Night on Saturday!

*next to a book book title indicates that it came from NetGalley. ** indicates it was an advance copy from a source other than NetGalley.

not a book, theatre

Not a Book: Twelfth Night

This is my second post about a Shakespeare play in under a month, and considering how rarely I got to see Shakespeare – in the grand scheme of my theatre going, this is quite something. However as I said in that post about Midsummer Night’s Dream, Twelfth Night is my favourite, so here we are.

This is the RSC’s latest production of the comedy, at the main theatre in Stratford-Upon-Avon with a cast lead by Samuel West as Malvolio and Freema Agyeman as Olivia. Set in a sort of floating now (or at least floating near-now), what you can’t see from the pre-show set up is the giant organ set that is the backdrop to most of the show and allows characters to appear, disappear and hide as well as providing some of the music. it’s dark and melancholy but also a bit dreamy.

Having seen a few different versions of this now – from the Trevor Nunn directed film, through the Globe all male production and right back to my very first at the Barbican in the mid 1990s – I love to see the different ways that directors can take the show and how they can highlight some things and how many different ways there are to play it and how many different roles can actually steal the show with a cracking performance. That Globe production absolutely belonged to Mark Rylance’s Olivia – all gliding like she was on wheels and building to a screaming climax at “Cesario, husband, stay”. This production might have been stolen by Michael Grady Hall as Feste if it wasn’t for West as Malvolio – and taken over all they balance each other out in a way. Feste is ridiculous – whether it’s his giant yellow and black costume at the start or when he’s painting the organ with a paintbrush made for fine art. It can sometimes be hard to see why the household wants to take quite such a drastic action against on Malvolio but West does a good job of making you see why they might want to do that – and then manages to make the audience feel almost guilty for laughing at him by the end.

This is only on until next weekend, but I really hope that it gets a run at the Barbican as the Dream has this year – I would happily see it again because I’m sure there’s a load of stuff that I would notice going on behind the main action at a second viewing.

Have a great Sunday.

Book previews

2025 preview post

I try and write one of these every year, and as ever the new books are weighted towards the start of the year because those are the ones that we know about already and the later part of the year is somewhat less clear. But if you go back and read yesterday’s series post you’ll see quite a few books there in the back half of the year, so it does even out a little bit.

Let’s start with something I have mentioned before: the new Taylor Jenkins Reid – Atmosphere – which comes out in June and which I had pre ordered about 30 seconds after I found out that it existed. It’s set in the 80s and about astronauts in the space shuttle programme and I am very excited to read it.

Next up is one that came out this week and is blurbed as “The Seven Husbands of Evelyn Hugo meets First Lie Wins” – Three Lives of Cate Kay by Kate Fagin. It’s about an elusive best selling author who has managed to keep her real identity a secret but is now ready to face her past. I will be reading this, probably sooner rather than later.

Also due to be read sooner rather than later (because I have a copy from NetGalley) is Murder in the Dressing Room which is a murder mystery set in Soho with a drag queen detective. It’s written by Holly Stars, who is a drag queen and writer who wrote the drag murder mystery play Death Drop which has had a couple of runs in London. It’s out in early February and I’m hoping for good things.

On the non fiction front we have Story of a Murder by Hallie Rubenhold coming in March. This is her first book after the really successful and very very good The Five and she’s now turning her attention to Doctor Crippen – again looking at a notorious murder from the point of view of the women involved.

And then let’s finish with a couple of romance novels: Emily Henry’s next novel is Great Big Beautiful Life which is coming on April 22, and Ashley Poston has Sounds like Love coming on June 17. The Emily Henry has two writers in completion to tell the story of a famous heiress and the Poston has a songwriter whose parents are closing down the family’s music venue.

Have a great Saturday!

Book previews, series

2025 series releases

Happy Friday everyone, today I wanted to mention some of the series that I’ve written about that have new books coming this year. And there are quite a few, this list is by no means exhaustive and are also in no particular order…

Rivers of London books in a bookshop

Lets start with one I haven’t mentioned yet – book ten in the Rivers of London series, which is coming in July. It’s called Stone and Sky and it sees Peter Grant on holiday in Scotland. Side note: I can’t believe this was announced in November and I missed it! I have mentioned the new Susan Ryeland mystery from Anthony Horowitz though, The Marble Hall Murder which is out in April. Also already mentioned is the eighth and final Thursday Next book is due in November, and I am unreasonably excited about it. It’s called Dark Reading Matter and it’s been a long wait. Also in November is the fifth Her Majesty The Queen Investigates book, The Queen Who Came in from the Cold.

The fifth book in the Three Dahlias series, is coming in July and is called A Deadly Night at the Theatre – which makes it the first not to have Lively in the title. Katy Watson has said that she’s already working on the sixth book – which is currently titled Bon Voyage, Dahlia and which is the last book on her current contract for the series, but she doesn’t know if it’s the final book yet (despite as she says the ominous working title) but will by the end of this year.

In the autumn we also have the return of the Thursday Murder Club. Richard Osman hasn’t revealed the title of Book five in the series yet let alone anything about the plot, but it’s out in September. Donna Andrews has her usual (!) two books in the Meg Langslow series coming – firstly book 37 which is called For Duck’s Sake on August 5th, and then the Christmas one which this time is called Five Golden Wings in early October.

Lady Hardcastle number 12, The Beast of Littleton Woods is out in May and Simon Brett has a new Fetherings book coming in April – but sadly no news on whether there is a new Charles Paris also in the works. I’m getting very behind on the series, but Tasha Alexander has an 18th Lady Emily coming in September. Amazon also thinks there’s a new Kate Shackleton coming in March – but it has no title and no blurb yet, so that may just be pie in the sky!

And finally, dateless, but very exciting: Kerry Greenwood has a new Phryne Fisher in editing. She said in October that Murder in the Cathedral will be out in 2025 some time, and I am more than happy to wait for it – just knowing it’s written and coming is almost enough!

Have a great weekend everyone!

Book previews

Out This Week: New Kayla Olsen

After including The Reunion as one of my favourite Not New books of 2024, it would be remiss of me not to mention that her next novel is out on Kindle today. The Lodge is about a writer who snags the job of ghosting the memoir of a former boyband member. The blurb says that she moves to a penthouse in Vermont to get the job done, but while she’s combing through her clients voicemails and documents to try and work out what happened to one of his bandmates who went missing, she starts taking skiing lessons with a handsome instructor called Tyler. As I said in the best of the year post, The Reunion was bang in the current trend for books about former teen stars – and there also seems to be a trend starting for books about ghost writers. It’s described as a cozy rom-com so I’m really looking forward to seeing what happens.

book round-ups

Recommendsday: December Quick Reviews

A month very much dominated by the mad dash to complete my self-imposed Read Across the USA challenge for another year and listening to Phryne Fisher audiobooks on the commute. I’ve written plenty about Phryne before, and I didn’t like a lot of the desperation picks for the reading challenge and I still had Books of the Week to pick, but I’ve still managed three for you. Check me. I wasn’t sure that I would for a while, but the last week and a bit of the month really helped.

Keeper of Enchanted Rooms by Charlie N Holmberg

It’s 1846 and Merrit has just inherited a remote estate in the Narrangasett Bay. It comes a a good time for the struggling writer – somewhere free to live would ease his money woes. He’s pretty handy so he’s confident that even if no one has lived there for a century he can turn it into home. Except the house has other ideas – locking him in when he arrives and refusing to let him out. Enter Hulda Larkin from the Boston Institute of Keeping Enchanted Rooms who is trained in taming magical structures. As the two of them work together to discover the house’s secrets, what they don’t realise is that there is a threat to the house – and them – from the outside too. This was actually the book that ticked off my very last state (Rhode Island) and I was really glad that it was one I enjoyed. This is more historical fantasy than anything else, although it does have romantic elements. It’s the first in a series – with four books already published and a fifth coming this year and I would happily read more of them. And I have several other books by Holmberg (in one of her other series) on the Kindle waiting to be read – and maybe this was the push I needed to finally get around to reading them.

Picture Perfect Frame by Lynn Cahoon

This is a rare book in the month in that it was not a missing state – it’s set in Calfornia. But this is a cozy crime series that I read when they cross my path. The detective is Jill, former lawyer and current book store owner. She’s supported by a fairly typical cozy crime miscellany of supporting characters – an aunt, a friend, her employees at the shop, a neighbour who says she’s a psychic and her boyfriend who is a local police officer. This instalment sees her supporting another local small business by going to a paint and sip event (which is something I had never heard of but is apparently a thing) at a local art studio. When one of the other participants is found dead in the studio the next morning, Jill can’t help but investigate as the dead woman’s spouse is claiming her neighbour (the fortune teller) is responsible. Not a difficult read, but a fun one.

Open Season by C J Box

I started with a 50 states book and I’m ending with one too. Joe Pickett is a game warden in Wyoming. He’s underpaid, under-resourced and unpopular in his new community – not just because he’s not local but because he won’t take bribes. When a local hunting outfitter is found dead on his property, he takes it personally and when more bodies are found he continues to investigate despite the police closing the case. Soon he’s caught up in a dangerous situation involving the murders, an endangered species and a company that wants to build a gas pipeline. This is a bit darker than the mysteries that I usually read – but I could cope with it because I was so interested in the mystery. It’s the first in a 25 (!) book series and the teaser for the next one had me intrigued so it looks like I might be covered for Wyoming in future challenges!

That’s it for the December bonus reviews – it was a bumper month in reading all in and I have written about a lot of the others too, although there was a lot of Christmas content in there which you may be over by that point. But here are the links anyway. The books of the week were Christmas is All Around, Cure for the Common Break-up and The Divorce Colony; and there were posts about Christmas novellas, the Under the Mistletoe and Busybodies collections, as well as the Best Books of the year posts for non-fiction and new fiction.

Happy Humpday!

Book of the Week

Book of the Week: The Paradise Problem

Yes, for my first BotW of 2025 I am breaking my own rules again and picking a book I finished on Monday. I just can’t help myself. And also if I could have finished it sooner I would have but Carlisle to Northampton is a long drive, even when it’s not snowy/sleeting/raining/foggy – and at various points on Sunday I had all of these, which does make it particularly ironic that this is a book mostly set on a tropical island!

The plot: Anna married West when they were both students in order to be able to access subsidised family housing. She also thought that the papers she signed when they graduated meant they were divorced. But then three years later West turns up on her doorstep, just after she’s been sacked from her gas station job and it turns out they’re not. And also that West is the heir to a huge amount of money and if they can’t convince his family that they’re actually a happily married couple at his sister’s wedding it would have dire consequences. And he’s willing to pay her to help him pull it off and the money would help Anna pay for her dad’s medical treatment but also maybe give her some breathing space to help her focus on her art career.

So there’s a couple of things to note here: firstly Anna would have to be incredibly incurious to not have figured out who West is, especially given she is also friends with his brother (and as a nosy person I had to suspend disbelief here!). Secondly there are a lot of awful rich people in this (not West!) and although there is comeuppance, your mileage on this may vary. But that said, I enjoyed this a lot as escapist fiction with a good twist on the fake relationship-turns real trope and plenty of witty banter. I’m a little unsure how West and Anna didn’t get any action together when they were roommates the first time but hey, staring a relationship with a roommate is a bad idea in case it doesn’t last. Trust me.

This one should be fairly easy to get hold of – I’ve seen the paperback in shops, although I have a copy on Kindle.

Happy Reading!

books, stats, The pile, week in books

The Week in Books: December 30 – January 5

I finished the old year with possibly the last of the Christmas-themed reading (but who can tell) and started the new with lots of good resolutions about finishing the stuff on the long running list – and then forgot to take any of the physical copies of it up to the Frozen North with me. So one off the list, and a slow start to the year. But it was a busy week, and there was a lot of driving.

Read:

Unnatural Habits by Kerry Greenwood

The Christmas Book Hunt by Jenny Colgan

A Very Lively Midwinter by Katy Watson

The Green Mill Murder by Kerry Greenwood

Not in My Book by Katie Holt*

A Decent Interval by Simon Brett

Started:

White House by the Sea by Kate Storey

The Paradise Problem by Christina Lauren

Still reading:

A Traveller in Time by Alison Utley

Cher: The Memoir Part One by Cher

Six books bought. The January kindle sales have been tempting!

Bonus picture: Snow in Carlisle on Sunday. It was cold. Very cold.

*next to a book book title indicates that it came from NetGalley. ** indicates it was an advance copy from a source other than NetGalley.

not a book, theatre

Not a Book: The Producers

A modern classic of a musical today – and actually one that I saw early in December when it was still in previews but as the whole run was sold out before it even started previews, there was no point in rushing!

This is the first London revival of Mel Brooks’ musical version of his classic movie The Producers. It follows Max Bialystock, a down on his luck theatrical producer, and Leo Bloom, and accountant turned producer, who team up together to try and swindle investors by deliberately putting on a show that will fail. Except that their sure-fire flop (Springtime for Hitler: A Gay Romp with Adolf and Eva at Berchtesgaden) is a surprise hit – and now they have to pay back their investors.

My first exposure to this show was the Broadway message boards of the early 2000s and then I West End production, on about its third cast one summer holiday. And it was wonderful. It was big and brash and funny and had huge production numbers. I loved it – and the CD of the Broadway cast recording was in regular rotation for me for years. I think I could probably still sing along to almost the whole thing. But given how big the original production was, and how small the Menier Chocolate Factory is, I was fascinated to see what they did with it, especially given their reputation for transforming massive shows into more intimate productions. I am forever in love with their La Cage Aux Folles, where they did just that, and which remains one of my favourite things that I have ever see in a theatre.

And it was a brilliant night. The Producers is still hilarious and the performances were brilliant – Andy Nyman was just as good (maybe better?) in this as he was in Hello Dolly this summer as Max and his pairing with Mark Antolin as Leo was brilliant. And it felt rawer and less shiny than the Drury Lane original did. The sets are smaller, the cast is smaller with the ensemble doubling or even tripling roles (especially on the night I was there where the artistic director came out before the start to say they were three cast members and the stage manager down). But it also felt very familiar. But with so many jokes and so much there in the writing how much can you really change? And had they actually just changed enough to make it feel fresher and less like an Old School Musical than the original did – and thus more likely to appeal to new audiences, as opposed to jaded old theatre habitues like me? I went with someone who had never seen it before and she really enjoyed it. I got exactly what I wanted – another look at a favourite show, done a bit differently – and I would have gone again if I could have done. But I can’t because it’s sold out. But if it transfers to the West End…

Have a great Sunday everyone.

Oh and here’s the original London production on the Royal Variety Show back in the day so you can see the difference in scale…