As I mentioned in the Kindle deals post – the series is on offer at the moment – and it turns out it’s because the new one is out on the 29th, so this Friday I’m taking the opportunity to remind you about the series as well as give you a quick review of the new one – as far as I’m able without spoilers!
You can get the full lowdown in my series post here from June, but the quick set up is that these are late Edwardian/early 1910s murder mystery novels featuring an eccentric widow (but not as old as you think when you see widow!) with a mysterious past and her maid who start solving mysteries after they move to the countryside and stumble upon a body. As the series goes on, extra strands get added and the core group of character widens, but they’re basically pre-World War One historical cozy crime stories.
In the new book, number nine in the series, we’ve reached 1911 and our intrepid duo are at the theatre celebrating Lady Hardcastle’s birthday when murder victim is discovered on stage at the start of the second half. Of course they’re soon investigating and trying to discover what’s going on behind the scenes of the theatre company that could have led to murder. I read it across about 24 hours and really enjoyed it – it was just the break from the day to day that I needed this week. I don’t think you need to have read the rest of the series to enjoy it, although if you have it will obviously work better for you. And as the rest of the series is on Kindle Unlimited at the moment, you can try the series in the next few days ahead of this coming out if you want to.
I got my copy from NetGalley – hence why I’m able to review it a few days before publication – but it looks like it’s going into KU when it comes out as well, so it may just be on Kindle to start with at least. And I’m never sure where this series lands in ease of getting hold of hard copy terms – there is a paperback listed of this new one, but I don’t think I’ve ever seen any of them in the flesh. I will try and remember to check Foyles next time I’m in there though! And if you want more books set in theatres, I have a whole post of those for you too!
As you know, it was Book Conference over the weekend, so it seemed like this week’s Recommendsday should be related to Girl’s Own in some way. We had a post about mysteries set in boarding schools not that long ago, so today I’m doing books set in theatres – not all mysteries, not all Girls Own!
Ballet Shoes by Noel Streatfeild
I am going to start with a Girl’s Own book though – because Noel Streatfeild wrote a lot of books with heroines who were involved in the theatre. Ballet Shoes is the most famous though, and has one of the great eccentrics of the genre too in Great Uncle Matthew – or Gum – who is a fossil collector who turns traveller after he is injured and starts collecting babies instead (don’t worry, it makes more sense in the book). When he goes missing while travelling and the money starts to run out, Pauline, Petrova and Posy Fossil (but mostly Pauline because she’s the oldest) use their acting and dancing skills to earn some extra money. It’s charming, it’s got great details about the backstage life of children in the theatre and all the secondary characters are wonderful too. And it’s still in print nearly 90 years after it was first published.
Cinderella Goes to the Morgue by Nancy Spain
This follows on quite nicely from Ballet Shoes, as it’s a satirical murder mystery that features exactly the sort of show that the Fossil girls star in as juveniles. In Cinderella Goes to the Morgue Spain’s regular heroines, Miriam and Natasha, are taking part in a pantomime in a fictional town in the provinces; with a local mayor who seems to be more involved in the theatre than in running the town. There are murders, but as with Nancy Spain’s other mysteries, it’s more about the absurdity than it is about solving the crime.
The Zig Zag Girl by Elly Griffiths
When a young woman is found brutally murdered in Brighton in 1950, there is something about the crime which reminds Detective Inspector Stephens of a magic trick. He seems the help of the trick’s inventor, the magician Max Mephisto, who he also happens to have served with in a secretive unit in the war. This is the first in the series which sees Edgar and Max investigating various crimes, some with a theatrical link, some while Max is juggling a job in the theatre. They’re not precisely cozy historicals, but they’re not exactly radically gruesome either – think Agatha Christie at her darkest. I’ve read the first three in the series, but there are three more now – with another out in the autumn.
Wise Children by Angela Carter
This has featured in a Recommendsday before, but it was five years ago so it’s well outside the statute of limitations! Nora and Dora Chance are the illegitimate twin daughters of a pillar of the theatrical establishment. They’re about to turn 75 – on the same day that their father is 100. Oer the course of the novel Dora tells the story of their lives before they head to the televised party that’s being thrown for their father. It’s got a huge cast of characters that might take you a while to get your head around and add to that the fact that it’s a magical realist sort of thing too. It was turned into a play a few years ago – which was shown on TV during the Covid Times (it might have been at Christmas, but all time merged into one back then) and I can confirm that the play was as mindbending and strange as the book is.
Maskerade by Terry Pratchett
I couldn’t resist adding this in – even though I’ve written plenty about Terry Pratchett’s books before. Maskerade is Terry’s take on Phantom of the Opera, except with witches and it’s just glorious. Agnes Nitt is a Lancre girl in the big city – singing the leading parts from the back row of the chorus while a prettier soprano mouths along. But when the Ankh Morpork Opera Theatre Ghost starts killing people, Nanny Ogg and Granny Weatherwax head for the big city to try and keep her alive. Just writing that has made me want to read it again!
And let’s finish with some other theatre-y books that I’ve written about before – Acting Up and the other books in Adele Buck’s series are all theatre-set romances. And you could probably count Circus of Wonders and The Night Circus under this heading (if you squint a bit!). There’s also a whole string of Inspector Alleyn books that are set in the theatre – including the final one, The Light Thickens, but also earlier in the series Vintage Murder, Enter a Murderer and Opening Night and several others that feature actors or actresses but aren’t actually doing the killing in a theatre- including one of my favourites Final Curtain. For kids there’s also a theatre set entry in the Wells and Wong mystery series – Death in the Spotlight which has plenty of nods to the Alleyns if you’ve read them. And of course there’s the previously mentioned Girl’s Own ballet series – Sadlers Wells and Drina.
Plenty of options to chose from this week, and I’ve gone with a romance novel to make a nice change for the summer heat. Or what I hope is going to be a summery week!
Cath and Paul have been friends since college – and Cath’s been hiding a crush on Paul all these years. Now he’s a theatre director, and she’s a stage manager and they do their best work together. As friends. Just friends. Nothing more. And that’s fine with Cath, because she doesn’t want to risk losing the friendship she has with him. This summer, they’re working on a production of a new play at a regional theatre in Connecticut. If it goes well, it could go to Broadway – but will it go well if Paul insists on hiring Cath’s college nemesis to play the leading role? When rehearsals start, Paul realises that his leading lady is making Cath’s life miserable. And also that the leading man is showing an interest in Cath. Paul realises that what he wants is Cath – but can he persuade her that it’s worth taking a chance on?
Regular readers will remember how much I enjoy Lucy Parker’stheatre-setromances and that I always say I want more books like them. Well, here is more like them. This is friends-to-lovers rather than enemies-to-lovers and it’s in American regional theatre rather than the West End, but it’s got great characters, cracking banter – they quote plays at each other everyone, including some Busman’s Honeymoon, what more could I want – and the supporting characters are also amazing. Plus more backstage theatre details than you can shake a stick at, but not in an info dump sort of way. I read it in two sittings – it would have been one sitting, but it was 2am and I had to go to bed. Then I bought the next one so that I can read it on the train to work this week when I have finished the other things I am meant to be reading.
I bought this as part of my read the samples of books on offer spree (as mentioned yesterday) and it is 81p at the moment on Kindle everyone. EIGHTY ONE. And 99 cents in the US. Run don’t walk everyone, because I suspect this offer is going to finish at the end of June. It’s also available on Kobo (for 99p) and in paperback. You’re welcome. I’m off to see what else Adele Buck has written and buy it add it to my wishlist.
Verity Reads Books (lots of them) 