For the second week in a row, the new release is from an author where I’m a bit behind on their back catalogue. But with Beatriz Williams I have more of an excuse than Ashley Poston because her books can be much harder to get hold of over here. Her 2024 and 2025 releases still aren’t available on Kindle in the UK – which means I suspect that the hard copy versions I can see on Amazon are US editions and the only page for this new one on UK Amazon is a large print edition. Still The Beach at Summerley did arrive on Kindle eventually so fingers crossed for these latest three. Anyway, that’s an awful lot of talk without saying what this book is actually about, so here we go:
Lucy is a young widow, who returns to her family’s New England estate for the summer with her young daughter to mourn her father only to discover that the property is in a mountain of debt and the man who doomed her friendship with her teenage best friend is vacationing next door after an accident ended his NFL career. Because it’s Beatriz Williams there is also a historical element – this time about a fabled pirate treasure from the early eighteenth century. The location of Lucy’s family home is Winthrop Island which has also featured in other Williams novels so I really do feel like I need to read the back catalogue first, but if you’ve already done that (or you’re not as fussy as me about things like this!) then I think this sounds like an amazing summer holiday beach book.
There’s clearly something in the water with books set on islands this year. After Sarah MacLean’s book set on a private island, Beatriz Williams’s latest is back on Winthrop Island, which featured in The Beach at Summerley a couple of year ago. This is another time slip novel with one strand set in 1846 and the other set in what sounds like the present day. There is a cache of paintings, a movie star, a chef and a steam ship disaster across the two threads and it sounds great. I continue to be really annoyed that Williams most recent novels haven’t been getting kindle releases over here – I’m now about three books behind because they just don’t seem to turn up in the shops and there’s no kindle option. All of which is annoying because I really like her writing.
The new novel from Lauren Willig, Karen White and Beatriz Williams has come out this week – and part of the blurb describes it as Murder, She Wrote meets Agatha Christie which is absolutely something I can get on board with. As I said in the autumn preview post this has got a big name author being murdered on a remote island in the Scottish Highlands, with three authors among the suspects.
When I came to write this post, I was convinced that there was more than one novel this Christmas that has got an author being murdered on an island (even an island in Scotland(, but I thought I must just have been remembering being excited about this one, which is hilarious. And then when I was in Foyles the other week I spotted this years BLCC Christmas release in the wild, which is about the murder of a well known playwright at his castle on a private island off Scotland – so I was right, there is more than one, it’s just the BLCC one was first published in 1948 and has been forgotten since then. So I wasn’t going mad, and I had actually remembered something real. Anyway this seems to be a break from their previous books as a trio because as far as I can tell this one only has one strand and it’s set in the present day. The blurb describes it as a pointed satire about the literary world, which is definitely a new development for these three, so I’m excited to see what they’ve written – if I can find a copy which is always a challenge…
As I mentioned yesterday, I read both of the physical books that I took with me on holiday this time – and today’s pick was one of them. To be fair, I did pick what I was taking quite carefully and this was one I’d been looking forward to reading.
The Lost Summers of Newport is a three-stranded story about a Gilded Age Mansion in Newport, Rhode Island. Set in three different points in the mansion’s life, each is connected to the other, and you move between the three. In 1899, Ellen is just started a job as a music teacher at Sprague Hall, to help an heiress snag an Italian prince. In 1959, Lucky is living at Sprague Hall with her husband Sty, who she married when she and her grandmother fled Mussolini’s Italy. Her husband is a womaniser and an alcoholic but she’s worried what a divorce would do to her young daughter. In 2019, Andie is working on a TV home makeover show that’s featuring Sprague House as its latest project. She wants the programme to focus on the history of the house and restoring it – but the network higher ups have different ideas. On top of that, the house’s reclusive owner has two conditions to filming – don’t talk to her, and don’t go near the boathouse. And she has two grandchildren who don’t want the TV crew there at all.
This was a really good book to read on the beach or by the pool. Because you’re switching between timelines it comes in nice sections so you can read a bit, go for a swim, read a bit more while you dry off, go for an ice cream, read a bit more – you get the idea. And in case you didn’t get it from the description, this has got some Gilded Age Rich People problems stuff going on. And there are Vanderbilts and society rivalries here galore in the two plots in the past. My enjoyment of books set in periods like this is well known – whether it’s novels or non-fiction – and so that worked well for me, particularly with the element of high society rubbing up against the seamier side of life. The different story lines gives more scope to layer secrets and see characters at different stages of their lives.
But of course the downside of having three plot strands to a book is that you can often wish that you got more time with each strand – or with one strand in particular. And there is a little bit of that with this, but it actually works together really well, especially when you consider that the book has three authors – and that each author writes one storyline (or at least that’s what the readers guide at the end says).
I read Beatriz Williams‘ and Lauren Willig‘s solo novels – and have written posts featuring some of them – although I haven’t read any of Karen White’s other books. This is the second of their joint efforts that I’ve read and I liked it more than I remember liking the first one. If you’ve read Beatriz Williams other novels you’ll spot some of the same families popping up here, which is a nice Easter Egg.
The paperback of this came out in July – and I had it preordered and so I’ve actually got to it quite quickly in the grand scheme of things – but it’s also available in Kindle and Kobo as well as in an audiobook with a different narrator for each strand.
Verity Reads Books (lots of them) 