It’s a theatre in your cinema pick this week – and I actually only saw this yesterday, but because there is a very small window to see these in cinemas I’ve bumped it straight to the top of the list.
This is the stage version of Stanley Kubrick’s movie Dr. Strangelove, with Steve Coogan in the starring role as not one, not two, not three but four different characters. If you haven’t see the original movie, it’s a political satire and very black comedy about nuclear war, when a general goes mad and orders a preemptive nuclear strike on the Soviet Union and the efforts to try and stop the attack happening.
It’s been a long time since I saw the movie – when I was at uni I think – but despite the fact that this is set in the Cold War, there’s a lot about this that feels quite applicable to the world we live in today. And the staging is really well done too, with a clever use of screens to create various different things including the iconic big board in the war room. As well as Steve Coogan, this also has Giles Terera who I first saw back in Avenue Q days but has now had a long career with plenty of dramatic roles as well has his Olivier award winning performance in Hamilton.
It’s basically a really solid two and a bit hours of theatre with good performances and a clever adaptation of a movie classic. Definitely worth a look if it’s coming near you.
Happy Sunday everyone, we’ve made it safely into a new month and the mornings are getting lighter, which given how early I catch the train to work can only be a good thing! Anyway, a book adjacent treat for your ears today:
I’ve written about the books in the Charles Paris series before, but Radio 4 have done a really good series of dramatisations of them – and I’ve just got finished listening to the latest one, Situation Tragedy. As you can see from the picture, Bill Nighy is Charles and he’s captured the louche, lightly drunk, slightly bumbling, just good enough to keep getting enough work that he can stay in the acting profession persona of Charles brilliantly.
But actually for me, the cleverest bit of the dramatisations is the way that they’ve managed to update some of the books. Simon Brett started writing the series in the mid 1970s but they exist in what I call the floating now – which is to say that Charles has been in his late 50s for nearly 50 years at this point (the most recent book came out in 2018) and obviously a lot has changed in the world of acting as well as the world in general during that time, but Jeremy Front (who has adapted most of them) finds ways to bring them up to date and give them a bit of continuity (especially as the adaptations haven’t been in the same order they were published). There are a few changes – some more major than others but it’s fun – and funny – and undemanding to listen to Charles work his way fringe theatre, musicals, audiobook narration, instructional training videos, documentary extras, radio plays, the whole shebang.
I was a bit slow to spot Situation Tragedy – so it’s already starting to disappear from BBC Sounds, but it’ll be available from Audible later on in the year. And the rest of the series do pop up from time to time being repeated on the radio which puts them back on Sounds – Doubtful Death is on there at the moment for example. But there are also three collected editions of the dramatisations.
Autumn is new TV season, and the run up to Christmas (and THanksgiving in the US) is the big movie release season, so I thought this week I’d mention the books that are about to hit the screens of various sizes before the end of the year.
I’m starting with the one you’re most likely to have already seen a trailer for even before I put it here, and that’s Wicked. It’s based on the musical which is quite a long way away from Gregory Maguire’s novel, but as they’ve split it into two parts, it sounds like they have used more of the book material for the film – which makes sense because the second half of the musical is less obviously spectacular than the first and the most well known songs are in the first – including the iconic Defying Gravity which is the ending of the first half in the musical and has been so heavily featured in all the promotional material that it has to be in the first part!
Excitingly Interior Chinatown has a brand new trailer today – ahead of it’s release in the US in mid November. Charles Yu has adapted it himself from his novel, which is about an background character in a police procedural drama who longs to be the main character. It won a National Book award the year it came out and was nominated for a couple more prizes. I read it in 2020 and although it was not entirely my thing (as we know that’s not unusual for Award-winners) but I thought it was really clever, inventive and mind bending. It’s on the list of things I might be able to watch with Him Indoors. Or at least let him start watching it to see if I’ll be able to cope. I just need to get Disney+ again first!
Already out there in the US, but frustratingly still without a confirmed date in the UK is the Moonflower Murders. I did mention this the other week when I posted that there is going to be another book in the Atticus Pünd/Susan Ryeland series, but I don’t care, because I think these are so fun and clever and I’m looking forward to seeing how book two translates to the screen – I doubted Anthony Horowitz before the seeing the Magpie Murders and I’m not making that mistake again. I’m sort of expecting that this is going to be in the Christmas TV offerings, so I might still have two months to wait…
This one is a bit of a cheat on two fronts because it’s already out there *and* I haven’t read the book, but the trailer made me laugh so I’m going with it anywhere. I’ve read about half a dozen of Carl Hiassen’s books – but not Bad Monkey – and I am a little worried this is going to be a bit too violent for me on screen – the novels fall into the same sort of humours crime-thriller-adventure area as Stephanie Plum does, but with a lot more gore on the page. This one is on Apple TV+, which I hardly ever have, so it may be a while before I can set Him Indoors on it to check it for me.
And finally, this is the one that I have no clue how I would be able to watch as it’s a Hallmark Movie, but the book itself sounds intriguing: The Chicken Sisters. It’sabout two families feuding over whose restaurant serves the best fried chicken and two sisters who have ended up on opposite sites try to settle it by taking part in a TV cooking show. It’s at least partially set in Kansas too – so if I can get hold of a copy of that, it might help me with one of my harder to get states in the 50 states challenge…
On a slight tangent today, because the 2011 movie was on TV the other night and if I come across it I can’t help but end up watching it.
Tinker, Tailor, Soldier, Spy is John Le Carré’s Cold War spy masterpiece, where a retired spymaster is brought back into the fold to try and track down a mole in the British secret intelligence service. George Smiley had been forced out after a failed assignment which had secretly been to investigate the same mole- but is contacted some years later by the minister to investigate the potential mole. The title refers to the code names the former chief – Control – had given to the suspects in the case. What follows is a chess game of a book as Smiley tries to unravel what is really going on from a group of men who are used to obfuscation and secrecy.
This is one of those rare occasions where I have read the book, watched the TV series and seen the movie – and I’m pretty sure I read the book first to see if I could cope with the movie, and then the TV series was repeated on BBC Four after the success of the movie. And they’re all brilliant. The TV version was made in the late 70s, so less than a decade after the book was set, and has the authentic contemporary look as well as more time to tell the story, the movie has an all star cast doing excellent work and the adaptation to get it down to film length is very neatly done.
Warning: don’t look at the comments on the TV version of you haven’t read the book/seen the movie because it gives the culprit away.
I’m not normally a thriller watcher – or reader really – but the movie for such good reviews I made an exception and it’s really worth it. I wish they had made a sequel – there are more Smiley books and they did with the TV series – but I think too much time has passed now for it to be feasible. But in the absence of more, I’ll happily watch the film again. And again.
As I wrote about Crazy for You the other Sunday, rather than Dr Semmelweiss, I thought I’d redress the balance this week and add a bit of Mark Rylance to the blog. As I said last week, I think he’s the best actor I’ve ever seen in person and I count Wolf Hall as the start of when he started to cross the path of non-theatre people.
Wolf Hall is the adaptation of the first two books of Hilary Mantel’s trilogy about Thomas Cromwell. Thomas Cromwell rose from obscurity to be Henry VIII’s chief minister and then fell from grace after the failure of Henry’s marriage to Anne of Cleves. The mini series opens as Cardinal Wolsey is about to fall from power because of his failure to get the King’s marriage to Catherine of Aragon annulled and follows Cromwell’s rise to power up until the death of Anne Boleyn. You see his origins in flashback and how he exploits the rivalries and networks of the Tudor Court.
I studied this period at A-Level and I can tell you it is some acheivement to make Thomas Cromwell a sympathetic figure, and yet the combination of Mantel’s writing and Rylance’s acting does it. I still haven’t read the final book in the trilogy because I’m not sure I want to see it all fall apart – and I’m struggling so much with reading things that are not cheerful or that I don’t know end well at the moment (by which I basically mean the last three years). When Hilary Mantel died almost a year ago, Peter Kominsky who directed this said that the script for the final book was underway, but there’s still no news on whether it is happening, and given that it was meant to film this year and Rylance has been in the West End all summer you can’t help but feel that it may not year have happened. But after the way they did Anne Boleyn’s beheading, I’m not sure I can bear to to see how they would do Cromwell’s execution anyway. We rewatched the series recently and I had to look away for that section.
Anyway, that aside, it’s well worth watching if you like historical dramas – and probably easier to watch it than read the books – which are very long and although beautifully written (two Booker wins and nominated for the third too) are not light reading. And you can play spot the locations too – I’ve been to Montacute House, Lacock Abbey and Barrington Court which are among the National Trust Houses that feature in the progamme, and the photo below is the steps leading up to the Chapter House at Wells Cathedral which we visited in January.
If you’re in the UK you can watch Wolf Hall on the BBC iPlayer, if you’re elsewhere, it’ll likely be on whichever streaming service gets BBC or PBS programmes where you are.
Let’s start by saying I have a soft spot for adaptations of Alexander Dumas’s band of sword fighting soldiers. I think it probably started with Dogtanian and the Muskerhounds – the original, not the film a couple of years ago and possessor of a deeply catchy theme tune (I’ve put it right at the bottom of the post, press play if you dare) but there have been many others since, including when my favourite skater at the time did a routine to the music from The Man in the Iron Mask to win his Olympic gold! Anyway today we’re talking about the new French movie – the first of a duo.
So they’ve done some… adjustments to the plot of the book, but if you’ve read the book D’Artagnan takes you to roughly the halfway point of the novel in a very easy to enjoy two hour romp. There are sword fights galore along with chivalry and banter and some great stunt work – including a man jumping from one horse to another, which I always love to see.
It’s got a top notch French cast – including Vincent Cassel and Romain Duris among the musketeers and Eva Green as Milady – who spends a lot of time in a huge hat smoking a long stemmed pipe. Iconic stuff. Him Indoors came with me to see it and he described it as “nonsense – but very enjoyable nonsense” and then started to speculate on how the French film industry manages to make such impressive looking movies on such a consistent basis!
If you’re a purist and want something that follows the book completely, this may not work for you – one man left out screening sucking his teeth and telling the usher it wasn’t very accurate – but if you enjoyed the BBC series Musketeers, then I think you’ll like this. We’re definitely going back for part two, which is called Milady, when that arrives here at the end of the year.
Back at Halloween last year I wrote about the Addams Family films from the early 90s and now I’ve watched the new Netflix series about Wednesday and can report back!
So the premise of this, as you can probably tell is Wednesday Addams Goes to Boarding School – and it’s a boarding school for outcasts. Now given my fondness for boarding school stories I could very much get on board with this. And obviously because this is Wednesday we’re talking about – allergic to colour, incredibly morbid, not really into emotions – this is going to pose some challenges. On top of that, this is the school her parents attended and to say there is some history there is to understate the situation. And then there’s the fact that there appears to be a monster killing people and the pupils of the school, with their special powers/skills are the prime suspects. So a fish-out-of-water school story with a murder mystery/thriller twist, brought to you by Tim Burton. Sounds good right?
There is also good news for those of you who are as sentimentally attached to the Julia/Huston Gomez and Morticia as I am, that although the parents appear in the show, they are only in a couple of episodes. And though I have a few issues with Catherine Zeta Jones’ Morticia (not least the wandering accent), Luis Guzman’s Gomez is brilliant in a different way to Raul Julia and I really, really liked it. And as Wednesday, Jenna Ortega is fabulous, she’s got the creepy, disconnected affect down as well as the deadpan delivery. And the plot and script are really clever too. There are nods and winks to the various different incarnations of the family previously (not least Christina Ricci as Wednesday’s dorm mother) whilst still making it feel its own thing.
Wednesday has Thing with her at school – which shows how far CGI/Special effects have come in the last 30 years that it’s now super easy to have lots and lots of Thing, and Uncle Fester pops up too. But for most of the characters are new – Enid, Wednesday’s roommate, a crowd of popular kids including a siren and a pupil whose drawings come to life and a group of townies who have a very, very mixed relationship with the boarding school on their doorstep which adds another level of tension to everything. And then there is Wednesday’s special gift – which causes her even more issues. In short – plenty of plot strands to keep everything moving along and to keep you guessing about how it all might tie together.
We watched it across about four days – there are eight episodes – and were really sad when it was over. And clearly we’re not the only people who have made it to the end of the series (which seems to be the metric which Netflix bases stuff off) as they announced a second season last month. I’m interested to see where they take the show next, as the plot for this was self contained enough that it wouldn’t have left viewers mad if it didn’t get a second series but equally left you with a tease for what might happened next. And don’t worry, the teaser trailer below doesn’t give any spoilers away.
So if you need something to binge watch, and you haven’t already, I recommend this for your next duvet day on the sofa.
I mean, it was a book first, but in this case it’s the TV adaptation I’m talking about!
So this is ITV’s four part adaptation of Graham Norton’s debut novel. I have to admit that I started but never finished the book, and I don’t know where it’s gone – but I really enjoyed the TV version of this murder mystery, which is just a little bit unexpected and out of the ordinary.
The plot is this: when a body is discovered Siri building work, local police officer PJ has his first murder to solve. The victim turns out to be a long lost local legend – who disappeared the day of his wedding. Introverted and seen as an outsider by the village, PJ discovers hidden secrets as he tries to solve the crime and this is what finally forms a connection with the community.
Everyone in this has a messy life. There are alcoholics, secret affairs, unhappy marriages, busybodies, secret eaters and more. And at times it’s really quite bleak. But for all that there was something totally watchable about it – and I put that down to Conleth Hill’s performance as PJ Collins. Even when he’s doing something he really shouldn’t, you’re still rooting for him and you’re desperate for him to solve the murder and be happy. As the episodes go on, you discover hidden depths to him and the scenes with Mrs Meany (Brenda Fricker) are brilliant. It doesn’t feel like a traditional murder mystery when you’re watching it – whether that’s because you know a lot more than PJ does or because of the way it’s been directed by Kathy Burke, I don’t know. But it felt different and fresh and touching.
As I said at the top, I haven’t read the book – and as I already have way too many books I’m not sure I’ll be going back for it, but if a copy happens into my hands, I’d be interested to see how much of the tone is carried over from the book and how much is from the adaptation.
Anyway, if you’re interested, it’s up on the ITV hub if you’re in the UK, and I think it’s somewhere on Virgin if you’re in Ireland. I have no idea about the rest of the world though – sorry!
Verity Reads Books (lots of them) 