Tag: theatre

not a book, theatre

Not a Book: Kiss Me Kate

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I’ve got another theatre trip to tell you about this Sunday – because I had a fabulous night out at the Barbican on Friday night.

In case you haven’t encountered it before, Kiss Me, Kate is about a warring couple who are working together on a production of a musical version of Shakespeare’s The Taming of the Shrew. Fred and Lilli are divorced, and their relationship dynamic somewhat mirrors that of the characters they are playing in the musical. There’s also subplots with the show’s young ingenue, newly arrived from nightclub singing, and her boyfriend Bill who is also in the cast and has a gambling problem that has led him to sign a $10,000 IOU with Fred’s name on it – leading to the arrival of a pair of gangsters at the theatre.

Kiss Me, Kate premiered on Broadway in 1948 and has music and lyrics by Cole Porter. I saw the last London Revival, which was in 2012 at the Young Vic and starred Hannah Waddingham and Alex Bourne, and really enjoyed it so I had high hopes for this production at the Barbican which has Tony-award winning Broadway powerhouse Stephanie J Block as Lilli and Adrian Dunbar as Fred. The Barbican has a good track record of producing big productions of musicals (see Anything Goes with Sutton Foster a couple of summers ago) and this is a show that repays a big production.

And this is A Big Production – you can see the size of the set from the photo at the top, but what you might need to watch the video to see is that it rotates*, it’s also got a big orchestra to blast out those Cole Porter standards like Too Darn Hot, Always True to You in My Fashion and So In Love. It’s directed by Barlett Sher, who also directed the Lincoln Centre Production of The King and I which came to the London Palladium with Kelli O’Hara a few years ago and has been touring the UK recently, and so has plenty of experience with big, classic musicals. And he’s created a really enthralling evening at the theatre – the show within a show means that there is fourth wall breaking, interactions with the conductor and the audience and plenty of general chaos.

And the cast are all giving great performances. It’s hard to single out anyone in particular, but if you forced me, I might pick out Nigel Lindsay and Hammed Animashaun who play the gangsters, who made me laugh the whole night building to a brilliant and nearly show-stealing Brush Up Your Shakespeare. Which brings me to one thing that I had forgotten about Kiss Me, Kate, which is how equitably the songs are spread out – everyone in the main cast gets at least one brilliant song and there’s plots and sub-plots galore.

I went with my mum who absolutely loved it – and I had such a great time I’m trying to figure out if I can go again before the run ends in mid-September. It’s had excellent reviews from the actual theatre professionals too – but there are some really good deals available on tickets at the moment – I suspect because the Barbican is out of the main drag of the West End so it doesn’t get the passing trade that some of the other theatres do (this is also an issue for the Shaftesbury Theatre – which had a bit of a reputation of being cursed for shows a few years back). I got my tickets from TodayTix who I use quite a lot these days, but you can get direct from The Barbican as well. And if you’re buying last minute they do on the day rush for £30 too.

Have a great Sunday – here’s hoping for an England win tonight…

*I love a rotating set – one of my early London theatre memories is of a production of the Wind in the Willows at the National Theatre where the set not only rotated but it came up from the ground, and more recently I loved the production of Follies – again at the national – which had a rotating set – although that just had a front and a back where as this has three sides.

children's books, theatre

Not a Book: The Secret Garden

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This is a fresh version of the Frances Hodgson Burnett classic children’s story that is on at the Open Air Theatre in Regent’s Park for the start of the summer. The core story – about newly orphaned Mary Lennox being sent to live at Misselthwaite Manor after the deaths of her parents and uncovering the many secrets that the house is hiding remains the same – but there has been some sensitive updating done which makes it work a bit better for today’s audiences as well as providing a beautiful inspiration for the stage design and music concepts.

I really, really enjoyed myself watching this – with the trees all around you and birds flying overhead as the sun went down, the setting is absolutely perfect for a play about the healing power and magic of nature. I saw the fourth preview – so there were still a few technical gremlins to sort out (mostly mic cues) but the show itself and the performances were wonderful. In fact my only real grip was that my feet got cold, but that was my own fault for wearing canvas shoes with no socks!

This would make a great show for the kids this summer – but sadly it’s only on until July 20th, which is just as the schools are breaking up in most places, then Fiddler on the Roof takes over in the theatre for the rest of the summer. You can find more details here.

Have a great Sunday

not a book, theatre

Not a Book: Sister Act – the Musical

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I braved the theatre during half term week and lived to tell the tale! I wish I could say I was being strategic with my show pick and picked one where I thought there would be less children, but I would be lying – I went to Sister Act because it’s a short summer run and there’s a cast change coming at the end of this coming week, and the fact that there was a front row ticket in the lottery on the day was an added bonus!

This is the musical version of the 1992 Whoopi Goldberg movie about a lounge singer who sees her casino boss boyfriend have someone murdered and is hidden in a convent for her own safety until she can give evidence at his trial. The first thing to note is that there are a fair few changes between the movie and the musical – the most obvious being that it has an all new set of songs written by Alan Menken, the composer who wrote the music for a string of Disney movies in the early 1990s, like Beauty and the Beast and Aladdin. Do not go expecting to hear any of the Motown hits from the movie – or Hail Holy Queen etc. it’s also set in the late 1970s rather than the early 90s, Doloris’s boyfriend owns a club that he won’t let her sing at – rather than a casino where she does sing at – and it’s set in Philadelphia rather than Reno and Adam Francisco.

I thought the changes really worked – if you can’t have the music from the movie – which I assume would have been near impossible on a licensing front for the Motown front, especially given that there were a few jukebox musicals using some of the artists music at around the same time – then make some changes to make it its own thing. It was obviously going to need more music than the movie had – and more characters were going to need to sing, so it worked really well.

I didn’t see this when it was in the West End originally – I didn’t have the budget for theatre going at the time and I was also working a job where I started at 4 am so late nights were not my friend – but this has got a cracking cast at the moment, so I feel like I might have picked the right time. Beverley Knight is playing Doloris and Ruth Jones is playing Mother Superior – later on this summer Alexandra Burke takes over as Doloris and Lee Mead joins as Detective Eddie Souther. It’s also got Lemar – who I always thought deserved a bigger music career than he got – playing Doloris’ boyfriend.

Basically this is a big, fun, colourful night in the theatre – in fact in a theatre where I spent a lot of time as a teenager, but that’s a story for another day.

Have a great Sunday everyone.

not a book, theatre

Not a Book: Opening Night

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A somewhat perplexing theatre trip this week. Opening Night got 1* and 4* reviews when it opened, and it seems like the audiences have paid more attention to the ones than the fours, as its closing early at the end of this coming week, instead of running though til the end of July.

This is a musical adaptation of a John Casavetes film, with music by Rufus Wainwright, starring Sheridan Smith and directed by Ivo Van Hove. Now I love to go and see a flop – I saw the X factor musical twice, and the spice girls musical to name a few – and I do actually really like Rufus Wainwright’s music, so of course I rocked up to see this before it finished to see what I thought.

And the answer, five days on, is that I still don’t know! It’s not so bad it’s funny. It’s not a misunderstood masterpiece. But it is incredibly confused, and (sadly) the music is ultimately pretty forgettable. I’m not even sure what I can say about the performances – everyone is giving it their all, but I’m still not sure what they were meant to be working towards! But I got a good discount on my seat, and I’m glad that I can say I saw it. And sometimes that’s all you’re after!

Have a great Sunday!

books, not a book, theatre

Not a Book: Spymonkey’s The Frogs

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We finished off our time of work with a trip to the theatre on Monday tonight to see the new show from one of my favourite comedy theatre companies – Spymonkey.

Their latest show is another coproduction with my local – Royal and Derngate. This time they’re doing their version of The Frogs, but with an incredibly Meta twist. The original four monkeys are down to two – Petra is on “ long-term loan” to Las Vegas, where she’s the star of a cabaret show (except when joining the ENO for the Gilbert and Sullivan I saw before Christmas!) and Stephan died (yes, really died) in 2021. So as well as being drama’s oldest double act who go searching for a dead playwright in the under world, the Tony and Aitor double act is also searching for a missing person – and looking to a different future. And while it’s still gloriously silly and utterly bonkers, there is an edge of sadness about it. I was wondering if that’s only because I’ve met the monkeys in real life – I pitched a piece for work about their previous show at R&D and got to interview them and film them rehearsing The Complete Deaths, but Him Indoors hasn’t met them – he’s just come to see that shows with me – and he felt it too.

And because I’ve seen their previous shows is hard for me to judge how someone who hasn’t will see this. There are call backs to their previous shows and the hallmarks of their comedy. And this is the point where I say I’ve sometimes found it hard to work out who to recommend them to, because as well as being quite off the wall in comedy terms, full frontal nudity is a thing that happens in most of their shows, and that isn’t something for everyone! Anyway, we had a great time, I hope non-super fans do too and I’m not ruling out going to see it again when it transfers to The Kiln in London in a few weeks time.

I’m off to watch my DVD of Cooped aka Hysteria. Have a lovely Sunday everyone.

not a book, theatre

Not a Book: Another week in theatre…

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Two more shows this week and I just can’t stop myself from telling you about them! But that’s pretty on brand for me at this point, so I’m sure you’ll forgive me.

First up was Peter Pan Goes Wrong, which has had a Christmas season in the West End. I saw the original cast when they were touring the UK back in 2014 (I was shocked when I realised how long ago that was). Since then the Mischief Theatre Crew have done all sorts of things – many of which I’ve seen (Groan Ups, Magic Goes Wrong, the TV series) and now fresh from a run on Broadway some of the original crew are back in the show before it goes out (with a slightly different cast) on a 2024 tour. Having been asked to explain panto earlier in the week on a Discord group I treated myself to a trip to this not quite a panto but based on a panto. I was worried that it wouldn’t be as funny as it was the first time, but I shouldn’t have. It’s still side achingly funny in the first half and when it takes a turn in the second it brings it all back around in true panto style.

Heres the trailer for the TV version of Peter Pan Goes Wrong on YouTube- although I think the TV version doesn’t do the theatre experience justice.If it’s coming to your local theatre, and you like comedy based on physical humour, then this might be your thing. I think if you’ve seen and enjoyed shows like Noises Off then it will work for you.

And then on Thursday night we were at my local for Yipee Kay Yay – which is a one-man retelling of the classic Christmas movie Die Hard. I would suggest having seen the film before you go – we did a refresher the week before to make sure we were ready for it, but I think Alan Rickman’s Hans Gruber is nearly well known enough that you’ll get some laughs out of it even if you haven’t. I bought the tickets for Him Indoors for Christmas because he loves a cheesy action movie and he laughed consistently the whole way though (so did I). I asked him to sum it up for you all and his response was: “one very enthusiastic man’s poetic take on the Die Hard movie and how it’s affected his life”. In case that doesn’t make any sense, here’s the 30 second trailer!

Now I’ll admit this is harder to see than Peter Pan Goes Wrong, unless you’re reading this in Oxford on Sunday or live in Adelaide – because it’s going to the festival there in March. But it was a hoot and he said at the end that word of mouth was important- so it’s the least I can do. Here’s the Website in case they add more dates.

Peter Pan Goes Wrong has a week left in the West End, then it’s touring til April. Here’s their website to check if it’s coming to you.

Have a great Sunday everyone.

theatre

Not A Book: Another Week in Theatre

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Ok, ok, this is starting to look a little like boasting, but these were the last things I had in the ticket box before Christmas so I’m going with it!

The first show of the week was Noises Off – again! Yes I only saw it at the start of the year, but it’s back in the West End for Christmas, with a slightly tweaked cast – with Tamzin Outhwaite, Matthew Horne and James Fleet joining Felicity Kendal, Alexander Hanson and the gang. This time I booked steaks tickets on the side that Lloyd-the-Director hangs out in during the first act, so that added a little some thing – and it’s still hilarious.

Tuesdaynight was a really last minute trip to see Private Lives – not the production that I saw at the Donmar Warehouse but one that had older leads with Nigel Havers and Patricia Hodge as Elyot and Amanda before it closed this weekend. I still love the play – but this was the least favourite of the three productions of it that I’ve now seen ( and it should be noted that I loved the Anna Chancellor and Toby Stephens so much I went twice) but it was interesting to see it done with a different age of cast.

And finally, no photo but on Thursday night we went to see some comedy – Dave Gorman at my local theatre’s and that was so, so, so funny. I nearly cried laughing at one point. If you’ve never seen Davec and his PowerPoints I thorough recommend him. I think this is the back end of this tour, but we’ve seen him before and he’s consistently very funny.

And that’s the lot, but it spreads feel like quite a lot – have a great Sunday everyone!

not a book, theatre

Not a Book: My Week in Theatre

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A bit of a change this week because I had two nights out at the theatre, both of which were great and both of which were sort of one off things. So I’m bundling them together today because I wanted to talk about them anyway!

So I started the week with a night out at the Jinkx and Dela Christmas show – I went last year and it was fab, and it was equally brilliant this year. BenDeLaCreme is my all time favourite from Drag Race and she and Jinkx Monsoon are a brilliant pair. This years show is a bit meta – they decide they don’t want to do a holiday show, but get trapped by the show and have to do it anyway to try and escape and it’s really a lot of fun. The UK dates are over now, but there’s nearly two dozen across the US before Christmas – and if they’re coming near to you it’s definitely worth the trip.

Tuesday night was Mandy Patinkin, doing a solo concert run in the West End for just under two weeks. I went because he’s a bit of a Broadway legend – Tony award for originating Che in Evita, original George from Sunday in the Park with George – and I like to see the big names from across the pond when they come over here if I possibly can, but I wasn’t expecting him to manage to make me cry – twice! It’s a really well put together show, with loads of songs, some you’ll have heard of, some you won’t (or at least I hadn’t) and it’s just him and his pianist and a chair (and a towel). That’s it. And yet his singing – even at seventy years old – can make you feel so much emotion. Really worth it, even though there is very little legroom in the side of the circle at the Lyric. So very little. I think it must have been where I saw Avenue Q with Him Indoors years ago where we were nearly late and the seats were so cramped that Him Indoors never managed to get into the spirit of the show. I won’t forget again…

I have two more trips planned this week – I’m making the most of the run in to Christmas while I can!

Have a great Sunday everyone.

theatre

Not a Book: Old Friends

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This was my Tuesday evening entertainment this week and of course I was going to write about it, given that I bought the tickets the day that they went on sale and have been looking forward to it for months.

Stephen Sondheim’s Old Friends is the West End run of the tribute show that Cameron Mackintosh put on with some of the best known and most loved songs from his long producing relationship with the late musical genius. It’s on a limited run in the West End with headline stars Bernadette Peters (her first ever West End show!!) and Lea Salonga (Princess Jasmine herself) along with support from West End powerhouses like Janie Dee and Joanna Riding.

And I was in musical theatre heaven – I’ve seen Company, Gypsy, Sunday in the Park with George, Follies (three times!), Sweeney Todd and Merrily We Roll Along so there were a lot of songs that were familiar to me. I have the Sondheim 80th birthday prom on the Tivo and have watched it more times than I can count, and I’ve watched the various documentaries about his life that have popped up in the last few years. So it was wonderful to get what is essentially a greatest hits concert – and to try and guess who was going to sing what – the programme has a song list but not who is doing which bits. And there are plenty of options for each one – as more than one of the cast have played each role. I was mostly right, but there are a few gender-swapped suprises. And it definitely brought home for me how wonderfully Sondheim wrote songs for older women. It’s not just Send in the Clowns, it’s Losing My Mind, and Everything’s Coming Up Roses, I’m Still Here, The Boy from and Ladies Who Lunch AND MORE. Just wonderful. I’ve been humming the songs for days.

How it will work for you if you don’t know your Sondheim, I’m not sure, so I had a bit of a hunt around to find the trailer for it with the most singing in it (see above!) but I think there are enough songs here that you would know – there’s West Side Story here too and A Little Night Music that you would probably enjoy it – and at least come away wanting to see the full version of some of the shows. I loved it so much I would go back again. And who knows, I might well go back and see it again.

It would be remiss of me to end this post without mentioning the amazingly talented Haydn Gwynne, who died this week and who should have been in this show. She had to withdraw days before previews started for “sudden personal reasons” – which sadly turned out to be a cancer diagnosis. And now, just weeks later she’s gone. I saw her in Women on the Verge of A Nervous Breakdown and The Audience – and I know she would have been fabulous in this – because she was in the original tribute show last year. So leave you with part of her performance of Ladies Who Lunch from that show, which if you’re in the UK you can find on iPlayer to watch again – which we did on Friday night.

See you tomorrow everyone.

theatre

Not a Book: Crazy For You

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I actually saw two shows in the West End in four days last week, so I guess I could have written about either of them, but as Dr Semmelweiss is a limited run ending at the start of October (and has been selling well so if you don’t already have tickes you might not get them) and Crazy for You is under two months into a six month run, I’ve gone for the musical. Also much as I think Mark Rylance is the greatest actor I’ve ever seen live, I just love Gershwin’s music.

So this is a revival of the early 1990s musical, which in itself was based on the 1930 Ethel Merman vehicle Girl Crazy. The original Broadway production won the Tony, the original West End production won the Olivier, and I suspect this one will probably get some nominations this year. It originated at the Chichester Festival (one year I will make it to Chichester, so much good stuff starts there!) and has come into town with the four leads intact (although I saw the Standby Bobby who was performing for the first time and who was excellent).

To the plot – which feels like it could have come straight from a Fred and Ginger film to be honest: Our hero is Bobby,a wannabe dancer who is working in his family’s bank because he hasn’t been able to persuade any one to give him a role on stage. At the start of the show he tries to convince theatre impresario Bella Zangler to give him a chance without any success. Then his mother appears to tell him that he needs to take over her share of the bank and to do this he needs to go to Nevada to foreclose on a theatre in the town of Deadrock. Deadrock is a mining town that has seen better days, filled with cowboys and one woman – Polly – daughter of the theatre owner. Bobby arrives in town, falls in love with Polly at first sight and comes up with a plan to save the theatre, but when she finds out he’s the man sent by the bank, she suspects it’s a trick and won’t give him the time of day. And so Bobby decides to pretend to be Bella Zangler and sends for his friends the Zangler chorus girls to put on a show to save the theatre. It’s all going reasonably well – I mean except for the bit where Polly thinks Bobby is someone else, until the real Zangler turns up in town to see what his dancers are up to.

And that’s a rough outline of some of the key points of the first act, and as much as I’m going to tell you so I don’t ruin all the fun of anyone going to see it. It’s got a bunch of Gershwin’s most recognisable songs – pilfered from all over his catalouge – like Embraceable You, Someone to Watch Over Me, I Got Rhythm and three from my favourite Fred and Ginger movie Shall We Dance – the title number, Slap that Bass and They Can’t Take That Away From Me.

It’s quite an old school plot and it’s a quite old fashioned musical in many ways and there were what sounded to me some fairly ropey American accents , but it’s directed by Susan Stroman so the dance routines are absolutely on point – with some wonderful tap dancing – as well as some great physical comedy and obviously the music is wonderful and they’ve got a nice big band to play it (in West End terms). If you like shows like Anything Goes, or the recent stage version of Top Hat, then this is a show for you.

Have a great Sunday everyone.