Tag: Sondheim

book adjacent, not a book, theatre

Not a Book: Into the Woods

veritywilde

It’s Easter Sunday and if you have a long weekend I hope that it is going well so far, and not too encumbered by the sort of weather that a Bank Holiday weekend in the UK always seems to cause. For the third weekend in a row I have a theatre related post for you and to be honest, I don’t think it’s the end of the run of show posts because I’ve seen a lot of shows in the last six weeks – including two this week alone. But this week I’m going with another Sondheim show to join my posts about Here We Are and the Frogs, Merrily We Roll Along and Old Friends.

Into The Woods is Stephen Sondheim’s take on some of Grimm’s Fairy Tales, intertwining them to tell the story of a childless baker and his wife who try to life a curse that has been placed on them by a witch but finding her a series of items in the woods. This brings them into contact with other story book characters. We’re taken through the story by a narrator. I can’t really tell you much more about the plot than that without giving too much away, but the story takes the familiar fairy tale tropes and plays with them. Sondheim’s music is often tricky to perform – there are difficult harmonies and tunes that don’t go where you expect. Into The Woods has got repeating motifs that evolve through the show – you’ll come out humming snatches rather than having an earworm of one tune stuck in your head. The lyrics are brilliant – clever and often witty and even the spoken lines have a rhythm to them.

In the Stephen Sondheim canon, Into the Woods comes after Sunday in the Park with George and is the second of his three collaborations with James Lapine and is at the tail end of his run of what was probably his best work. I had seen the movie of Into the Woods, but this is the first production that I’ve seen in person – the last time it was in London was 2010 when I wasn’t seeing as much theatre for various real world reasons. That production had Hannah Waddingham and Jenna Russell, this one has Jamie Parker and Kate Fleetwood. Now when I (first) went to see it Jamie Parker got injured midway through the first act* and was replaced by his understudy, and there were also understudies on for The Baker’s Wife and Little Red. But I enjoyed it so much that I went back this week to try and catch some of the people that I missed before they leave (more on that later) and to get a different view of the stage.

And as you can see – I was higher up and further back but straight on and that means I could see a lot more detail of the set and the action behind. If you’re going to see this then try and be as front on as you can – I think probably ideally a level down from this seat in Gallery 2 but those seats are pricey – so for the money this was excellent. And I did get to see all of Jamie Parker this time with the original Baker’s Wife Katie Brayben. There were still a few understudies on though – including Little Red again but also Jennifer Hepburn as the Witch. All the performances were excellent, but I can imagine that when it’s the full main cast it is really quite something because I definitely have preferences having seen it twice. I can really see why it earned 11 nominations at the Oliviers – as I said in my Producers review last week I’m expecting the winners to come from this and Paddington. That said I’m expected possibly more Paddington given that Paddington took the Whats On Stage awards – although they are voted for by the public and the Oliviers are voted by the industry so there maybe a difference there. I haven’t seen Paddington because tickets are like gold dust until the summer so I can’t judge, but this is truly brilliant.

In fact it’s been such a success that the run at the Bridge has extended until the end of May, having been originally due to end on April 20th. There is a cast change that comes with that though – the details of which were announced last week and is the reason why I hurried back this week to try and catch Parker and Brayben before they left. The replacements are pretty good too – Rachel Tucker, John Owen Jones and Melanie Le Barrie are all names in their own right, and Hughie O’Donnell is who I saw take over as the Baker mid-performance and he was very good too. Not going to lie, I am tempted to go back again..

Happy Easter if you’re celebrating, happy Sunday if you’re not!

Into the Woods is at the Bridge Theatre until May 30th

*if you know the show, he got injured somewhere in the sequence in the wood shed.

theatre

Not a Book: Old Friends

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This was my Tuesday evening entertainment this week and of course I was going to write about it, given that I bought the tickets the day that they went on sale and have been looking forward to it for months.

Stephen Sondheim’s Old Friends is the West End run of the tribute show that Cameron Mackintosh put on with some of the best known and most loved songs from his long producing relationship with the late musical genius. It’s on a limited run in the West End with headline stars Bernadette Peters (her first ever West End show!!) and Lea Salonga (Princess Jasmine herself) along with support from West End powerhouses like Janie Dee and Joanna Riding.

And I was in musical theatre heaven – I’ve seen Company, Gypsy, Sunday in the Park with George, Follies (three times!), Sweeney Todd and Merrily We Roll Along so there were a lot of songs that were familiar to me. I have the Sondheim 80th birthday prom on the Tivo and have watched it more times than I can count, and I’ve watched the various documentaries about his life that have popped up in the last few years. So it was wonderful to get what is essentially a greatest hits concert – and to try and guess who was going to sing what – the programme has a song list but not who is doing which bits. And there are plenty of options for each one – as more than one of the cast have played each role. I was mostly right, but there are a few gender-swapped suprises. And it definitely brought home for me how wonderfully Sondheim wrote songs for older women. It’s not just Send in the Clowns, it’s Losing My Mind, and Everything’s Coming Up Roses, I’m Still Here, The Boy from and Ladies Who Lunch AND MORE. Just wonderful. I’ve been humming the songs for days.

How it will work for you if you don’t know your Sondheim, I’m not sure, so I had a bit of a hunt around to find the trailer for it with the most singing in it (see above!) but I think there are enough songs here that you would know – there’s West Side Story here too and A Little Night Music that you would probably enjoy it – and at least come away wanting to see the full version of some of the shows. I loved it so much I would go back again. And who knows, I might well go back and see it again.

It would be remiss of me to end this post without mentioning the amazingly talented Haydn Gwynne, who died this week and who should have been in this show. She had to withdraw days before previews started for “sudden personal reasons” – which sadly turned out to be a cancer diagnosis. And now, just weeks later she’s gone. I saw her in Women on the Verge of A Nervous Breakdown and The Audience – and I know she would have been fabulous in this – because she was in the original tribute show last year. So leave you with part of her performance of Ladies Who Lunch from that show, which if you’re in the UK you can find on iPlayer to watch again – which we did on Friday night.

See you tomorrow everyone.