Tag: not a book

not a book, theatre

Not a Book: Noises Off

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Happy Super Bowl Sunday everyone. Its not an NFL themed post today – but if you want some American football action, may I point you at last year’s post. Instead I am back at the theatre where I’ve had a good week – in the space of seven days I’ve seen Sylvia, the new musical about Sylvia Pankhurst and Noises Off, Michael Frayne’s classic comedy about a touring production of a farce. I’m writing w the latter because I love a book within a book and this is a play with in a play. And it made me laugh until my sides ached.

Noises Off follows a theatre company as they put on a production of a sex farce called Nothing On. Each of the three acts is the same act of the play – starting with the disastrous final rehearsal, then the backstage view several weeks into the tour and finally the last night of the tour from the front. I don’t know what else to say without ruining it. Tempers fray? Personal relationships… sour? Anyway as the play goes on you see the show descend into chaos as the actors’ personality quirks and flaws slowly but undermine the show.

The play has just turned forty and you don’t really get sex farces any more, so on that front it is a bit dated, but I think it still works, especially as Frayn apparently has been lightly revising it over the years. I saw it a decade ago at the Old Vic and I think it was just as funny this time around. We went for my mum’s birthday (happy birthday Jo!) and she thinks she’s seen it about every ten years since it was new – and thinks this one is the best she’s seen. And I can vouch for the fact that she laughed until she cried! I think the second act is my favourite, because I love the backstage view, as you hear the action out front while the actors frantically mime out their issues behind the scenes. Although the final pay off is just genius and build on everything that you’ve seen all evening.

It’s not cutting edge or avant garde, but it is very funny and sometimes the old ones are the best ones aren’t they? And it’s got lashings of slapstick humour as the cast hurl themselves around trying to keep the show going in increasingly difficult circumstances. Just brilliant.

Happy Sunday everyone.

not a book, tv

Not a Book: Wednesday

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Back at Halloween last year I wrote about the Addams Family films from the early 90s and now I’ve watched the new Netflix series about Wednesday and can report back!

So the premise of this, as you can probably tell is Wednesday Addams Goes to Boarding School – and it’s a boarding school for outcasts. Now given my fondness for boarding school stories I could very much get on board with this. And obviously because this is Wednesday we’re talking about – allergic to colour, incredibly morbid, not really into emotions – this is going to pose some challenges. On top of that, this is the school her parents attended and to say there is some history there is to understate the situation. And then there’s the fact that there appears to be a monster killing people and the pupils of the school, with their special powers/skills are the prime suspects. So a fish-out-of-water school story with a murder mystery/thriller twist, brought to you by Tim Burton. Sounds good right?

There is also good news for those of you who are as sentimentally attached to the Julia/Huston Gomez and Morticia as I am, that although the parents appear in the show, they are only in a couple of episodes. And though I have a few issues with Catherine Zeta Jones’ Morticia (not least the wandering accent), Luis Guzman’s Gomez is brilliant in a different way to Raul Julia and I really, really liked it. And as Wednesday, Jenna Ortega is fabulous, she’s got the creepy, disconnected affect down as well as the deadpan delivery. And the plot and script are really clever too. There are nods and winks to the various different incarnations of the family previously (not least Christina Ricci as Wednesday’s dorm mother) whilst still making it feel its own thing.

Wednesday has Thing with her at school – which shows how far CGI/Special effects have come in the last 30 years that it’s now super easy to have lots and lots of Thing, and Uncle Fester pops up too. But for most of the characters are new – Enid, Wednesday’s roommate, a crowd of popular kids including a siren and a pupil whose drawings come to life and a group of townies who have a very, very mixed relationship with the boarding school on their doorstep which adds another level of tension to everything. And then there is Wednesday’s special gift – which causes her even more issues. In short – plenty of plot strands to keep everything moving along and to keep you guessing about how it all might tie together.

We watched it across about four days – there are eight episodes – and were really sad when it was over. And clearly we’re not the only people who have made it to the end of the series (which seems to be the metric which Netflix bases stuff off) as they announced a second season last month. I’m interested to see where they take the show next, as the plot for this was self contained enough that it wouldn’t have left viewers mad if it didn’t get a second series but equally left you with a tease for what might happened next. And don’t worry, the teaser trailer below doesn’t give any spoilers away.

So if you need something to binge watch, and you haven’t already, I recommend this for your next duvet day on the sofa.

Happy Sunday everyone!

not a book

Skating Sunday!

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It’s been an excellent weekend for Team GB in winter sports – with a whole bunch of medals on snow and in sliding. But it’ll be no surprise to you that the medal I’m most excited about is the silver that Lilah Fear and Lewis Gibson got at the European Figure Skating in Espoo in Finland. I saw Lilah and Lewis at Sheffield back in December where they got beaten by Charlene Guignard and Marco Fabbri – the same couple who won the European title. So have some skating to brighten up your Sunday afternoon!

And as a bonus, here’s the Italians too:

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Not a Book: Glass Onion

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Happy Sunday everyone, another Netflix recommendation this week – but this time it’s a film not a documentary series so I am mixing it up a little bit, even if it doesn’t look like it on the surface of it.

Glass Onion is the sequel to Knives Out, which you don’t need to have seen to understand this because it’s standalone and the only character who carries over is Daniel Craig’s Benoit Blanc. If you haven’t seen is well worth a look though. Anyway moving on: the plot. A tech billionaire invites his closest friends to a party on his private Greek Island. He’s planned a murder mystery weekend and famed detective Benoit Blanc is invited too. Then a real murder happens and that’s about all I can tell you without spoilers because I double checked the trailer!

It’s very funny and more than a little bonkers – Daniel Craig’s southern accent is as mad as it was in the first film – and as well as him it has a great ensemble cast who seem to be really enjoying themselves. And contrary to the usual thing of fun shoot bad film the movie is really good. Or at least we enjoyed it! And if you want to draw some comparisons with real life figures, then that’s your prerogative.

Anyway if you’ve got Netflix, it’s a good way of spending a couple of hours. It did have a limited cinema release – but I missed it because work was insane at the time. I think it would have looked really good on the big screen too. And in a fun connection between a couple of my interests, director/writer Rian Johnson (of Last Jedi fame) is married to Karina Longworth, who wrote former Book of the Week Seduction and is the writer/presenter/creator of one of my favourite podcasts – You Must Remember This – which is one of the ones I save for running. Except for the Erotic 80s series which we binged on our last holiday – the 90s series is coming soon too.

Anyway, have a great Sunday everyone.

not a book

Not a Book: Madoff – Monster of Wall Street

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The latest entry in my catalogue of media about scams is the new Netflix documentary about Bernie Madoff which we binged last weekend.

If you’re not old enough to remember (lucky you!) Bernie Madoff was a Wall Street financier who was sentenced to more than a century in prison after it was discovered that the investment business that he had founded and ran was just a giant Ponzi scheme.

A Ponzi scheme (named after an Italian businessman who ran a fraud on this basis in the 1920s) is a scheme were early investors are paid dividends using money from new investors. The investors obviously don’t know this – and the schemes can keep going as long as new investors keep bringing in money. In the case of the Madoff scheme, he took in billions of dollars from investors and kept the scheme going for close to 20 years (in its final form at any rate) despite nearly being caught by regulators at various points.

This is a four part Netflix documentary that takes you through Madoff’s entire business career, complete with interviews with people who worked at the firm, investors and people who tried to expose what he was doing. It’s a mix of dramatisation, interviews and archive footage and it has one of the clearest explanations that I’ve seen of exactly how he pulled the scam. It should come with a warning though: at one point it shows the attack on the World Trade Centre on September 11 2001, which is not something you see often on TV here in the UK and I find really quite upsetting every time I see it.

Anyway, that aside (and I really don’t think they needed to show it), it’s an excellent documentary about one of the biggest financial scandals in history, but also about how it fits into the wider financial system of the time. Very much worth your time.

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Not a Book: Singin’ in the Rain

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I have series of films that I always watch at this time of year, so I thought I’d feature them here too. And as I kicked off my Christmas by watching this last weekend, we’re starting with the immortal classic: Singin’ in the Rain.

In case you’ve never watched it, it’s the story of a Hollywood leading man as the movie business transforms from silent films to talkies. Don Lockwood is an ex-Vaudeville song and dance man who got his start as a stunt man who then got paired up with a glamorous leading leafy, Lena Lamont. Lockwood and Lamont have been a marquee double act ever since. The problem is that Don can’t stand Lena – and now the bigger problem is that Lena’s voice is… not suitable for the talkies. Early in the film Don meets Cathy Seldon, a hopeful actress with a great singing voice, searching for her big break. And it all goes from there.

This has a great cast – Gene Kelly, Debbie Reynolds and Donald O’Connor – a great story and some of the best song and dance numbers you’ll see – and not just from Gene Kelly.

And the final sequence – starting with Lena’s attempts to take over the studio (I will never tire of Jean Hagen as Lena saying “detrimental and deleterious”) all the way through to the end is just *chef kiss*. And like many of these old Hollywood movies, you can dig into the making of it and the stories behind it and it just gets more fascinating. I’m not going to say any more here though – because I know some people think that spoils the magic.

It’ll definitely be on TV at least once over the next month, but you can rent it from all the usual places too

Enjoy!

theatre

Not a Book: Best of Enemies

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Getting this in quickly before the barrage of Christmas posts as I went to see this the other week when it was in late preview stages and it’s now open and has been reviewed.

Best of Enemies is a new play by James Graham about the televised debates between Gore Vidal and William F Buckley Jnr at the Republican and Democratic conventions of 1968. The two men represented the new left and the new right respectively and hated what each other stood for. In real life, they remained enemies for the rest of their lives – with lawsuits and counter suits – extending even beyond Buckley’s death when Vidal was still happy to insult him. The play uses transcripts of the dialogue from the TV debate for those sections and imagines what was going on behind the scenes.

In the play Buckley is David Harewood and Vidal is Zachary Quinto. Casting a black actor as the white Buckley does highlight the times when Buckley is talking about race – but that’s not the main focus of the clashes between the men shown in the play. Quinto is excellent as Vidal – arch and snarky and supremely confident in his own abilities and beliefs. The staging – as you can see from the photo has TV like windows – that can show you the control room behind or be used as TV screens to project the actors during the debates, or the sections of rival newscasters talking you through the events of the day.

The play is making the argument that the debates are the start of the commentator-led, TV politics that has turned into the polarisation you see on social media – and while that may sound like a bit of a reach, the debate sections of the play feel very timely – almost spookily so at times. I thought it was really, really good – and if you’re in London before the 18th of February and fancy a show, this would be a good pick.

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Not a Book: Enchanted

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Oh yes. The sequel has just dropped on Disney plus so how could I resist talking about another Disney movie – and another opportunity for me to tell you how much I love a movie musical. Also this is a mad displacement exercise because this weekend is the start of a World Cup that I feel deeply conflicted about as well as the fact that this is Not The Right Time Of Year for a major football tournament and it is also the Abu Dhabi Grand Prix aka the last race of the F1 season, aka the first anniversary of the most controversial F1 race of all time and I really can’t deal with the stress of it all and also the fact that as the MotoGP season has already finished we’re about to enter the period of the year where there is no motorsport for me to watch. Anyway… Lets start with the original trailer for those of you who haven’t seen it…

Yes, Enchanted is a Disney princess movie and a very meta one. Unlike Mary Poppins or Bedknobs and Broomsticks where you start in the real world and have an interlude in animation, this one has the animated people visiting the real world and I love it so much. It subverts some of the princess tropes, reimagines others and it works for kids and adults. It’s also funny, the songs are great and the big production numbers are fabulous.

And that’s all before you get to the fact that that the cast is amazing. If you only know Amy Adams from her Oscar nominated stuff, it might be a shock to you, but this was her first big success as as leading lady. She had already got her Oscar nomination for Junebug at this point and my memory says that even then this seemed like a risky move. But she’s amazing in this – playing wide eye naiveite brilliantly without making you want to punch her for being so sunny and optimistic and irritating. Patrick Dempsey was pretty much at the peak of his McDreamy Greys Anatomy fame when he was cast as the real world leading man and he’s brilliant, as is James Marsden – who came off the back of playing Cyclops in three X Men films, to do two movie musials in 2007 – he’s also in Hairspray (which I also love). And of course before she was the voice of Elsa in Frozen, Idina Menzel was in this too. I’m a big West End/Broadway musical person (have I told you all that before?) and by the time this came out, Menzel was already a Big Deal on Broadway but hadn’t done a lot on screen so this felt like a big moment for her – especially because she didn’t sing in it. She was the original Maureen in Rent (she’s in the film of that too, but I can’t really recommend it unless you’re a mega Rent fan) and then originated Elphaba in Wicked, which she won a Tony for. I saw her play Elphie when she opened the West End production in 2006 and can confirm that it was epic.

If I haven’t convinced you to watch it yet, then I don’t know what will. I love the original so much, I hardly dare google the reviews, but I probably will to see if it’s going to be worth watching or if it’ll spoil my memories of the original. But all four of the two original couples are back and the trailer looks promising – even if the fact that it’s going straight to Disney + is a concern – although of course post covid, that doesn’t mean the same thing as it used to.

Have a great Sunday everyone.

not a book

Not a Book: Grand Prix Figure Skating!

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Very not a book, but this weekend I’m in Sheffield watching figure skating. I’m having the best time, even though all the pictures I’ve taken are terrible but then I don’t think I was expecting an iPhone to take the best figure skating photos! I’ve even popped up in some of the photos of the event…

Yes, that’s me, sitting behind the Lilah and Lewis banner (not line, belongs to the people sitting behind me) and concentrating fiercely on something – I think probably on one of the male skaters practicing their jumps.

Anyway, in case you don’t know, the Grand Prix of figure skating is a six event series that leads to a grand final and this year because of Covid restrictions in China (and Russia being banned), Great Britain is hosting an event for the first time. I haven’t been to see skating live for a decade – since the European championships came to Sheffield – so I was first in the queue for tickets. And so far it’s been amazing. If you see this before the events finish today and happen to have a look at the coverage, you might be able to spot me (and that banner) right behind the skaters as they start and end their routines – I’m right opposite the judges:

I hope you’re all having as wonderful a weekend as I am – check out my Insta stories if you want to see my terrible photos – and see you tomorrow for Week in Books!

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Not a Book: The Eyes of Tammy Faye

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Today’s post is the latest instalment in my very loose collection of stuff about religion, which had previously featured stuff like Under the Banner of Heaven (now a tv series that I haven’t watched yet!), Murder Among the Mormons, Educated, Lula Rich and Unfinished: Short Creek.

Tammy Faye Bakker was a televangelist. Starting in the 1960s she and her preacher husband Jim were regular features on Christian TV channels – including founding their own network: The PTL network (PTL stands for Praise The Lord). This is a biopic of her life, following her from her childhood in Minnesota through the highs and lows. I don’t know how much I should tell you about the rest of the plot, because I don’t know what’s common knowledge and what’s not because I’ve read a lot about this sort of thing over the years! Jessica Chastain is Tammy – and was nominated for a bunch of awards for it. In fact the makeup department won the Oscar – and if you watch it, you’ll see why. Andrew Garfield is Jim and he’s very good too, although her performance was the one that was picked out.

It’s two hours long – and I think it’s a good watch, even if you’re not interested in the American religion nexus like I am. If you want to watch it, you’ll need Disney + in the UK – there are various trials around, and of course if you do get one, you can also watch The Dropout!

Happy Sunday everyone