Tag: film

film, not a book

Not a Book: The Sting

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It’s Sunday and I’m back with a film recommendation today. Robert Redford died just over a month ago and this is both my favourite film of his and possibly my favourite heist film too.

The Sting is the story of two professional grifters who team up to try and con a mob boss. The plot is very complicated and I’m not even going to try and explain it more because I’m not sure I can. It’s got twist after twist after twist. Robert Redford is Johnny Hooker who is out for revenge on Lonnegan who has murdered one of his partners. Paul Newman is Henry Gondorff, an older conman who he recruits to help him. Lonnegan is Robert Shaw who you may also have seen in Jaws but also as the Spectre assassin in From Russia With Love. And it’s also the movie that caused a resurgence in Scott Joplin and ragtime music when it came out.

I don’t want to say too much about it all because I don’t want to ruin it. I knew very little about it the first time I watched it and i was on the edge of my seat for a large amount of it not knowing where it was going and how it was going to work out. It’s just so cleverly put together. And the good news is that you can watch the whole thing for free – legally – with ads on YouTube. It’s a perfect Sunday afternoon movie. Enjoy!

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Book adjacent: Conclave

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Another Sunday, and another week where I’ve been out and about and doing a few bits and bobs. It’s been a few weeks since I talked about a movie so I’ve gone with that.

Conclave an adaptation of the book of the same name by Robert Harris. I haven’t read the book, so I can’t comment on the differences between the two. But as the movie starts the Pope has died, and Cardinal-Dean Thomas Lawrence is suddenly in charge of the Conclave – the meeting to chose the new Pontiff. A flock of cardinals descends on the Vatican to be cloistered together and vote. There are several different candidates and factions as the diversity of views in the church try to find a candidate the majority can get behind.

Considering that at the core of this is a group of old men voting, this is a suprisingly exciting movie, with plenty of twists and turns as votes go on and the situation in the Sistine Chapel gets tenser. And it’s got a pretty cracking cast: Ralph Fiennes plays Lawrence, who says (repeatedly) he doesn’t want to be Pope, much to the disbelief of some of his colleagues, and who has doubts – about himself and about some of the leading candidates. Stanley Tucci is Aldo Bellini, a liberal American cardinal who was close to the previous Pope, and who is one of the favourites going in to the conclave. John Lithgow is Joseph Tremblay, a moderate Canadian cardinal and Isabella Rossellini is Sister Agnes, the head of the Vatican housekeeping staff.

I really, really enjoyed it – the plot keeps moving and shifting, and the set design and cinematography make it feel cramped, dark and claustrophobic – a feat considering it’s set in the Vatican, a place filled with marble and high ceilings and designed to make you feel small and insignificant. The ending is going to be… divisive, but I thought it worked – and fitted in to the themes of the movie in general.

Conclave is in cinemas now – not sure how easy it will be to fine for long, but this week it’s on at both the independent cinema in my town that we’re members of and at the big chain.

Happy Sunday everyone!

film, not a book

Not a Book: The Thomas Crown Affair

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You know there are some films where if you come across them on TV you just end up watching them again? Hot Fuzz is one of them for me – and the 1999 version of The Thomas Crown Affair is another.

Pierce Brosnan’s Thomas Crown is a wealthy industrialist and playboy. And as we discover in the opening sequence, he’s taken to stealing art from museums for kicks. Rene Russo is Catherine Banning, the insurance investigator sent to find out what happened to the Monet that has gone missing from the Metropolitan Museum of Art. She soon grows suspicious of Crown and the two start a romantic cat and mouse game.

This has got romantic tension and intrigue galore and two brilliant heist sequences to boot. You can’t help but root for Thomas, even though he’s stealing things, and Rene Russo is impossibly glamorous as Catherine. This is a remake (although somewhat tweaked and updated) of an earlier Paul Newman and Faye Dunaway movie of the same name, which I keep meaning to try and find and then never getting around to. But in terms of a film where people have cool jobs and live amazing lives in New York, this is right up there. Just try not to think too hard about how much money this must all cost – although at least to give this some credit Thomas is explicitly super wealthy and Catherine explains she gets a percentage of the value of the artwork that she recovers, so it fairs better on that front than say You’ve Got Mail or When Harry Met Sally!

The Thomas Crown Affair pops up fairly regularly on the various ITV channels in the UK, and it’s also on the MGM subscription service within Amazon Prime. And just a couple of weeks ago it was announced that there is third version of the story coming – this time directed by and starring Michael B Jordan. I’ll be going to see it just to see how different it is from the other two…

Have a great Sunday

film, not a book

Not a Book: Priscilla

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This Sunday’s post is about Sofia Coppola’s Priscilla, which I watched on the flight out to Manila the other week.

The Priscilla of the title is Priscilla Presley, wife of Elvis and the film is based on her own memoir and she’s an executive producer of the movie as well. So you might expect that the movie is pro-Elvis. Except that it’s more complicated than that. Priscilla met Elvis when her father was stationed in Germany when she was 14 and he was 24. Two years later, she is invited to visit him in LA for a holiday, but he actually takes her to Vegas. A year later, he asks her to live with his dad and she goes – attending a private Catholic girls school to finish her education. And while they do get married eventually it doesn’t really get any better for her.

I would describe this as a portrait of isolation and loneliness – it’s a quite a good watch, but it’s really depressing – because Priscilla was a teenage girl with a crush, who ended up married to her first love and caught up in a world that she doesn’t really belong in on her own terms. It stops before Elvis’s death and I’m interested to know what she did after that. And I can see why Elvis and Priscilla’s daughter, Lisa Marie, was not keen on the film – as Elvis does not come out of it that well really. I’d go as far as saying that he was a bit of a creep. Oh and there is no Elvis music in it either!

This one is so new that you’ll still need to pay for it to watch it on the streaming services – or you can watch out for it on your next long haul flight!

Happy Sunday everyone!

film, not a book

Not a Book: The Oscars

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It’s the biggest night in the movie calendar tonight – or at least that’s what the Academy of Motion Picture, Arts and Science would like you to believe. I do love an awards ceremony – but I tend to record them so I can fast forward through the boring bits, even when they’re in the right time zone for me, so I won’t be staying up for all of the Oscars tonight – but it is the first year in a long time that they’ve been on free to air TV in the UK – they’re on ITV!

And, I’m not going to lie, I haven’t seen anything that’s nominated tonight – but there are still a few things I’m rooting for. Firstly I want I’m Just Ken to win the best original song prize, because I’ve really enjoyed Ryan Gosling’s face whenever it’s won all season. I would be all in on rooting for him to win best actor, except that I was an Ally and Larry fan back in the days of season four of Ally McBeal, and it turns out that I’m still not over the fact that Robert Downey Junior’s drug arrest meant he was written out at the end of the season and we never got the happy ending for them that the writers planned. And season five never recovered – because Larry was just so perfect for Ally that no one else could stand up to it. Now maybe if I could rewatch the series I would get over it, because I’m fairly sure it hasn’t aged well, but it’s not on any streaming services so I can’t watch it and find out. All I can do is watch snippets on Youtube. Like this one, the only occasion on which I will voluntarily watch Sting.

I would be rooting for Maestro – because I love Leonard Bernstein, but I’ve got so fed up of Bradley Cooper this awards season, and although I started watched Maestro I gave up after about 10 minutes (does this mean I’m lying when I say I haven’t seen any of the movies? I don’t think it counts because it’s less than 10 percent of the movie). And I know I won’t watch Killers of the Flower Moon (I’m too wimpy for every Scorsese except The Aviator, which I love) but I will be rooting for Lily Gladstone in the Best Actress category.

But beyond that, it may be that a fair amount of fast forwarding is going on – especially if the ceremony is as sad and joyless as some of the recent ones have been. But fingers crossed they get it right this year. I leave you with this video of the best costume nominees – I hope we get something as bonkers as this is:

film, not a book

Not a Book: The Red Shoes

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Let’s continue the overarching themes of this month again – with some ballet and some theatre in a classic film.

The Red Shoes is all about a ballerina’s dedication to her art being tested by an impresario forcing her to chose between her career and love. Moira Shearer’s Vicky Page is plucked from obscurity to be the lead role in a new ballet, based on the Hans Christian Andersen story of the Red Shoes. But at the same time she’s secretly falling in love with a composer who is working with the country. And so it begins. I’m not spoiling the rest of it.

Made in 1948, it’s frequently on lists of the best British films ever – it got a bunch of Oscar nominations at the time and its reputation has only increased since then. It’s one of the sequence of Powell and Pressburger films from that period – coming after the adaptation of Daphne du Maurier’s Black Narcissus which is one of the other really well known ones. It’s also packed full of real ballet dancers – so you can see Robert Helpmann in a role that’s not the Child Catcher!

For me, when I first saw it the opening ballet class and performance sequences showed me exactly what I had imagined Veronica’s life at the Wells to be like. The film is from just a couple of years before the first Sadlers Wells book was published – I think Moira Shearer even gets a mention in one of them – although obviously Veronica is a child and Vicky is already a trained dancer, and Veronica and Sebastian’s… situation has a positive resolution!

A couple of years back, Matthew Bourne turned the film into a ballet, using the amazing score. I saw it on it it’s first tour and it’s proper good. New Adventures rotate through their shows, and it was touring when Covid started and everything stopped, so it might be a while before it’s on stage again – but it’s worth seeing when it is. But in the meantime, you can just go an watch the original film, which was restored in 2009 and looks amazing. It’s on BritBox if you have that, or you can buy it on DVD. It also comes around on TV reasonably regularly – often around Christmas.

Happy Sunday everyone – if it’s a bank holiday where you are, I hope you’re enjoying it.

film, not a book

Not a Book: The Sparks Brothers

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Back with another documentary this week – this time a film about the band Sparks – namely brothers Ron and Russel Mael. If you’re not sure who they are, the song that you’re most likely to recognise is This Town Ain’t Big Enough for the Both of Us:

The brothers first formed a band in the mid 1960s but broken through nearly a decade later in the mid 1970s and have been constantly producing music and evolving ever since, whether people have been watching or not – and some times people really haven’t been watching. But they have a lot of high profile fans. Don’t believe me? Watch the trailer:

Directed by Edgar Wright (yes him from Hot Fuzz) this is a two and a bit hour love letter to one of pop’s most enigmatic bands. Who are still enigmatic at the end of the film, but you’ve really enjoyed watching them go through their career and making music. The film is structured by working it’s way through the bands albums and what was going on in the band at the time. But only in the band. I still don’t know if the brothers have partners, or kids or anything. But I do know that Ron has a very cool and very retro car.

It’s also totally notable that although many other musicians have joined them in the band at various points only to be jettisoned as the brothers moved on, lots of them appear in the film and seem to be absolutely fine about it. In fact Ron and Russel are often described as gentlemen and a joy to work with. So not your normal music documentary on that front either.

Maybe it could have been shorter, but why wouldn’t you want to include puppets and incredibly literal props and visual gags. It’s just a lovely way to pass the time, and you’ll end up listening to a Sparks playlist afterwards. I’ve even included on for you so you don’t have to go looking for it. You’re welcome. The Sparks Brothers is on Netflix in the UK. Enjoy.