Exhibitions, not a book

Not a Book: Cecil Beaton’s Fashionable World

Happy Sunday everyone, I had a really good time out at a gallery on Friday and given that the exhibition is only on until early January, I thought i ought to write about it sooner rather than later.

Cecil Beaton’s Fashionable World at the National Portrait Gallery is an examination of the photographer’s work in Fashion and Portrait photography. It takes you through from his early days and Bright Young Things of the 1920s to the My Fair Lady era in the 1960s. Along side the photographs there are also things like his first camera, which he used all the way through til after he first started at Vogue, and one of the dresses he designed for Julie Andrews to wear as Eliza Doolittle in the West End production of My Fair Lady in the late 19050s.

I didn’t get to see the last Cecil Beaton exhibition at the NPG – because it opened just a few days before Covid shut the world down in 2020 and never reopened. I have the exhibition poster from that on the wall of my house and the exhibition book as well, and that one focused on his work in the 1920s and 1930s with the Bright Young Things. This does have some of that, but is much broader in its scope. Yes the famous Stephen Tennant picture is here, but so also are the royal portraits and Hollywood royalty – like Marlon Brando, Katherine Hepburn and a young Yul Brynner with hair!

I really enjoyed myself – it’s in the same space that The Culture Shift exhibition was in earlier in the year which is big enough that you feel that there is plenty to see and that everything has space to breathe but not so big that you get overwhelmed by it all and start to lose focus.

Cecil Beaton’s Fashionable World is on at the National Portrait Gallery until January 11, and I would book your ticket in advance, especially if you’re planning on going at a weekend.

Exhibitions, not a book

Not a Book: Culture Shift

We had a lovely day out in London yesterday – with a nice meal and a show but also an unplanned trip to the National Portrait Gallery where we went to their exhibition The Face Magazine: Culture Shift. And I’ve rushed this to the top of the Sunday post list because it’s only got two weeks to go before it closes.

So if you haven’t come across The Face before, it is a culture, fashion and style magazine that was originally from 1980 to 2004 and was revived and relaunched in 2019. I only remember the 1990s onwards era – and even then it’s somewhat hazily because I was a mainstream pop girl, and The Face was very much cooler than I was. But its influence on contemporary culture was huge.

In the 1980s it was the first publication that really covered the Blitz Kids and the club culture that became the New Romantic movement. It wrote about the clubs, the people at the clubs and the fashion that they wore, and then it photographed the bands that came out of it. In the early years the photographers were mainly young and scrappy, often self-taught and just doing what they wanted to without referring to the history or grammar of photography. And so their photos looked different – and they changed what was out there. And then in the 90s they were all about the indie and Britpop groups and they are basically responsible for the career of Kate Moss – she was the face of The Face – as well as launching the careers of tonnes of models and photographers.

This has got a whole load of amazing images along with their backstories and shows why and how the magazine was a disruptor and how it influenced the photography and graphic design of today. If you weren’t around or there it’s hard sometimes to appreciate how different what they were doing was -and if there is a weakness of the exhibition it’s that there are no equivalent images from other magazines to compare The Face’s stuff to because what they were doing then can seem so mainstream for what we see today. But it really wasn’t.

If you get a chance to go and see it before it closes, it is pricey (but what exhibitions aren’t though) but for me it was worth it.