Tag: Children’s books

Children's books, Series I love

Series I Love: Sadlers Wells

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I am off to book conference this weekend, so in honour of all the fun I’ll be having, this week’s series I love post is a Girls Own one.

Lorna Hill’s Sadlers Wells series follows a series of young women as they embark upon careers in dancing. The first book, A Dream of Sadlers Wells was first published in 1950 and follows newly orphaned Veronica Weston as she tries to carry on learning ballet despite having moved to live with her cousins in Northumberland. The second book follows Veronica as she embarks upon her training at Sadlers Wells ballet school (now the Royal Ballet) and the other books in the series all follow girls who have a link to Veronica somehow.

Despire being clumsy and coordinated, I loved ballet books when I was a child and moved on to Sadlers wells after I had started on the Drina series – as both had reissues at about the right time for me. But the Sadlers Wells ones were harder to find – and didn’t go the whole way to the end of the series, so some of the later ones I’ve only read in the last five or so years. And the end of the series isn’t a good as the start, but the first half dozen or so are just great. Because they focus on different people you also get glimpses of your old favourites as you carry on. In fact a bit like romance series, some of them set up the next heroine in the previous book!

And where Drina is a city girl through and through, nervously learning to love the Chiltern when she’s sent to school there for a term, she is worried about getting injured and ruining her dance career (and she does indeed twist her ankle at one point) the women of the Wells books embrace the outdoors. Veronica, Caroline, Jane and Mariella romp around the countryside on their ponies, swim in lakes and clamber around the hills. They made me want to visit Northumberland – although not learn to ride a horse.

It’s only thinking about it as an adult that I realise that, like many Girls Own books of the era, they’re subtly quite subversive in their way. In the first two books, Veronica refuses to give up her ambitions of a dancing career in the face of various trials and tribulations – but also in the face of a potential love interest. Sebastian is a musical prodigy and in one quite awful speech when he’s trying to persuade Veronica not to go to London, he says that women don’t have to have careers and could (and maybe should) leave it to the men. But Veronica carries on – and gets the success and the love too. In the later books you can see her and Sebastian, married but she’s still dancing. And if they don’t do a very good of listening to their daughter Vicki, they don’t really do a worse job than any of the other parents in the book! But the message is there – girls don’t have to just grow up and get married, they can do things and have a career too.

Happy weekend everyone.

bookshelfies

Bookshelfie: Miscellaneous Children’s books

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Say hello to a slightly leas tidy bookshelf. The clue to this one is in the title. It’s a bit of a bits and bobs shelf. Along the front from left to right you can see some classic Girls Own with Angela Brazil, Elsie Oxenham and Dorita Fairlie Bruce. Then a couple of odd hardbacks – a Noel Streatfeild and a duplicate Sadlers Wells, followed by the Arthur Ransome selection. Then it’s a group of books I’ve had since I was a kid. The Lion, the Witch and the Wardrobe and the omnibus Prince Caspian and Dawn Treader are TV tie in editions that I got given for Christmas when I was about 8. The other Narnias are from the same era and so are the pile of books on top. The Beat series were one of the first crime books I read, I remember crying buckets when Paul the Chief Inspector and love interest was killed off – it was probably one of the first books with a main character death I read. Behind all these, which you can’t see are my original paperback Sadler’s Wells and all my original chalet School paper backs. I keep telling myself that I’ll have a rationalise and get rid of them, but I’m not sure I’ll be able to bring myself to. Also in the back is my set of early 90s Drina reprints which I know I’ll never be able to part with as they’re all tied into childhood holidays – as well as the fact I don’t have a hardback set of Drina *and* I’m fairly sure there isn’t a matching set of hardbacks that includes Drina, Ballerina…

Writing this and staring at the photo (and the shelf) has made me realise that I probably need to have a bit of a tidy up and organise – if book conference goes ahead this summer, perhaps a bit of weeding out will help me with some motivation?!

children's books, not a book

Not a Book: Matilda the Musical

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Another post from my trip to London the other week. As well as the Elizabeth and Mary exhibition and a wander around the national gallery, we went to see Matilda, the musical based on Roald Dahl’s children’s book of the same name.

So I want to say that this isn’t the first time that I’d seen Matilda – I actually saw it in its original incarnation at the RSC in Stratford a decade ago, but it was the first time I’ve seen it in the West End. I was worried that it wouldn’t live up to my memories of it – especially as I’ve got the CD (yes I know, it’s that long ago) and have sung along to it in the car a lot, but actually it really did. There are a few bits of staging that have definitely changed since that Christmas run, but that’s probably not a surprise given that the stage at Stratford was much more of a thrust stage than the Cambridge theatre is. We bought our tickets on the day (from the theatre) and were sat in the middle of the Dress Circle, which was really good value and a really good view. There is some running around in the aisles in the stalls that you can’t see, but for me it wasn’t worth paying an extra £50+ for.

In terms of the book vs the show, Matilda’s own story is fairly similar, but there’s a secondary plot strand added to tie in (that really works, don’t worry!) and you see less of the telekinises than you get in the book – but given that you have to try and make that work on stage, it’s not a surprise. I’ve always thought that picking Tim Minchen to do the music was inspired – he’s funny and clever and a little bit dark and sly. And like the book it’s funny but funny and suitable for children – there aren’t any jokes here that parents are going to get awkward questions about. And I know it’s a children’s show so you’d think that there wouldn’t be, but actually you’d be surprised!

Anyway, we had a blast, five out of five, would recommend, just maybe don’t go on a Saturday (or in the school holidays) if chatting children during the show are going to annoy you!