This week’s BotW is Deanna Raybourn’s Silent on the Moor – which is the third in her Lady Julia series, and I think these best so far in that two books worth of serious tension and angst comes to the boil in the harsh and unforgiving setting of the Yorkshire Moors.
Lady J had invited herself to Nicholas Brisbane’s new house, which is not only in the middle of nowhere, but had some unexpected (to Julia at least) residents. There are secrets and tensions and grim discoveries and oh so much Gothicky drama. I hasn’t realised that this was what this series has been waiting for, but it totally was. And thinking about it – unconventional widows, gypsies, seers, eccentrics – should have screamed melodrama to me.
The solution to the book’s puzzles is suitably ghastly – with definite ick factor – but it’s so in keeping and well executed that it seems both perfect and obvious once you’ve read it. Do not let the horrible pink cover of my copy confuse you, is is not saccharine or run of the mill by the numbers romance. There is romance (mostly of the will they won’t they kind) and there’s mystery, but Julia (although she makes mistakes) is not a too stupid to live heroine. You’ll jump to some of the same conclusions she does, albeit with a nagging voice in the back of your head that you’ve missed something somewhere that she doesn’t always have.
I know I keep mentioning books that are from series and then telling you to go back to the start first, but I really do mean it with this, you need two books worth of build up to get the full emotional whack from this. So good. And a catnip (as the Smart Bitches say) that I didn’t know I had!
This week’s BotW is Lauren Willig’s The Orchid Affair – the eighth book in the Pink Carnation series. It’s been nearly two years since I read my last Pink Carnation book and I’d almost forgotten how much I enjoy them. One of the really good things about this series is that Willig has come up with a way to generate plots that doesn’t involve breaking up couples that you love.
My copy is the US hardback edition – which is pretty if very different from UK book covers
In part eight, we meet Laura, a governess for more than a decade, who has been recruited to the Pink Carnation’s spy network watching Bonaparte’s Paris. She’s got a post in the household of Andre Jaouen – the right-hand man to the Minister of Police. He’s part of an investigation is underway into a royalist plot – and Laura’s charged with reporting anything suspicious. But, as always, things are more complicated than they seem. Meanwhile back in the modern day, Eloise (the historian who is researching the Carnation’s network) is due to meet Colin’s mother.
This is a fun romp through Post-revolutionary France – with likeable characters and a gripping plot. There’s a great balance of suspense and romance – and although I would have liked to have seen a bit more of Colin and Eloise, I appreciate that Willig is taking her time with those two and not rushing them into things – and that more of them might have slowed the pace of the rest of the book.
My only real problem with this book was that the copy that I got is the US edition and so it was in American English – not British English – which in books like this yanks me out of the narrative abit (sometimes to Google things – like AP French). But hey, when you have a backlog like mine, and strict rules about book spending you can’t be picky. And it’s a very minor quibble really.
There’s another three Pink Carnation books I haven’t read yet – with a twelfth and final volume due this year. I suggest you start at the beginning so that the Colin and Eloise thing works best for you, but really they all work quite well on their own. Although you may not get the running jokes. The Orchid Affair is available from Amazon, Waterstones and Kindle – but I don’t think there’s been a UK edition, which can make the prices a bit.. high (hence why it’s taken me two years to get to the Orchid Affair). But the earlier books in the series did get a UK release, so you should be able to get your hands on them – I got the first couple from my local library.
***Bonus content****
Regular readers know that I like matching books. I have a couple of this series on my kindle (and the novellas), borrowed a few from the library, and then started buying. But due to the vagaries of the book market, I have three different sizes and styles of books – out of three. There isn’t a way to shelve this and make me happy.
I need to move these to the other end of the shelf, then they can be in series order at least…
Another bonus review on the blog today – Iona Grey’s Letters to the Lost. This was my Curtis Brown Book Group book for March – and it would have been my book of the week back when I read it – except that it was a month from it’s release at the time, and I hate reading reviews of books and then not being able to buy them *rightnow*. So here we are, the book comes out today and I can tell you about it.
My copy was an advance copy – so my cover is different to the “proper” one
In modern day London, Jess breaks into an empty house to hide after running away from her violent boyfriend. The next morning, a mysterious letter arrives at the house, and after opening it, Jess is drawn into the story of two lovers in 1942 – Stella and Dan, who is a US airman. And in keeping with my no spoilers policy*, that’s about all I’m going to tell you about the plot.
I’m not usually one for a weepy – and you know from very early on that there are going to be tears involved in this – but I absolutely loved this book. The characters felt real, the places felt real and the crying was definitely very real. I had very definite views about what I wanted to happen to some of the characters (which didn’t always come true) and wanted it to be longer – even though it’s already really quite long.
So if you like timeslips, weepies, World War 2 set epic romances and non sappy saga-y type books, this may be for you. It’d make a great holiday read – and if you’re a “normal” reader (which apparently I’m not, the speed I go through stuff) it’d probably last you a few days at the beach!
As I said, I got my copy in advance because I’m lucky enough to be in Curtis Brown’s Book group, but you can get your copy from Amazon, Waterstones, Foyles and for a bargain £3.99 (at time of writing) on Kindle.
* A policy which I’m increasingly realising means that I can’t say a lot of things that I really want to about books, but which stops me from being that person I hate, who ruins plots and shocks and reveals and spoils people’s enjoyment of books, so it stays!
This week’s BotW is Jane Thynne’s Black Roses – a Nazi Germany set spy thriller – and another example of why I need to get the to-read pile under control. Clara Vine’s mother is German and she heads to Berlin to find acting work at the famous Ufa studios. She gets drawn into a circle of high-ranking Nazi wives – and is soon recruited by British intelligence to report on the goings on in the elite.
Nazi Germany is possible one of my least favourite historical settings as a general rule. I like World War Two settings – but usually from the British side of the fence as anything involving Germany itself has potential to be tremendously depressing. But this has an interesting concept and is also book one in a series (more on this later) so I was fairly confident going in that the heroine would still be alive at the end of the book*!
Clara’s adventures are tense and atmospheric and Thynne paints a vivid picture of what it was like in Berlin in 1933. As I’ve mentioned, I don’t usually “do” Nazi Germany – and it’s a period of history that I’ve always managed to avoid having to study in any depth, so I can’t really pass comment on whether it all fits with the facts – but the historical note at the end was useful for clarifying some of the bits that I had thought were the most bizarre.
I mentioned at the top that this is another lesson in why I need to deal with the book backlog – and this is a particularly ridiculous example. I bought this on Kindle in October 2013 (!) and it’s been sitting in my unread folder forgotten about since then. In October this year I picked up book 2 in the series in Tesco and then picked out book 3 on NetGalley. When I came to update my Goodreads, I realised that I had book 1 and went back to read in order. I’m really glad that I liked it so much – as I already have the other two! And as I said, another example of why I need to get my to-read pile under control.
* One of my least favourite book tactics is the book which kills off the hero/heroine at the end. I’m not saying it isn’t a valid plot device, I’m just saying that, for me, nothing takes the shine off a book that I’ve enjoyed than flood of tears because a character that I liked has been killed off to shock/prove a point.
As I mentioned in October, the Christmas themed books are stacking up. Now the big day is approaching, I thought I’d start with my run down of the best of my Christmas reading so far. And to ease myself into the festive mood, I’ve been reading short stories. Some of these are new this year, some are from last year which I didn’t get around to until I was out of the Christmas mood and consequently held on to ready for this year! So as we hurtle towards December, here are my top picks of the Christmas novellas so far (in no particular order):
Now a popular theme this year has been the Christmas novella following on from a successful non-Christmas book. I actually find I prefer these novellas to the full length Christmas themed sequels in quite a lot of cases – the shorter form means there’s (often) no need to break up a couple who you’ve really got invested in in the first book just to provide enough drama and plot for the novella. Sealed with a Christmas Kiss by Rachel Lucas is a good example of this. I read Sealed with a Kiss a year or so ago before it was picked up with Pan and really enjoyed it. So I was pleased to reacquaint myself with Kate and Roddy and to read about the latest developments in the plans to save the Island. As always with these things, probably best to have read the original book first.
Unlike Christmas Kiss, I hadn’t read the book that preceded Secret Santa by Scarlett Bailey but that didn’t stop me from enjoying Sue Montaigne’s struggles to organise the Nativity Pageant in Poledore. This novella is festive but without being cloying or sickly – which is always good. One of my favourites of the Christmas themed reading so far – and I’ve gone and put one of the other Poledore books on my to-read list.
At the historical end of the Christmas market, The Viscount’s Christmas Temptation by Erica Ridley is another novella that’s Christmas themed without being too saccharine. It’s a prequel to her Dukes of War series (the first book of which is waiting on my Kindle) and focusses on the organisation of a Christmas ball. Standalone and fun, this is worth a look if you want a bit of Christmas themed historical romance.
Being a fool, I forgot that I’m several books behind in the Lady Emily series by Tasha Alexander and managed to spoil a couple of plot developments for myself by reading Star of the East. I still enjoyed it though – but suggest it’s only for people who are up to date with the series.
On to the non-novella but still Christmas and short section – and Trisha Ashley’s Christmas offering is a collection of her short stories – Footsteps in the Snow. These are stories that have previously been published in various magazines and are definitely at the shorter end of the market, but they still display Ashley’s trade mark wit and flair and I would say are perfect for reading in the tube or on the bus. I paid 99p for this and was perfectly content – but I wouldn’t want to pay overly much more than that – the back third of the book is a preview of her next novel.
Jill Mansell’s A – Z of Happiness is similarly short – but has the bonus of being free (or at least it was when I downloaded it and still was when I wrote this). It’s not stories, it’s more musings with an author Q&A, but if you like Jill’s writing, it’s definitely worth a look – especially as it’s gratis.
So there you have the best of my Christmas short stories so far to ease you into the Festive Season. Still to come, I’m planning a round-up of Christmas novels – ideal for curling up in front of the fire with once you’ve finished work for the holiday.
I was very excited to get an advance copy of Daisy Goodwin’s The Fortune Hunter ahead of its release in paperback on the 28th – as I really enjoyed her debut novel My Last Duchess (which I passed straight on to my mum who liked it too).
The lovely paperback cover of The Fortune Hunter
I’ve had trouble coming up with a plot summary for this that doesn’t give too much away, so I’m settling for the blurb:
In 1875, Sisi, the Empress of Austria is the woman that every man desires and every woman envies.
Beautiful, athletic and intelligent, Sisi has everything – except happiness. Bored with the stultifying etiquette of the Hapsburg Court and her dutiful but unexciting husband, Franz Joseph, Sisi comes to England to hunt. She comes looking for excitement and she finds it in the dashing form of Captain Bay Middleton, the only man in Europe who can outride her. Ten years younger than her and engaged to the rich and devoted Charlotte, Bay has everything to lose by falling for a woman who can never be his. But Bay and the Empress are as reckless as each other, and their mutual attraction is a force that cannot be denied.
Now I didn’t know a lot about Sisi before I read this book – so I can’t tell you how close to what actually happened this is. What I can tell you is that I really enjoyed reading this book – loved the characters and spent a large portion of the book knowing that it wasn’t going to turn out right for everyone, but hoping against hope that it might.
I galloped through this (sorry, couldn’t resist a horse pun in a book where so much is centred around riding) in about 3 and a half train journeys. I’m not a horse rider or a hunting fan, but I still found the book enthralling and the horse-y sections were were engaging and easy for a non rider to follow. There were also some lovely details in this – I particularly enjoyed the scenes with Queen Victoria and John Brown.
The Historical Note at the end explained some of the liberties taken by the author with reality and the book left me wanting to know more about the real Sisi and the Hapsburgs – and sent me googling on a variety of characters and hunting for biographies of various people. It also made me want to re-read My Last Duchess – so I’ll have to dig out my copy of that too. I’ve passed this straight on to my mum – which is always a sign of a good book in this genre. I look forward to seeing what Goodwin comes up with next
The Fortune Hunter is out in paperback on the 28th of August and should be available in all good book shops like Waterstones and Foyles although I could only find a link to the hardback on their website – but if you can’t wait you could buy that now – as you can the Kindle edition.
There’s a shelf of books I keep hidden in my spare room. I’m embarrassed to own them. But some of their genre-mates live in my sitting room bookshelf. What am I talking about? Historical romances.
My historical romance collection – can you spot the UK editions and the US ones
You’ll have seen from earlier posts that I’ve got a bit of a thing for Georgette Heyer. Now a few years back, I started looking for other similar books that I could read – and stumbled into the world of historical romances. Mostly written by American authors, they’ve beguiled many a happy hour in the years since. So why the segregation? Well it’s simple. In this country (that is the UK) books by writers like Julia Quinn come with nice, innocuous pastel coloured covers. But where I’ve had to buy in from the US to fill in collections – for example the Desperate Duchesses series by Eloisa James – they tend to come with busty women breaking free of their dresses on the cover. I am literally too embarrassed to be seen to own them – let alone be seen out in public with them on the train.
In cases like this – the Kindle is a god-send – no one can see the cover of the book that I’m reading on my e-reader – and unless they’re invading my personal space, they’re not going to know that I’m reading a “bodice-ripper”. But take one of these babies out in public and I’m embarrassed about people judging me.
Some of these spines are not allowed on my downstairs bookshelves…
Now this is, of course, ridiculous. There is nothing wrong with reading historical fiction or even reading it in public. Many are very well researched and historically accurate – Eloisa James is actually Mary Bly, a respected Shakespeare professor at Fordham University – and they’re hardly (or at least not often) up their with Fifty Shades of Grey for their explicit content* and there’s nothing wrong with a bit of escapist fiction anyway.
I’ve read a lot of article recently about people not taking romantic fiction seriously – and I’d suggest that covers like these are part of the reason why. And some of them aren’t even that accurate when it comes to reflecting the content of the book – whether it is the look of the heroine or the action it portrays.
I also think the American style covers look incredibly retro and naff. If I had come across them in a bookshop before I’d read some of the authors, I would never have even thought of picking one of them up – I would have ruled them out as being clichéd, inaccurate and one note – the same way I did with old school Mills and Boons once I’d read a couple of dozen of my gran’s collection. And they’re not. For me, the best of them are the logical successors to Georgette Heyer – but with kissing. And some sex. Sometimes quite a lot of sex. But the world has changed since Heyer picked up her pen – and it’s mostly very well written sex.
Same author, different countries – completely different cover look!
I’d love to know what it is about the US book-buying public (or how publishers perceive them) that means that the books are packaged and styled like this – and what the authors think of such radical differences. But until the books start looking a little bit less like a cliché, my American imports will continue to be hidden away at the back of the top shelf of the spare room bookcase!
* I read the Fifty Shades trilogy on my Kindle, in secret, in Poland to make sure no-one would know what I was doing. And I read it so that I could tell my sister and my mum if they needed to read it. I concluded they didn’t.
A few friends have already asked me for ideas for books for their summer holidays, so I thought now might be the time to come up with a proper set of recommendations for holiday reads. It is a tradition in our family that you get a holiday book – this was started by my mum back when I was small and I have various books on my shelves with neatly written notes in the front from my mum telling me which holiday she gave them to me for. My sister and I have continued this as grown-ups – The Boy thought it was weird at first but I now have him so used to it that he starts to offer suggestions for what he’d like me to get him. I have terrible trouble deciding what to take to read on holiday (thank goodness for the kindle) so I’ve tried to include a range of options.
The One that Everyone’s Reading
The Rosie Project by Graeme Simison –I know. It really is everywhere. But I read this on our trip to Rome earlier this year and laughed so hard that people on the plane started staring at me. It has had a lot of hype, but it is very, very good. I don’t want to say too much about the plot, but watching Don Tillman hunt for love is properly funny – and in places you’ll want to read through your fingers as you cringe at his mistakes. I’m already looking forward to the sequel.
The One if you like “Chick Lit”
I guess this could be considered my home genre (unless you count historical novels. Or cozy crime), anyway I read a lot in this sort of genre. So I couldn’t just pick one. Books I’ve recently really enjoyed are The Little Beach Street Bakery by Jenny Colgan (which is definitely a holiday read – it’s set in Cornwall by the coast!), Trisha Ashley’s Every Woman for Herself (which has a full review here) and Sinead Moriarty’s Mad About You (although I think I’d have liked it more if I had read the other books about the characters) which all should be available in the sort of multi-buy offers you get at WH Smiths and the Supermarkets.
The One if You like Cozy Crime
It’s not really new, but try Manna from Hades by Carola Dunn if you like the sort of cozy crime that’s set in the past – this is in 1960s Cornwall where Eleanor Trewynn has retired to after a life working for charity abroad. It’s as readable as the author’s Daisy Dalrymple series. If you like your cozy crime modern, I reviewedJenn McKinlay’sDeath of a Mad Hatter a few weeks back which is fresh on the market – or you can’t go wrong with Donna Andrews’ Meg Langslow series – Death with Peacocks is the first one and as it came out 10 years ago, you can get it for cheap second hand.
The One if you like Non-Fiction
This is a tough one for me – because I’m very behind with my non-fiction pile. Of books released recently, I enjoyed Neil McKenna’s Fanny and Stellawhich is the story of two young men who dressed as women in Victorian London and the scandal that ensued when they were caught. Apart from that, all my recent non-fiction reads have been published some time ago. I hesitate to recommend anything I haven’t yet read, but the excellent Helen Rappaport has a new book out (in hardback sadly) – Four Sisters: The Lost Lives of the Romanov Grand Duchesses which has been picked out as a recommendation at various places. If you haven’t read her Magnificent Obsession (about Queen Victoria’s relationship with Prince Albert) that is available as a paperback and is well worth a look – as is her Beautiful Forever which is about a cosmetician and con-artist in Victorian London – who coincidentally also gets a mention in Fanny and Stella.
The One if you like Thrillers
A Delicate Truth by John le Carré –I got given copy of this a month or two back – you can see the long review here. Its pacey, suspenseful and disturbing. If you haven’t read any le Carré, go get yourself some of the Smiley series and try them out – they’re Cold War and this is modern, but all the ones I’ve read have been very, very good.
The One that’s a Kindle Bargain
Vintage Girl by Hester Browne – This was 56p when I wrote this blog – which by any standards is a bargain, let alone when it’s as fun as this. Valuer Evie gets sent to Scotland to asome heirlooms – romance, family secrets and Scottish Dancing ensues. (NB previously published as an e-book called Swept Off Her Feet – so don’t buy it twice!)
The One(s) if you want a series to start
The Amelia Peabody books by Elizabeth Peters. I have a terrible habit of starting a series and keeping going with it, ignoring all other claims from the to-read pile. E-readers make this so easy and if you’re a quick reader, you may need more than one book for your week at the beach (hell I need more than on book for a DAY at the beach). Amelia is a Victorian feminist who sets off for Egypt to do a spot of archaeology. I can’t come up with the words to do her justice, but’s like a funny female Indiana Jones. There are 19 books in the series (more than you could read on one holiday surely!) and the later ones feature various members of her family too – her son is a scream!
So there you are. I hope there’s something for everyone in the list – I think most of them should be easy to find and in some cases as available in multi-buy deals. As usual most of my links are to Foyles – because I like independent bookshops and the name of their loyalty scheme Foyalty. And if you’ve got any recommendations for books I should be reading this summer – please do put them in the comments below!
Between the 1920s and 1970s, Georgette Heyer wrote nearly three dozen novels set Regency or Georgian times, along with a string of thrillers. I love me some Golden Age detective action, but this article is about her historical romances which, in my opinion, are sublime and nearly perfect examples of their type.
Hardback, paperback, different styles – my shelf has editions from the 1940s through til the 2000s
My mum had a shelf of Heyers on the landing the whole way through my childhood, but it was only when I was about 16 that I first picked one up (either False Colours or Cotillion, I can’t remember which) and that one led to another, which led to all of the ones she had and then to buying the ones that she didn’t. When my parents moved house a couple of years ago, mum passed them on to me as she “didn’t have space for them” any more, on the understanding that she could borrow them back if she wanted and that I wouldn’t get rid of them. Since then though, rather than borrowing them from me, she’s started re-buying them!
I have a lot of favourites, but if I was forced and could only have one, it would be The Grand Sophy. Sophy is feisty, independent, well-travelled and used to running her own life – and everyone else’s. She arrives back in England to live with her aunt and her cousins after her diplomat father is posted to South America. She finds them in the midst of a family crisis – with one daughter in love with an unsuitable poet and the eldest son engaged to a disagreeable bluestocking. Sophy proceeds to try to organise the household along more harmonious lines and arrange matches for her cousins and, in the end, herself.
My copy of The Grand Sophy – in what I think is a late 1980s edition
What I love about Heyer’s female characters are that they’re not weak and wishy-washy pushovers, but they also don’t feel like modern women who have been supplanted to the eighteenth or nineteenth century. Her women aren’t simpering misses sitting around waiting for life to happen to them or for a man to make their life complete, but they’re not doing anything that feels jarringly out of period either. I have a weakness for American-written British-set historical romances (you know, the ones with the buxom heroines bursting out of their corsets on the covers) which lead a shamefaced existence* on the uppermost shelf of my tallest spare bedroom bookcase – and that’s a problem I find with some (but by no means all) of their heroines.
One of the feistiest and most independent of Heyer’s heroines is Léonie in These Old Shades – who we first meet as Léon the page when he is bought “body and soul” by Justin, Duke of Avon – known as Satanas because of his lack of morals. Heyer books always have a lot plot and not a lot of yearning looks or heaving bosoms and Shades is a great example of this. At the start of the book Justin is a thoroughly disreputable character who buys Léon not to free him from a life of abuse and mistreatment, but because he sees a method of being revenged on one of his enemies. Léonie is in love with Avon almost from the start, but you’re not sure until the very end, after the plot has taken you from France to England and back to France again, whether Avon’s motives have changed at all. Most of Heyer’s books are standalones, but Shades is unusual in that some of the characters have appeared before, albeit with different names and in a less developed form, in The Black Moth – and Justin, Léonie and Rupert all appear again in Devil’s Cub (which I also love) where Justin and Léonie’s son Dominic – who has all of his father’s faults and his mother’s temper but does at least have a conscience – runs off with a virtuous young lady who is trying to protect her sister’s honour.
My copies of Moth, Shades and Devil’s Cub show some of the range of different editions in my collection!
In Regency Buck (another with a sort-of sequel – An Infamous Army of which more later) another strong minded heroine comes up against a domineering alpha-male and, dear reader, you may start to see a pattern in the sort of heroes that I like. Preferably tall, dark and handsome, he needs to be bossy, clever and with a bit of a dark side or at the least a temper – like Buck‘s Julian St John Audley, the titular Sylvester or best of all Damerel in Venetia. But they also need to be up against a smart woman who is prepared to stand up for herself and what she wants. I don’t want to see any woman being forced into a marriage by a man who holds all the power. The Heyers that come off my shelf the least are ones like Cotillion (Freddy’s too thick), Friday’s Child (Hero the heroine is too wet), Cousin Kate (Kate’s too stupid to see the trouble coming) and A Civil Contract (Adam needs a good slap).
My copy of Devil’s Cub has a note from in the front written by my mum
Those are the exceptions though and just looking along the shelf is like seeing group of old friends – they live in the sitting room so I have them to hand if I need them! If you’ve never read any Georgette Heyer, may I heartily recommend you have a look now – particularly if you are a fan of authors like Eloisa James or Julia Quinn. They don’t have the sex that modern historicals do – in fact there’s barely any kissing, but they’re still breathtakingly romantic in places and have tight well-structured plots – and a wealth of meticulously researched historical detail (An Infamous Army was required reading for trainee army officers because its descriptions of the Battle of Waterloo are so accurate – it also features Julian and Judith from Regency Buck and a cameo from a much older Dominic and Mary from Devil’s Cub) that I can only imagine the current crop of authors have drawn on. It also says a lot that more than ninety years since her first book was published and forty years (this year in fact) since Georgette Heyer died, her Regency/Georgian romances are still in print.
A selection of my favourites in a charming garden setting!
I like them so much I even have a couple of them on my kindle and as audiobooks in case I need a fix when I’m away from home. And, while I was taking the photos for this article I discovered I’ve got a couple of duplicates of my own – I think I bought the pretty Pan paperbacks of The Talisman Ring and The Masqueraders when I was living in Essex – in the days when mum had most of the Heyers…
Verity Reads Books (lots of them) 