After a classic crime pick last week, this week it’s a romance – and one that’s had a lot of buzz. The buzz is good, because Kate Claybourn’s latest novel came out on December 31st – and so was too late for anyone’s 2019 roundups, but sort of doesn’t count as 2020 either. Anyway – to the plot.
Meg Mackworth is know as “The Planner of Park Slope” because of her hand-lettering skills, which she puts to use designing custom journals for those in the know in New York City. But she has a secret – sometimes she weaves secret patterns into her work, like the one she left in a wedding program for a couple she was sure wasn’t going to last. When Reid, the handsome and mathematically-minded groom, appears in her shop a year later to demand how she knew his future wasn’t going to last, it looks like it’s coming back to haunt her. Grappling with a case of creative block, Meg comes up with a plan to try and fix the situation. As the two wander the city getting to know each other and opening up, a connection develops. But Meg can see signs everywhere of problems ahead – how can this lead to a happy ending?
From the description above, Meg sounds a bit like a Manic Pixie Dream girl – one of those characters from quirky movies with improbable jobs and glamourous lives. She’s not. She’s guarded, anxious, likes routine, hates confrontation and sees letters in everything that she does. Her relationship with Reid is such a slow burn – just to friendship, let alone to more. But it’s such a joy to watch develop. The games they invent as they’re walking around the city, the way it makes Meg develop confidence and her ideas as well as the romance. And on top of that, the book itselfs really well designed – it’s got different fonts and lettering dropped in so that you can see what Meg is seeing in her head. It’s just lovely.
Also I think we can conclude that the tense a book is written in doesn’t bother me – because I’ve seen several reviews mentioning that it’s written in first person present and they still liked it, but I didn’t even notice really. I was so swept away by the book that I was just thinking about what happened next. Thinking back now it does feel like it had a sense of movement and uncertainty that was generated by the present tense – but at the time I wasn’t even thinking about tenses – just about Meg and Reid.
I absolutely ate this up with a spoon. I mean – I borrowed this from the library, but it’s on offer for 99p on Kindle (and Kobo) at the moment, so I’ve bought it so I can go back to it now my loan is up, and I may also have pre-ordered the paperback (out in March) so I can see what the all the different letters look like in the print version. It is so much fun.