Before we start, another quick reminder of last week’s World Cup avoidance books – which includes Juno Dawson’s The Gender Games, which would totally have been a candidate for BotW if I hadn’t given that accolade to Clean last month. And I did deliberate for a while about what to pick this week. I read some really good stuff, but quite a lot of it is already earmarked for other posts and I didn’t want to give up my other plans. But it does seem in keeping with my long-professed love of Peter Wimsey that I should pick A Presumption of Death, even if I’m a little conflicted about it and it’s a much more qualified review than a whole hearted recommendation.
This is the second novel in the Jill Paton Walsh Wimsey continuations. I’ve totally read them out of order, so I’ve already read the two that follow it. This is set just after the start of the Second World War and sees Harriet ensconced at Tallboys with her children and the Parker children and Peter is away on some mysterious war work abroad. The village is adapting to the new rules of war time – evacuees have arrived in the village, there are land girls working on the farms and people are leaving for factory jobs or the services all over the place. When one of the land girls is found dead in the street as the village emerges from an air raid drill, Superintendent Kirk asks for Harriets help with the murder investigation. At first, she finds it a helpful distraction from worrying about what Peter is doing abroad, but soon she’s missing his help as she digs into the possible motivations for the crime.
This feels more like a “proper” Wimsey mystery than the two that follow it, but it’s still Not Quite Right. I’ve only read Thrones, Dominations (the first continuation) once and it was six years ago, but I’m listening to it on Audible at the moment and I think that is more Sayers than this – but that’s probably unsurprising considering that with that first one Paton Walsh was finishing an unfinished Sayers manuscript, whereas with this just has extracts from The Wimsey Papers (a series of letters, written by Sayers from various of the Wimsey characters, that were published in the Spectator during the war) in it. In fact I think most of the best bits of the plot come from ideas and information in the Wimsey Papers and most of the bits that I don’t like are the bits that Paton Walsh has done herself. In fact the more I think about the book to write this, the more problems I have with it.
I did like the mystery and its solution, but I did have some parts of it figured out much earlier on than Harriet did – which is unusual for me in a Wimsey book and reminded me that it wasn’t a “proper” Sayers. It was nice to see a lot of the characters from Busman’s Honeymoon again, but perhaps because of my extreme familiarity* with the audiobook of that, there were some bits that didn’t ring true to me, although that same extreme familiarity with the Ian Carmichael Wimsey meant that I could practically hear his voice saying some of the Peter lines! There are some nice Harriet and Peter moments in here too – but the more I analysed them, the more I realised that the best ones were rehashes of earlier interactions from the other Harriet and Peter books. I think there were probably a few anachronisms of language in here as well – there were a few bits that didn’t seem quite right to me, although I’m not enough of an expert to tell.
I suppose what I’ve worked out in writing this is how much I wish there were more Wimsey books, and how much I want to like the Paton Walsh continuations (even as I find issues with them) because I want there to be more stories about Peter and Harriet for me to read. I’ve kept hold of my copy of this one for now – and I suspect I’ll come back and reread it after I’ve done another reread of the Peter and Harriet books to see how it holds up when they’re fresh in my mind. I picked up my copy from the charity shop (as you can probably tell from the photo!), but the Kindle and Kobo editions is 99p at the moment, which is a much better price than it usually is – and so if you’re a mystery fan – and you’re not the sort of reader who is going to have your love for the series proper messed up if you don’t like this – then go for it. The next book in the series – The Attenbury Emeralds – is also 99p at the moment, but be warned, I really didn’t like the direction that that took the series in, so approach with caution. I’m off to finish listening to Thrones, Dominations and then I’ll go back to Strong Poison and start Peter and Harriet’s story all over again. Again.
*As in I listen to it at least once a month – it’s one of my regular late night listens when I’m away from home, as are the other Wimsey audiobooks and some of the BBC Radio full cast adaptations.
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