Happy Sunday everyone, I’m back with a streaming recommendation this week for something that may have gone under your radar, especially if you’re not in the UK.
Matchroom are a sporting event and sports promotion company that was founded by Barry Hearn in the early 1980s. Barry started out in snooker, managing Steve Davis and then moved into snooker promotion founding Matchroom and then taking the company into boxing and darts. Barry’s son Eddie is now in the business with him, and the premise of the series is that you’re getting a look behind the scenes at the company.
Of course it’s not that simple. The subtitle of the show is The Greatest Showmen and Barry and Eddie are very, very aware of the cameras and the storylines, as you might expect for men who work in the world of boxing and also who live in Brentwood, the home of that original British manufactured reality series The Only Way is Essex – and yes, we do get some cutaway shots of the exterior of Sugar Hut just to remind you of that. And don’t forget the Only Fools and Horses call backs just to remind you that they (well Barry) have come from nothing and made it big. Barry is talking about retirement, Eddie is desperate to take over, but there are other options inside the company for Barry than his son, who may be hungrier and scrappier than Eddie.
And it’s full of egos, rivalries and shouting matches. Get Eddie in front of a microphone – at a press conference or in a radio studio and he’ll start an argument with someone. At times he seems like a man who could argue with his own shadow without realising that he is doing it. People say that women are bitchy, but the levels of petty and grudge holding in this are off the scale. I like snooker, I can take or leave darts but boxing is one of the few sports that I don’t watch, so I watched the actual fighting sections through my fingers (or even looking away at some points). But even if you don’t like any of the sports involved, I think it’s pretty worth watching – for the pettiness, but also to spot the bits where something real pokes out from under the puff piece, and to watch Eddie and Barry trying to control their edits – and whether it works!
We watched all six episodes across two and a bit nights – and I would happily watch another series, although given how the fights featured in the series went for the Matchroom stable, Eddie may not be up for series two!
One of my favourite documentary series from last year is back! We have a second season of America’s Sweethearts, Netflix’s documentary about the Dallas Cowboys Cheerleaders. I wrote a whole post about last year’s series – and I think you really need to watch that one to get the most out of season two, and I say that as someone who is only two episodes into the new season. So do go and read my post from last year and then go and watch it. As I said last year so many people I know watched it who aren’t into sport but also people who are really into sport but not into dance – the first series was just a really good documentary. I’m not sure how series two can live up to that, but I’m excited to see it try! Oh and in case you’re wondering – the original subreddit still hasn’t come to terms with the fact the change to the series compared to the CMT one…
Back to the streaming services this Sunday and a documentary that I actually watched basically as soon as it came out – but which has taken a few weeks to actually get posted because of things that were slightly more pressing on a time front. But actually it’s been really interesting to watch the conversations about this series over the last few weeks as well.
America’s Sweethearts is a seven part documentary series about the Dallas Cowboys Cheerleaders. It follows them across the course of one season – with auditions to join the team, the training camp that follows and then the actual football season. It picks out a couple of the women in particular to highlight – Victoria and to a lesser degree Madeleine, veterans whose mothers were also on the squad; Caroline, newly retired and trying to adjust to the post-DCC world and her sister Anna-Kate who is auditioning for the team herself this year; Kelcey, a senior veteran on the team in her final season and Reese, a rookie candidate looking to make the team for the first time. Using those women it explores the impact of being on the team – physically and mentally, the sisterhood of the women who have been a part of it, and the squad’s place in the multi-billion dollar brand that is the Dallas Cowboys.
This is not the first series about the team – there were previously 14 seasons of Dallas Cowboys Cheerleaders: Making the Team produced by the CMT channel. Both series were authorised by the organisation itself, the people running the team are the same – DCC director Kelli Finglass, chief choreographer Judy Trammell – both former DCC themselves – and their boss Charlotte Jones Anderson, daughter of Dallas Cowboys owner Jerry Jones. Even some of the cheerleaders on the squad are the same – the CMT show finished with the 2021 season and some of those women were still cheering last seaons – but the actual shows are very different.
Making the Team was very much a reality tv series in many ways – each season followed a similar structure: you started with the preliminary auditions and semi finals, it moved on to finals weekend where the re-auditioning veterans join the new hopefuls, then you move to training camp where across the next episodes the girls will learn the “signature dance” complete with kickline ending in the infamous jump splits, get make overs, be fitted for their uniforms, have their publicity photos taken and watch the rookie hopefuls get cut one by one to make a team of around 36. Some years you’ll also get to see auditions for the team’s show group – who get to do extra dance performances beyond the football games – or watch the veterans trip to a holiday resort to shoot the squad’s swimsuit calendar. The main focus of the show is on the fresh rookies – some will be completely new, others might be returners who were cut in previous years – and get a few glimpses of the cheerleaders you’ve followed in recent seasons.
And as you’ve probably guessed by comparing my descriptions of the two shows, they are quite different beasts. And not just because Netflix has paid for the music rights so you can finally be told that the “Signature dance” is actually known as Thunderstruck – because that’s the song that it is danced to*. The team behind America’s Sweethearts are using the structure of the season as a way of examining the idea of the squad as a whole.
And the appeal of the series goes way beyond the viewers of the old CMT series (something which the series’s subreddit is yet to come to terms with). What do I mean by that? well Him Indoors hated MTT with a burning passion – my sister and I watched it when he was out of the room – but he said he wanted to take a look at this series and see what it was like – and ended up watching the whole thing. A colleague at work who is a sports and documentary fan but not someone I would have expected to have watched it, had already watched it when I went to recommend it to him and described it as the best documentary series he’s watched this year.
I could write paragraphs more about the show – but this post is already massively long, so I’m going to wrap it up here and hope that this is enough to get you to take a look at the series, no matter what your views on cheerleaders or American sport!
Have a great Sunday everyone.
*and for long-time viewers of MTT who (like me) have never made it to a Cowboys game, this does have a pretty much complete performance of Thunderstruck for you to enjoy and see how it all the various parts fit together. And yes, Kelli does also explain her Yes, No, Maybe scoring system for auditions. You’re welcome.
As if there wasn’t already enough sport on TV at the moment, what with the Euros reaching the start of the last round of group games tonight, the grass court tennis season being well underway and the build up to the Olympics, I’ve got a football documentary for you today.
99 is Amazon Prime’s documentary about the 10 days that saw Manchester United win the treble in the summer of 1999, which I refuse to believe can be 25 years ago, because I remember it, and how did I get this old?! Anyway this takes you through the process that got them to that remarkable treble as well as those key days, with interviews with all the key figures involved as well as loads of archive from the time.
Looking back at this distance, it’s clear that no matter whether you support Man U or not (and I’m definitely in the not camp) this was a remarkable achievement – and they did it with a large number of players that had come through the club’s academy set-up. Clubs have done the same thing since – but they’ve done it after large injections of money from various sources and without the home-grown talent.
If you’ve seen the Beckham documentary series, this (unsurprisingly) has a lot of the same talking heads (and some of the same producers too) but obviously the focus is very different. But if you enjoy one, you’ll probably enjoy the other, from sporting point of view anyway.
Verity Reads Books (lots of them) 