not a book, theatre

Not a Book: Kiss Me Kate

I’ve got another theatre trip to tell you about this Sunday – because I had a fabulous night out at the Barbican on Friday night.

In case you haven’t encountered it before, Kiss Me, Kate is about a warring couple who are working together on a production of a musical version of Shakespeare’s The Taming of the Shrew. Fred and Lilli are divorced, and their relationship dynamic somewhat mirrors that of the characters they are playing in the musical. There’s also subplots with the show’s young ingenue, newly arrived from nightclub singing, and her boyfriend Bill who is also in the cast and has a gambling problem that has led him to sign a $10,000 IOU with Fred’s name on it – leading to the arrival of a pair of gangsters at the theatre.

Kiss Me, Kate premiered on Broadway in 1948 and has music and lyrics by Cole Porter. I saw the last London Revival, which was in 2012 at the Young Vic and starred Hannah Waddingham and Alex Bourne, and really enjoyed it so I had high hopes for this production at the Barbican which has Tony-award winning Broadway powerhouse Stephanie J Block as Lilli and Adrian Dunbar as Fred. The Barbican has a good track record of producing big productions of musicals (see Anything Goes with Sutton Foster a couple of summers ago) and this is a show that repays a big production.

And this is A Big Production – you can see the size of the set from the photo at the top, but what you might need to watch the video to see is that it rotates*, it’s also got a big orchestra to blast out those Cole Porter standards like Too Darn Hot, Always True to You in My Fashion and So In Love. It’s directed by Barlett Sher, who also directed the Lincoln Centre Production of The King and I which came to the London Palladium with Kelli O’Hara a few years ago and has been touring the UK recently, and so has plenty of experience with big, classic musicals. And he’s created a really enthralling evening at the theatre – the show within a show means that there is fourth wall breaking, interactions with the conductor and the audience and plenty of general chaos.

And the cast are all giving great performances. It’s hard to single out anyone in particular, but if you forced me, I might pick out Nigel Lindsay and Hammed Animashaun who play the gangsters, who made me laugh the whole night building to a brilliant and nearly show-stealing Brush Up Your Shakespeare. Which brings me to one thing that I had forgotten about Kiss Me, Kate, which is how equitably the songs are spread out – everyone in the main cast gets at least one brilliant song and there’s plots and sub-plots galore.

I went with my mum who absolutely loved it – and I had such a great time I’m trying to figure out if I can go again before the run ends in mid-September. It’s had excellent reviews from the actual theatre professionals too – but there are some really good deals available on tickets at the moment – I suspect because the Barbican is out of the main drag of the West End so it doesn’t get the passing trade that some of the other theatres do (this is also an issue for the Shaftesbury Theatre – which had a bit of a reputation of being cursed for shows a few years back). I got my tickets from TodayTix who I use quite a lot these days, but you can get direct from The Barbican as well. And if you’re buying last minute they do on the day rush for £30 too.

Have a great Sunday – here’s hoping for an England win tonight…

*I love a rotating set – one of my early London theatre memories is of a production of the Wind in the Willows at the National Theatre where the set not only rotated but it came up from the ground, and more recently I loved the production of Follies – again at the national – which had a rotating set – although that just had a front and a back where as this has three sides.

Book of the Week, books, romance, romantic comedy

Book of the Week: Dating Dr Dil

So. Quite a difficult choice this week because there wasn’t anything that I finished that I didn’t have a few reservations about. I actually wrote another book up as BotW before I wrote this one because that first one just didn’t feel right because I didn’t like it enough. But – I had less issues with this than I did with the other options, and I read it really quite quickly which is always a positive sign with me. Plus the next book in the series came out last week (which I had forgotten I had preordered, hurrah for Past Verity sending a nice suprise) so it’s sort of timely. That’s my story and I’m sticking to it anyway.

Cover of Dating Dr Dil

Our heroine is Kareena, who dreams of a big love story, but at the start of Dating Dr Dil it’s the morning of her 30th birthday and it hasn’t happened for her so she’s about to hit the dating apps. Then her family forget her birthday and drop the bombshell that her dad is selling the family home that her mum had renovated and poured her heart into. Kareena and her dad strike a deal: if she can find her soulmate before her sister’s engagement party, he’ll give her the house. Our hero is Prem, a cardiologist who doesn’t believe in love and who has a TV talk show that he’s using to boost his profile to try and fund the medical centre he wants to set up. When he and Kareena first meet it turns into an argument that goes viral and his donors start to pull out. So he proposes a plan: they should date – to restore his image, but also so her dad will follow through on his deal about the house. But how does that fit with Kareena wanting true love?

This is a reimagining of the main plot strand of The Taming of the Shrew – the Petruchio and Katherina bit (not the Bianca bit) or alternatively if you’re a musical fan the Fred/Lili bit of Kiss Me, Kate. And if you’re feeling frustrated with how some of the characters are behaving, remind yourself of that fact and use it to channel your annoyance to the source material. I wanted the two of them to come to their senses a bit earlier, but: plots need conflict, even if Verity wants every one to be happy all the time. But this is basically an enemies to lovers romance with a side order of meddling friends and family and that makes it a lot of fun really.

My copy was on Kindle – bought when it was on a really good offer a while back- but it’s also on Kobo is £2.99 on both at the moment which is quite a good deal really. It’s also in a paperback edition that I’ve even seen in stores. And the next in the series is out now – this time it’s retelling Much Ado About Nothing.

Happy Reading!