Tag: music

not a book, theatre

Not a Book: Sondheim Shows

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I did two Stephen Sondheim shows in just over a week and I have thoughts. I mean I always have thoughts, but I particularly do this time. You may remember from my post about Old Friends (which coincidentally has just finished up a run on Broadway) that I have seen a lot of Sondheim documentaries and love a lot of his music.

The first of the duo was Here We Are, Sondheim’s final show which he was working on for about the final decade of his life. It’s based on two Luis Bunel films and is as bonkers as you might expect considering that. It’s also, as you can probably tell from the video below possibly Peak Sondheim. There were a bunch of moments where the music reminded me of other Sondheim shows, which I don’t remember ever thinking at one of his shows before. I would not suggest you pick this for your first experience of Sondheim, but if you like him you will probably enjoy this – even though it has a lot less singing than I was expecting. The production at the NT had a brilliant cast – Jane Krakowski, Jesse Tyler Ferguson, Rory Kinnear, Martha Plimpton, Paulo Szot and Tracie Bennett have got five Oliviers, three Tonys and an Emmy between them – and they were great. I am so glad I saw it, but I won’t be running back to see it again the way I did with Follies.

The second show was the Southwark Playhouse revival of The Frogs, which is Sondheim’s musical based on the ancient Greek comedy by Aristophanes from 405BC. Sondheim’s version premiered in the mid 1970s and was described as “freely adapted” from the original, and then in 2004 Nathan Lane “even more freely adapted” it to the current book and Sondheim wrote a bunch of new songs for it. The plot is that the god Dionysus and his slave Xanthius are going to Hades to bring back George Bernard Shaw to raise the standard of drama being produced. If you’ve watched the recorded version of the original Old Friends concert or the Sondheim 80th birthday concert, the song from this that you will know is Invocation and Instructions to the Audience.

And it was such a good night. The cast was great, especially the ensemble who were rotating through different roles as well as acting as a chorus and the dynamic between Kevin McHale (of Glee fame) as Xanthias and Dan Buckley as Dionysus was great. I laughed a lot and came away humming the music. I definitely liked it more than I liked Here We Are – if another production of Frogs come around in a few years time I would go and see it again, and this is the one that I would be recommending to people of the two.

From my observations the night that I saw it, there was a considerable amount of the audience who were there to see Kevin McNally, rather than because they love seeing Sondheim shows. But that’s fine. Sondheim can be a hard sell, and a plot based on an Ancient Greek comedy might also not appeal to the casual theatre goer, but this was so good and so much fun hopefully they all went away as happy as me and might give another Sondheim production a go in future. I hadn’t actually been to Southwark Playhouse since it moved to it’s current location (which is more than a decade ago so shame on me) and so I was playing seat roulette a little bit but my front row spot on one of the sides was great and you really were quite up close and personal with the cast!

Both of Here We are and The Frogs finished yesterday, so it’s already too late for you to go and see them so sorry about that. And as ever with Sondheim who knows when they will be put on again. Oh and by the way, I’m still hoping for a DVD of the National Theatre Follies…

concerts, not a book

Not a Book: Bernadette Peters

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I usually try and write here about things that you can go and see. This is a bit of an exception, because it was a one night only thing. But I had a great time, so I’m writing about it anyway.

Bernadette Peters only made her West End Debut I. Sondheim’s Old Friends, but she is an absolute Broadway Legend. If you go on a streaming service and look for Stephen Sondheim songs or cast albums you’ll find her there. And now in her mid-seventies she’s still touring and sounding pretty darn good.

The set list for this included a lot of Sondheim – and pretty much all the stuff that I hoped she would do: Losing Mind from Follies (and Buddy’s Eyes), Send in the Clowns from A Little Night Music, Children Will Listen from Into the Woods, You Gotta Get a Gimmick from Gypsy (with special guests Joanna Riding and Bonnie Langford) and Move On from Sunday in the Park with George. But on top of that she also threw in a couple of songs from Hello Dolly – given that she’s played Dolly and Imelda Staunton is currently headlining that show elsewhere in the West End and things like Nothing Like a Dame, Johanna and Being Alive. It was a wonderful straight through hour and fortyish minutes and from my perch up in the balcony it was amazing. And I think the rest of the audience was as spellbound as I was.

audio, not a book

Not a Book: Deeper Well

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A rare music recommendation this week, but I’d missed this one until my little sister flagged it to me and now I’ve been listening to it over and over

Kacey Musgraves is one of those artists that I first saw on Jools Holland, bought the album and then have been streaming intermittently ever since. So I’ve been listening on and off since the Same Trailer, Different Park era – before she won the Grammy for Golden Hour and she is fairly regularly producing country music of the sort that I like. Little Sis described this as dreamy country and I think that’s pretty fair. The opening of the first track is strongly influenced Mamas and the Papas and that’s an area that I am always happy to be in. It makes me thinks of summer evening in the countryside, where the light is golden and you’ve got a glass of wine. Just right up my street.

not a book

Not a Book: The Chicks

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Yes I know you already know that this is where I went last Sunday, but as they’re supporting Bruce Springsteen in Hyde Park this weekend as well I’m going to have a little moment about them here too because: it’s been twenty years!

I’m not a big concert person. I should probably start with that. Well, at least I wasn’t when I was younger – not living in a big city meant the cost of going to them was often too much once you added the transport and then they were so often on a weeknight and that didn’t work for school. I’ve been ticking off a few acts I’ve always wanted to see over the last little while and revisiting some others (hello Darren Hayes) and The Chicks were the big one I wanted to do this year and it was amazing. They did Glastonbury the week before so I can offer you a little taste of the live experience here:

I’ve had Goodbye, Earl stuck in my head all week, which is fine except that you just have to be careful not the sing the lyrics out loud because people might get the wrong idea about you! Anyway, they did everything I wanted them to (bar that one song they never do), they sounded as good as they do on the records and the band is super slick. Just exactly what you want from a gig. There last tour was 2016/17 and I hope it’s not another six years until they come back. I’ll be in line when they are.

not a book, tv

Not a book: Eurovision II (again!)

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So Eurovision is over for another year. And what a year this has been – having the contest here has been a real experience, even if the UK entry didn’t do very well. But hey, the host often doesn’t do that great. That’s what I’m telling myself anyway. It was quite a show though – Liverpool did us proud. I’ve put the winning performance at the bottom in case anyone hasn’t watched yet, but I wanted to highlight my favourite bit of the night: the interval act:

Obviously Liverpool has a great musical heritage, and I loved the way Eurovision paid tribute to that in the most Eurovision way ever. If you haven’t watched it, click play and I defy you to be unmoved by it. I loved all of it – and also that Dadi Freyr finally got to perform on the Eurovision stage having been the favourites to win the 2020 contest that was then cancelled because of Covid and then coming back in 2021 only to be unable to perform on the night because of a Covid case in the group. Honestly just wonderful. The best interval act since Mans and Petra did Love Love Peace Peace.

And the other thing that has come out of this week has been the world getting to see Hannah Waddingham do her thing and just loving her. I’m a big theatre nerd as you all know, and she’s been on my radar for years and years now, but it’s only since Game of Thrones (she’s the shame nun) and Ted Lasso that she’s really hit the big time beyond us theatre nerds. And I love it when a theatre person gets the notice they deserve – see Mark Rylance but in a different way for him of course. Anyway, if you watched Hannah this week and wondered what else she can do, have this video of her performing as part of the cast of Spamalot (along with Tim Curry!) at the Royal Variety performance back in the day.

Anyway, here is this year’s winner:

I don’t love Tattoo the way I loved Euphoria so I’m trying not to be bitter that my favourite didn’t win, but I can’t be too angry about being back in Sweden for the 50th anniversary of Waterloo. And what was my favourite I hear you ask? Well, for once my favourite did rather well – even though as usual it was one of the wilder and more “novelty” songs – no not Croatian Monty Python guys (who threatened to perform naked if they one) but Finland and Cha Cha Cha.

They won the popular vote, but the juries didn’t go for them so we’ll see you in Sweden next year Eurovision fans!

not a book

Not a Book: Darren Hayes

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You know how there are some songs or albums that can transport you back to a place or a time? Well Darren Hayes does that for me. I’m about to date myself a bit, but Savage Garden were the soundtrack to a lot of my teenage years. Sitting studying in my room, if I wasn’t listening to football commentaries on 5live I was probably listening to their second album, Affirmation.

One of my non-book New Year’s resolutions this year was to take the opportunity to go and do things and not say “maybe one day”. Well this ticket was already in the (virtual) ticket box at the turn of the year, but it is still a part of that. Darren Hayes last toured 13 years ago – and I thought it might never happen again. I have seen him before but was in 2006 – and a lot of things have changed since then – songs that were still new back then are now classics. Or at least I think they are. I bought the ticket months ago when they first went on sale because it’s been so long who knew when there might be another opportunity – his husband may be British but he is an Australian who has lived a lot in LA. Take your chances while you have them. The tour is called Do You Remember and is marking 25 years in music (gulp) and honestly, I couldn’t have asked for anything more.

I was meant to be going with a friend, but tonsillitis meant that I ended up solo, which given how emotional the whole thing made me is probably for the best as he might have wanted to disassociate himself from the snotty mess sitting next to him. I know I’m a crier, and I get emotional when good things happen (from athletes I like winning medals, to being offered a job I want) but this was something else. The best I can describe it is imagine going to see the artist who did your favourite teenage album a couple of decades on and then instead of doing obscure cuts or remixes, they play all your favourites, no messing around with them and sound just as good as they did on the record (but live!) – well this was that for me.

My photos may be pants and part of that is because I was at the top and the back, but it’s mostly because I was enjoying the moment and watching it unfold and I didn’t want to watch it through a phone screen when it was happening in front of me. I made some videos too but they’re even worse because I wasn’t actually watching what I was filming, I was watching the stage!

I have a few more “if not now when” things planned this year and if they come anywhere close to being as good as this, it’s going to be a great year. Now excuse me, I’m off to listen to the Affirmation album again.

Have a great Sunday everyone!