This week’s BotW is Lauren Willig’s The Orchid Affair – the eighth book in the Pink Carnation series. It’s been nearly two years since I read my last Pink Carnation book and I’d almost forgotten how much I enjoy them. One of the really good things about this series is that Willig has come up with a way to generate plots that doesn’t involve breaking up couples that you love.
My copy is the US hardback edition – which is pretty if very different from UK book covers
In part eight, we meet Laura, a governess for more than a decade, who has been recruited to the Pink Carnation’s spy network watching Bonaparte’s Paris. She’s got a post in the household of Andre Jaouen – the right-hand man to the Minister of Police. He’s part of an investigation is underway into a royalist plot – and Laura’s charged with reporting anything suspicious. But, as always, things are more complicated than they seem. Meanwhile back in the modern day, Eloise (the historian who is researching the Carnation’s network) is due to meet Colin’s mother.
This is a fun romp through Post-revolutionary France – with likeable characters and a gripping plot. There’s a great balance of suspense and romance – and although I would have liked to have seen a bit more of Colin and Eloise, I appreciate that Willig is taking her time with those two and not rushing them into things – and that more of them might have slowed the pace of the rest of the book.
My only real problem with this book was that the copy that I got is the US edition and so it was in American English – not British English – which in books like this yanks me out of the narrative abit (sometimes to Google things – like AP French). But hey, when you have a backlog like mine, and strict rules about book spending you can’t be picky. And it’s a very minor quibble really.
There’s another three Pink Carnation books I haven’t read yet – with a twelfth and final volume due this year. I suggest you start at the beginning so that the Colin and Eloise thing works best for you, but really they all work quite well on their own. Although you may not get the running jokes. The Orchid Affair is available from Amazon, Waterstones and Kindle – but I don’t think there’s been a UK edition, which can make the prices a bit.. high (hence why it’s taken me two years to get to the Orchid Affair). But the earlier books in the series did get a UK release, so you should be able to get your hands on them – I got the first couple from my local library.
***Bonus content****
Regular readers know that I like matching books. I have a couple of this series on my kindle (and the novellas), borrowed a few from the library, and then started buying. But due to the vagaries of the book market, I have three different sizes and styles of books – out of three. There isn’t a way to shelve this and make me happy.
I need to move these to the other end of the shelf, then they can be in series order at least…
This week’s BotW is the new novel from Eloisa James – who is one of my favourite historical romance authors. Four Nights with the Duke is book 8 in her Desperate Duchesses series. My first Eloisa book was Desperate Duchesses 3 – Duchess by Night – which I stumbled across at the library back when I still lived in Essex (so 5+ years ago) and when she returned to the series to add a 7th book last year I was thrilled. Although I’m still really annoyed that we only got a UK paperback release of books 1 – 4 – I had to buy 5 and 6 from the US to read them as they weren’t on Kindle at that point – and then the paperbacks started again with 7. And of course none of them match…
The Historical Romance bookshelf – three difference sizes across the same author in some cases. Your basic nightmare.
Four Nights with the Duke is the second story in the second generation of the Duchesses – which appears to be subtitled “Desperate Duchesses by the Numbers”. Four Nights tells the story of Mia and Vander. Mia needs to get married (no, not because of that) and the only person she can turn to is a man she swore that she would never marry (and he was there when she did the swearing). Vander definitely doesn’t want to marry Mia – after all her father was his mother’s mistress and he’s still Very Angry* about that. But Mia has a rather incriminating piece of paper that means that he’s going to have to do it, or lose everything. So he offers her a deal – he’ll marry her, but he’ll only spend 4 nights a year with her (if you know what I mean) and she’s going to have to beg him for them…
Now that sort of set up is totally my sort of thing** – this is a plot device that totally floats my boat – the spouses at war/married because we had to trope is one of my favourites – right up there with fake engagements and you’ve been like a sibling to me until…x. Not an accidental pregnancy in sight (yay!). Add to that the fact that Mia has an alter ego as a romance novelist and I’m in historical romance heaven. And Eloisa James is such a safe pair of hands. There’s never an anachronism that I can spot, or a jarring word (except when I’ve got the American editions with the Wrong Spelling) or something that seems just too improbable – even for romance.
I read this practically in one big gulp on Easter Sunday – pausing only (with less than 50 pages remaining) to go to the big family meal at my auntie’s in the evening – and if I could have put off leaving to finish it, I would have done. The only problem with that is that I’ve now got to wait a year until there’s another one, and I think I’ve practically read the whole of the Eloisa James back catalogue now – as evidenced by the Kindle folder and the romance folder…
The Kindle folder for Eloisa James books is three pages long
Having read some Historical Romance recently that I was less than crazy about – and a couple of books that weren’t as good as I was hoping they would be as well, I was really pleased that this totally lived up to the hype that I had given it in my head. It’s not my favourite in the series (a toss up between a Duke of Her Own and Duchess by Night) but it’s still really, really good. If you’re not a historical romance reader – and want to see what the genre is all about, Eloisa James along with Julia Quinn and Sarah MacLean are the authors I recommend as starting points (they’re also the authors that keep hold of after I’ve read them – as you can tell from the romance shelf).
You can get your copy of Four Nights with the Duke from all the usual sources – it’s got a paperback release – so Amazon, Waterstones and Foyles are all stocking it – and you never know, it might even make it into WH Smiths and the supermarkets too. And obviously, like me, you can buy it for Kindle or ebook.
And in the interests of full disclosure, I bought my copy of Four Nights – but I am in Eloisa’s fan outreach-y group on Facebook. But I’m posting this because I loved the book – not because they told me to.
BONUS PICTURE: Another brilliant example of the difference between UK romance covers and US ones…
* Sorry, I was watching Pretty Woman over the weekend – and writing that sentence made me think of this quote: “I was very angry with him. It cost me ten thousand dollars in therapy to say that sentence: “I was very angry him.” I do it very well, don’t I? I’ll say it again: I was very angry with him. “Hello, my name is Mr. Lewis, I am very angry with my father.” Although obviously Vander is angry with his mother and Mia’s Father, not his father. But still. It’s a good line.
** The Smart Bitches would call it my catnip. I’m not sure whether I can pull off calling something my catnip. I think I might be too British/dull/self conscious.
This week’s BotW is Sarah MacLean’s latest historical romance – which has been sitting on the pile since soon after its release waiting for an opportune moment. And after four night shifts I needed a treat.
Never Judge a Lady by her Cover is the final book in MacLean’s Rule of Scoundrel’s series – and tells the story of Georgiana, who MacLean fans first encountered back in her previous series. Since then she’s been leading a double life – disgraced daughter of a duke (complete with illegitimate daughter) by day and something else entirely by night. She is Chase, the powerful figure behind a legendary gaming hell. But will she get her happy ending?*
Another appalling photo. I blame the Huddl2. And the fact that I had 5 minutes before I had to leave for the train. Poor planning from Verity
As you can see I have the American edition (and mine is signed!) despite my embarrassment at bodice-rippery covers (though this is a better cover than many) because I’ve been reading MacLean’s books since before you could get them over here – and we all know I’ve got a thing about matching sets! Also the UK covers are wet and nowhere near as good as the ones other US romance writers get here.
Anyway, when the Big Reveal about Chase took place at the end of the previous book, those who didn’t manage to get accidentally spoilt (unlike me – I found out from the flabbergasted good reads reviewsª) were astounded. It really set the expectations for this book sky high and I’ll admit to being a little concerned that it wouldn’t live up to that – which is perhaps why it has been on to to read pile for a month or two.° But Never Judge a Lady is a brilliant end to what’s been a fabulous series.
The heroine is feisty, smart and independent, the hero is powerful, with a dubious past and missing some key information. Their romance is good (oh lord, the swimming pool scene), the peril is seemingly insurmountable and the dialogue is witty and sparky. Plus we also get plenty of our previous Heroes and Heroines taking pleasure in meddling as they themselves were meddled with. In short, everything you want in a good romance. Perfect post-night shift reading.
You can get your copy of Never Judge a Lady by her Cover from Amazon, Foyles, Waterstones or on Kindle. If you click on any of those, you’ll find out why I don’t like the UK covers – my US edition came from Word in Brooklyn who are Sarah MacLean’s local store and were offering signed copies at the time. Also if you haven’t read the rest of the series, I suggest you start at the beginning with A Rogue by Any Other Name and enjoy the Scoundrels in the order you were meant to. Oh and may be Eleven Scandals to Start to Win a Duke’s Heart.
* Hint: this is historical romance. Of course she will.
ª I’ve only revealed it here because it’s on the blurb on the back of the book, and if you haven’t read the rest of the series, you won’t mind, and if you’ve only read one or two of them you’ll be wondering why it’s Georgiana’s book not Chases, because the series was clearly going to be a book for each of the Fallen Angel’s owners…
° Also I can’t take a book with a cover like this on the train or into work without risking raised eyebrows and scornful looks.
It’s Read a Romance Month, so I thought I ought to do my bit for the cause – and review some romance. I’m pretty much exclusively a historical romance reader when I read straight up romance, so here are two of the new ones I’ve recently read – both by authors new to me as I continue my quest to find new (to me) historical romance authors, having read everything from the people I like!
First up, and out this week in the US (and in September in the UK) is How the Scoundrel Seduces by Sabrina Jeffries. This is the third book in the series – and as per usual I’m late to the party and haven’t read the other two. This wasn’t a problem though as I still enjoyed the book. Some elements of the plot felt a little bit far fetched to me, but Jeffries carries it off – just. My problems with US-written-British-set historicals usually come with the language choices and there were a few moments in this, but probably not any that would annoy an American reader. I have a personal problem with “princess” as a term of endearment – makes me think of Eastenders and gangsters, but that’s just me! The denouement seemed to happen very quickly – there seemed to be a lot of build up for not a lot of resolution, and there were a few revelations at the end that felt like they were late attempts to make the baddie more three dimensional and add a bit of depth to a character that we hadn’t seen in the flesh for a long time (I’m trying not to give plot points away here!). I have another, older Sabrina Jeffries on the pile and there was certainly nothing here to put me off reading it. If I was giving star ratings, it’d be 3.5 out of 5.
Out next week in the US (and at the start of October in the UK) is Not Quite a Wife by Mary Jo Putney. Another book that’s one of a series that I haven’t read (sensing a theme here!), this is the story of Laurel and James – who are married but have been separated for 10 years after she witnessed him carry out a “shocking act of violence” (I’m trying not to give away the plot again) and are drawn back together after a chance encounter “turns passionate with consequences that cannot be ignored”. Now the accidentally pregnant trope is not my favourite of the romance plotlines, but I’m always willing to give them a go – especially this one – as it seemed to promise a strong minded heroine. However, once I’d read a little and discovered a bit more, the plot device separating them felt a little contrived and flimsy – Laurel knows that James is a spymaster when she marries him, and there’s a certain risk of violence attached to that. She also lives in a time that was much rougher and she hasn’t exactly led a life sheltered form that since they separated and so I found some of her issues hard to believe. But, just because a book isn’t really for me, that doesn’t mean that other people aren’t going to like it. This has a strong Christian theme to it – and the characters have strong moral standpoints rooted in their beliefs so I’m sure that it’ll appeal to those who don’t like their romances to be filled with immorality. It does have some sex scenes in it though, so it’s not for the very conservative end of the Christian reading spectrum.
So, there you have it – two reviews, neither of them the raves that I was hoping to be able to post when I was lining up romances to read in August for RARM. So to counter act that, I’d like to point you in the direction of Eloisa James’ latest, Three Weeks with Lady X for a really good historical romance, and some really good non-historical not just a romances – like Jenny Colgan’s Little Beach Street Bakery and the recently re-issued Tickled Pink from Christina Jones. There’s still some more romance waiting to be read on the pile – I’m hoping for more success next time!
My copies came from Netgalley – in return for an honest review – I’m assuming they’ll be available in all the usual places where you can find romances – but here are links to both on Amazon.com – How the Scoundrel Seduces and Not Quite A Wife
Between the 1920s and 1970s, Georgette Heyer wrote nearly three dozen novels set Regency or Georgian times, along with a string of thrillers. I love me some Golden Age detective action, but this article is about her historical romances which, in my opinion, are sublime and nearly perfect examples of their type.
Hardback, paperback, different styles – my shelf has editions from the 1940s through til the 2000s
My mum had a shelf of Heyers on the landing the whole way through my childhood, but it was only when I was about 16 that I first picked one up (either False Colours or Cotillion, I can’t remember which) and that one led to another, which led to all of the ones she had and then to buying the ones that she didn’t. When my parents moved house a couple of years ago, mum passed them on to me as she “didn’t have space for them” any more, on the understanding that she could borrow them back if she wanted and that I wouldn’t get rid of them. Since then though, rather than borrowing them from me, she’s started re-buying them!
I have a lot of favourites, but if I was forced and could only have one, it would be The Grand Sophy. Sophy is feisty, independent, well-travelled and used to running her own life – and everyone else’s. She arrives back in England to live with her aunt and her cousins after her diplomat father is posted to South America. She finds them in the midst of a family crisis – with one daughter in love with an unsuitable poet and the eldest son engaged to a disagreeable bluestocking. Sophy proceeds to try to organise the household along more harmonious lines and arrange matches for her cousins and, in the end, herself.
My copy of The Grand Sophy – in what I think is a late 1980s edition
What I love about Heyer’s female characters are that they’re not weak and wishy-washy pushovers, but they also don’t feel like modern women who have been supplanted to the eighteenth or nineteenth century. Her women aren’t simpering misses sitting around waiting for life to happen to them or for a man to make their life complete, but they’re not doing anything that feels jarringly out of period either. I have a weakness for American-written British-set historical romances (you know, the ones with the buxom heroines bursting out of their corsets on the covers) which lead a shamefaced existence* on the uppermost shelf of my tallest spare bedroom bookcase – and that’s a problem I find with some (but by no means all) of their heroines.
One of the feistiest and most independent of Heyer’s heroines is Léonie in These Old Shades – who we first meet as Léon the page when he is bought “body and soul” by Justin, Duke of Avon – known as Satanas because of his lack of morals. Heyer books always have a lot plot and not a lot of yearning looks or heaving bosoms and Shades is a great example of this. At the start of the book Justin is a thoroughly disreputable character who buys Léon not to free him from a life of abuse and mistreatment, but because he sees a method of being revenged on one of his enemies. Léonie is in love with Avon almost from the start, but you’re not sure until the very end, after the plot has taken you from France to England and back to France again, whether Avon’s motives have changed at all. Most of Heyer’s books are standalones, but Shades is unusual in that some of the characters have appeared before, albeit with different names and in a less developed form, in The Black Moth – and Justin, Léonie and Rupert all appear again in Devil’s Cub (which I also love) where Justin and Léonie’s son Dominic – who has all of his father’s faults and his mother’s temper but does at least have a conscience – runs off with a virtuous young lady who is trying to protect her sister’s honour.
My copies of Moth, Shades and Devil’s Cub show some of the range of different editions in my collection!
In Regency Buck (another with a sort-of sequel – An Infamous Army of which more later) another strong minded heroine comes up against a domineering alpha-male and, dear reader, you may start to see a pattern in the sort of heroes that I like. Preferably tall, dark and handsome, he needs to be bossy, clever and with a bit of a dark side or at the least a temper – like Buck‘s Julian St John Audley, the titular Sylvester or best of all Damerel in Venetia. But they also need to be up against a smart woman who is prepared to stand up for herself and what she wants. I don’t want to see any woman being forced into a marriage by a man who holds all the power. The Heyers that come off my shelf the least are ones like Cotillion (Freddy’s too thick), Friday’s Child (Hero the heroine is too wet), Cousin Kate (Kate’s too stupid to see the trouble coming) and A Civil Contract (Adam needs a good slap).
My copy of Devil’s Cub has a note from in the front written by my mum
Those are the exceptions though and just looking along the shelf is like seeing group of old friends – they live in the sitting room so I have them to hand if I need them! If you’ve never read any Georgette Heyer, may I heartily recommend you have a look now – particularly if you are a fan of authors like Eloisa James or Julia Quinn. They don’t have the sex that modern historicals do – in fact there’s barely any kissing, but they’re still breathtakingly romantic in places and have tight well-structured plots – and a wealth of meticulously researched historical detail (An Infamous Army was required reading for trainee army officers because its descriptions of the Battle of Waterloo are so accurate – it also features Julian and Judith from Regency Buck and a cameo from a much older Dominic and Mary from Devil’s Cub) that I can only imagine the current crop of authors have drawn on. It also says a lot that more than ninety years since her first book was published and forty years (this year in fact) since Georgette Heyer died, her Regency/Georgian romances are still in print.
A selection of my favourites in a charming garden setting!
I like them so much I even have a couple of them on my kindle and as audiobooks in case I need a fix when I’m away from home. And, while I was taking the photos for this article I discovered I’ve got a couple of duplicates of my own – I think I bought the pretty Pan paperbacks of The Talisman Ring and The Masqueraders when I was living in Essex – in the days when mum had most of the Heyers…