This is a bit of a preview, but the fourth series of Only Murders in the Building starts on Tuesday and I am very excited. Here’s the trailer – but don’t watch it if you’re not up to date with the series or you’ll get some spoilers. Instead, go and read my earlier post about the show!
Anyway, I’ve really enjoyed the first three series and I can’t wait to see how they build out the world in this latest one. As usual, we already know who the victim is, because we saw it happen at the end of series three. Selena Gomes, Steve Martin and Martin short are back as Mabel, Charles and Oliver, and it looks like Meryl Streep is too, given that she was at the premiere the other night (holding hands with Short – which has got all that speculation going again) and although it seems like Jesse Williams is not (another Mabel love interest bites the dust) there are a whole load of A-listers who are due to appear including Molly Shannon, Eva Longoria and Eugene Levy. I would say I can’t wait, but I will wait until the whole series is available because I do like to be able to go straight on to the next episode and not have to wait another week. Also I’ll wait because it’s on Disney + here in the UK and I don’t currently have a subscription to that so I’ll need to finish out some other things on the other services before I swap it in!
Back to the streaming services this Sunday and a documentary that I actually watched basically as soon as it came out – but which has taken a few weeks to actually get posted because of things that were slightly more pressing on a time front. But actually it’s been really interesting to watch the conversations about this series over the last few weeks as well.
America’s Sweethearts is a seven part documentary series about the Dallas Cowboys Cheerleaders. It follows them across the course of one season – with auditions to join the team, the training camp that follows and then the actual football season. It picks out a couple of the women in particular to highlight – Victoria and to a lesser degree Madeleine, veterans whose mothers were also on the squad; Caroline, newly retired and trying to adjust to the post-DCC world and her sister Anna-Kate who is auditioning for the team herself this year; Kelcey, a senior veteran on the team in her final season and Reese, a rookie candidate looking to make the team for the first time. Using those women it explores the impact of being on the team – physically and mentally, the sisterhood of the women who have been a part of it, and the squad’s place in the multi-billion dollar brand that is the Dallas Cowboys.
This is not the first series about the team – there were previously 14 seasons of Dallas Cowboys Cheerleaders: Making the Team produced by the CMT channel. Both series were authorised by the organisation itself, the people running the team are the same – DCC director Kelli Finglass, chief choreographer Judy Trammell – both former DCC themselves – and their boss Charlotte Jones Anderson, daughter of Dallas Cowboys owner Jerry Jones. Even some of the cheerleaders on the squad are the same – the CMT show finished with the 2021 season and some of those women were still cheering last seaons – but the actual shows are very different.
Making the Team was very much a reality tv series in many ways – each season followed a similar structure: you started with the preliminary auditions and semi finals, it moved on to finals weekend where the re-auditioning veterans join the new hopefuls, then you move to training camp where across the next episodes the girls will learn the “signature dance” complete with kickline ending in the infamous jump splits, get make overs, be fitted for their uniforms, have their publicity photos taken and watch the rookie hopefuls get cut one by one to make a team of around 36. Some years you’ll also get to see auditions for the team’s show group – who get to do extra dance performances beyond the football games – or watch the veterans trip to a holiday resort to shoot the squad’s swimsuit calendar. The main focus of the show is on the fresh rookies – some will be completely new, others might be returners who were cut in previous years – and get a few glimpses of the cheerleaders you’ve followed in recent seasons.
And as you’ve probably guessed by comparing my descriptions of the two shows, they are quite different beasts. And not just because Netflix has paid for the music rights so you can finally be told that the “Signature dance” is actually known as Thunderstruck – because that’s the song that it is danced to*. The team behind America’s Sweethearts are using the structure of the season as a way of examining the idea of the squad as a whole.
And the appeal of the series goes way beyond the viewers of the old CMT series (something which the series’s subreddit is yet to come to terms with). What do I mean by that? well Him Indoors hated MTT with a burning passion – my sister and I watched it when he was out of the room – but he said he wanted to take a look at this series and see what it was like – and ended up watching the whole thing. A colleague at work who is a sports and documentary fan but not someone I would have expected to have watched it, had already watched it when I went to recommend it to him and described it as the best documentary series he’s watched this year.
I could write paragraphs more about the show – but this post is already massively long, so I’m going to wrap it up here and hope that this is enough to get you to take a look at the series, no matter what your views on cheerleaders or American sport!
Have a great Sunday everyone.
*and for long-time viewers of MTT who (like me) have never made it to a Cowboys game, this does have a pretty much complete performance of Thunderstruck for you to enjoy and see how it all the various parts fit together. And yes, Kelli does also explain her Yes, No, Maybe scoring system for auditions. You’re welcome.
As if there wasn’t already enough sport on TV at the moment, what with the Euros reaching the start of the last round of group games tonight, the grass court tennis season being well underway and the build up to the Olympics, I’ve got a football documentary for you today.
99 is Amazon Prime’s documentary about the 10 days that saw Manchester United win the treble in the summer of 1999, which I refuse to believe can be 25 years ago, because I remember it, and how did I get this old?! Anyway this takes you through the process that got them to that remarkable treble as well as those key days, with interviews with all the key figures involved as well as loads of archive from the time.
Looking back at this distance, it’s clear that no matter whether you support Man U or not (and I’m definitely in the not camp) this was a remarkable achievement – and they did it with a large number of players that had come through the club’s academy set-up. Clubs have done the same thing since – but they’ve done it after large injections of money from various sources and without the home-grown talent.
If you’ve seen the Beckham documentary series, this (unsurprisingly) has a lot of the same talking heads (and some of the same producers too) but obviously the focus is very different. But if you enjoy one, you’ll probably enjoy the other, from sporting point of view anyway.
After being pleasantly surprised by the range of viewing options on the flights to and from Manila, I was hopeful about my options for the (much shorter) flights to and from Lagos. Sadly we were with a different airline and the options were… much less good. However there was a ray of sunlight – and that was that Abbott Elementary was on there so I was finally able to watch the first series of a show I’ve been hearing about for a while. And now you get to hear about it. Obviously this comes with the proviso that I’ve only seen the first season and it’s now made it to the end of season three (and is renewed for a fourth) but hey, I liked it and I’m writing about it.
This is a mockumentary about the teachers at an under-funded and predominantly black school in Philadelphia. It’s created and written by one of its stars – Quinta Brunson, who plays optimistic second grade teacher Janine Teagues. There are six other main characters in the show – including Eva, a new and unqualified school principal; Gregory, one of the candidates she beat to the job who is now working as a substitute teacher; Barbara, a no nonsense kindergarten teacher with decades of experience – played by the absolute legend that is Sheryl Lee Ralph aka the original Deena in Dreamgirls on Broadway and Lauryn Hill’s mum in Sister Act 2!
The first series has 13 episode and follows the trials and tribulations of one school year. It didn’t take me long to get really invested in all the characters and the school – but it’s really funny – although at times it’s a little bit too cringe for me, but that’s not too unusual with comedies. It’s also very easy to watch episode after episode back to back without getting fed up or finding a formula – I was actually annoyed when I ran out of time to watch more on the flight out, and made a point of finishing the series off on the way home before I went to sleep on the night flight home! The second series has 22 episodes (stupid American TV season lengths) which is a bit more of a commitment, but next time I get an offer for Disney+ I’ll be checking it out. I was going to say checking it out to see if they keep the quality going – but given that the second season won three Golden Globes, including Best Actress for Quinta Brunson, I think it did!
As I mentioned above, if oyu’re not on an airplane, Abbott Elementary is on Disney+ in the UK and on ABC and whereever ABC content gets streamed in the US. If you liked Parks and Recreation and haven’t checked this out yet, you really should.
Back to a streaming show this week – but not a new one. In fact Deadloch came out on Amazon Prime last summer and I don’t quite know how I missed it until recently. But these things happen, and I have rectified that mistake now!
Deadloch is a black comedy crime series, centred on the fictional town of Deadloch on Tasmania. As the series starts, the body of a local man is found in the beach, shaking the idyllic town just as the town’s Winter Festival is due to begin. Local police officer Dulcie wants to lead the investigation, but she’s forced to work with Eddie, a detective from Darwin who is not happy that she’s been sent to Deadloch. Dulcie used to be a detective on the mainland before demoting herself and moving to Deadloch at her wife’s request and it is safe to say that her style and Eddie’s are radically different. They are helped in their work by Abby, who is enthusiastic but lacks confidence, and Sven who usually gets given the least important stuff to do. As the bodies start to mount up, can they work out who is killing the men of Deachloch?
The working title for this was apparently Funny Broadchurch if that helps you figure out what the vibe of this is. And there are plenty of jokes – although perhaps unexpectedly it gets really quite dark (and less funny) towards the end of the series. I don’t watch shows like Broadchurch because they’re too grim for me and the last part of this was in fact too grim for me! But I did really enjoy watching the rest of it, and I know my tolerance level is low for grim so others may be fine with it. I have no idea how you would do a second series of this, but I would definitely watch it.
Happy Sunday everyone, I hope you’re all having a good weekend. This weekend is the latest instalment in my occasional series of stuff about scams. I’ve already talked about documentaries about MLMs, about hydrogen trucks, and the next thing I’m expecting a wave of podcasts and documentaries about is crypto. I’ve already listened to a bunch of podcasts about Sam Bankman Fried and the fall of FTX, but that hasn’t really made it to screen yet, but what has is Bitconned, which tells the story of Centra Tech, a crypto startup who created their own currency but also said they were creating a debit card that you could use to spend your crypto in the real world. Except that it’s all a scam.
And what this documentary had is interviews with the people behind the scam. Yes, as in the actual people who carried out the con did interviews for this doc. It’s absolutely wild. And yes, they’re as obnoxious as they seem in the trailer. Maybe more so, but don’t let that stop you from watching it because it’s a truly bonkers scheme they tried to pull – and demonstrates what experts mean when they say that crypto was a Wild West!
I mean that’s pretty much the message. The new season dropped on Friday and so thats what we settled down to watch on Friday night after work. You all know how much I’ve enjoyed the previous series but they had lots of on track action to work with so I was very interested to see what they did with the 2023 season which, spoiler alert, was not the most exciting on the actual racing front. If you want to watch, it’s on Netflix but if you haven’t watched before go back and start with maybe season two (not all the teams did season one) and go from there.
Happy Sunday everyone, I’m back again with my latest binge watch, this time brought to you thanks to three months free Disney+ from my mobile phone provider!
So in case you’ve missed it, the set up here is that three strangers living in the same New York apartment building discover a shared interest in true crime after another resident of the building is found murdered. And as they investigate the murder together, the launch their own true crime podcast about it called… Only Murders in the Building. Oh and it’s a comedy. Steve Martin is Charles-Hayden Savage, star of a 90s crime drama but currently struggling for work, Martin’s long time friend and sometime collaborator Martin Short plays Oliver Putnam, a washed up theatre director and Selena Gomez is Mabel Mora, an artist living in her aunt’s unit in the Arconia.
At the end of each season, someone new gets murdered – and that case will be the subject of the next season – with Charles, Oliver and Mabel implicated in some sort of way in the crime. And I’m really trying not to say too much about the rest of the plot, because all the season build on each other and I don’t want to spoil anything. The episodes are all sitcom length (aka about 26-28 minutes, an American TV half hour) and it’s incredibly easy to binge. I think we did all of season one and two across about 4 (weekend) nights, and then waited a few weeks for all the season three episodes to be released before we binged that one – again across only a couple of nights. I know it sounds a bit weird to have a comedy series about murders, but it really works – and if you’ve listened to any true crime podcasts there are plenty of jokes here about them too – especially in season two.
Despite my caution above about spoilers, I’ve put the trailers for all three series in here (and I don’t think they’re going to ruin anything), because I think it’s fun to see how the show has developed – and how the guest stars have got bigger and bigger. At the start, aside from the main trio it’s faces you might recognise from TV but who have been bigger stars on stage (or at least they have if you know your Broadway) but by series three we have Meryl Streep and Paul Rudd (and not just as cameos) as well as Matthew Broderick (to complete original The Producers Broadway duo as Nathan Lane was in series one) and Jesse Williams – who did twelve years on Greys Anatomy and did a Tony nominated turn on Broadway in 2022 too, just to complete all the theatre links. And there are a lot of theatre links here. I started looking at how many people in the cast had won or been nominated for Tony Awards and it’s insane. Along with Short, Lane and Broderick who all have at least one, I counted at least 8 other Tony nominees or winners in the cast across the three seasons.
It’s been renewed for season four, but given that we’ve just had an actor and writers strike, who knows whether it will actually appear in autumn 2024 or whether we’ll have to wait a bit longer. It’s getting its US TV debut (on ABC) in the new years, so I guess it may come to UK TV at some point too – although it hasn’t so far. But if you happen to have a Disney+ subscription (or someone gives you one for Christmas) this is a really fun way to spend about 15 hours…
I was somewhat surprised that I had missed the furore about the Twin Flames Universe until a month or so ago when I started seeing articles about two documentaries coming along the track. And as you all know American Religion and Cults are one thing that will get me watching a documentary – or two – so of course I’ve watch the Amazon Prime and Netflix docs *and* I’ve listened to the Wondery Podcast series, and now I’m here to report back to you.
So lets start and in case you also haven’t encountered The Twin Flames Universe, the very basic summary is that it’s a cult run by a husband and wife, based on the idea that everyone has a “twin flame” soulmate and that they can find yours for you, if you just pay them enough money for classes and instruction…
Both the documentaries explain the early lives of Jeff and Shaleia and how they met and started making their own self help videos on YouTube and evolved into relationship coaches and then… well. It’s as lot and some of the allegations are pretty awful. And the two documentaries cover a lot of the same ground in many ways, but I would say that the Netflix doc is much, much bleaker. It gets to the grimmer end of the allegations much quicker than the Amazon one, which for two thirds of the time seems like it’s creepy rather than actively sinister. The Netflix one has more of a true crime feel from the start.
There is some crossover between the two documentaries – with some of the same former Twin Flames Universe members featuring in both, but there are different talking heads and experts. I’m glad I watched both because I think they both offer different things – the Amazon one is easier to see how people get hooked in to the content, the Netflix one goes deeper on the most serious allegations. And what makes these documentaries off from a lot of others is that the TFU operates by video conferencing and over Zoom – and they have recordings of Jeff and Shaleia’s sessions so you can see their coaching and what they’re doing rather than just being told about it over long shots of a house or blurry anonymised people recreating things. And it does make quite a difference.
Neither of them quite hit the bleakness of Keep Sweet – the documentary about Warren Jeffs and his Fundamentalist Mormon Church, but it’s still pretty grim. So maybe wait to watch until you’re in a good resilient frame of mind.
You obviously need a couple of subscriptions to be able to watch these – and for that I apologise, but they are worth a look the next time you have the appropriate subscription active.
It feels like I’m doing a documentary recommendation every other week at the moment (ED: you are) and this one is another football-related one after Beckham the other weekend, but hey the Wagatha Christie scandal transcended football (and wasn’t really about football in the first place) so I’m going with it!
In case you missed the original scandal, back in 2019 Colleen Rooney (the wife of former England captain Wayne) posted to her Instagram that she had been investigating the leak of stories from her private Instagram account to The Sune and had come to the conclusion that the culprit was “………Rebekah Vardy’s account”. Rebakah Vardy, wife of Leicester City striker Jamie, sued Rooney for defamation and the whole thing culminated in a High Court trial in the summer of 2022 and the whole case has spawned a string of podcasts, documentaries, dramas and even a West End show. This latest documentary, from Disney + tells Colleen’s side of the story across three parts.
There are elements here that have parallels to the Beckham’s story – Wayne has also been the subject of tabloid exposes and Colleen has been the focus of tabloid attention since she was still at school. But aside from that, this is quite a different beast. Colleen talks the viewer through her life with Wayne, the stories that started appearing in the Sun, the sting that she set up to try and prove who the source of the stories was and then the aftermath of her post. WHile the court case is estimated to have cost around £3m, it’s not life or death stuff and that makes it really good escapist viewing. I’ve already listened to a podcast about the case (the BBC’s It’s… Wagatha Christie) and the Channel 4 drama – as well as following the court case as it went on and I still found a few bits here that I didn’t already know. But even though I did already know most of it, it’s well packaged and it’s the first time we’ve really heard directly from Colleen and Wayne as well as their lawyers. I’m not saying go out and get a Disney + subscription just for this, but if you already have one, it’s a worth looking this up – or adding it to your list for the next time you do have access to Disney +.
Verity Reads Books (lots of them) 