not a book, theatre

Not a Book: Sister Act – the Musical

I braved the theatre during half term week and lived to tell the tale! I wish I could say I was being strategic with my show pick and picked one where I thought there would be less children, but I would be lying – I went to Sister Act because it’s a short summer run and there’s a cast change coming at the end of this coming week, and the fact that there was a front row ticket in the lottery on the day was an added bonus!

This is the musical version of the 1992 Whoopi Goldberg movie about a lounge singer who sees her casino boss boyfriend have someone murdered and is hidden in a convent for her own safety until she can give evidence at his trial. The first thing to note is that there are a fair few changes between the movie and the musical – the most obvious being that it has an all new set of songs written by Alan Menken, the composer who wrote the music for a string of Disney movies in the early 1990s, like Beauty and the Beast and Aladdin. Do not go expecting to hear any of the Motown hits from the movie – or Hail Holy Queen etc. it’s also set in the late 1970s rather than the early 90s, Doloris’s boyfriend owns a club that he won’t let her sing at – rather than a casino where she does sing at – and it’s set in Philadelphia rather than Reno and Adam Francisco.

I thought the changes really worked – if you can’t have the music from the movie – which I assume would have been near impossible on a licensing front for the Motown front, especially given that there were a few jukebox musicals using some of the artists music at around the same time – then make some changes to make it its own thing. It was obviously going to need more music than the movie had – and more characters were going to need to sing, so it worked really well.

I didn’t see this when it was in the West End originally – I didn’t have the budget for theatre going at the time and I was also working a job where I started at 4 am so late nights were not my friend – but this has got a cracking cast at the moment, so I feel like I might have picked the right time. Beverley Knight is playing Doloris and Ruth Jones is playing Mother Superior – later on this summer Alexandra Burke takes over as Doloris and Lee Mead joins as Detective Eddie Souther. It’s also got Lemar – who I always thought deserved a bigger music career than he got – playing Doloris’ boyfriend.

Basically this is a big, fun, colourful night in the theatre – in fact in a theatre where I spent a lot of time as a teenager, but that’s a story for another day.

Have a great Sunday everyone.

streaming, tv

Not a Book: Abbott Elementary

After being pleasantly surprised by the range of viewing options on the flights to and from Manila, I was hopeful about my options for the (much shorter) flights to and from Lagos. Sadly we were with a different airline and the options were… much less good. However there was a ray of sunlight – and that was that Abbott Elementary was on there so I was finally able to watch the first series of a show I’ve been hearing about for a while. And now you get to hear about it. Obviously this comes with the proviso that I’ve only seen the first season and it’s now made it to the end of season three (and is renewed for a fourth) but hey, I liked it and I’m writing about it.

This is a mockumentary about the teachers at an under-funded and predominantly black school in Philadelphia. It’s created and written by one of its stars – Quinta Brunson, who plays optimistic second grade teacher Janine Teagues. There are six other main characters in the show – including Eva, a new and unqualified school principal; Gregory, one of the candidates she beat to the job who is now working as a substitute teacher; Barbara, a no nonsense kindergarten teacher with decades of experience – played by the absolute legend that is Sheryl Lee Ralph aka the original Deena in Dreamgirls on Broadway and Lauryn Hill’s mum in Sister Act 2!

The first series has 13 episode and follows the trials and tribulations of one school year. It didn’t take me long to get really invested in all the characters and the school – but it’s really funny – although at times it’s a little bit too cringe for me, but that’s not too unusual with comedies. It’s also very easy to watch episode after episode back to back without getting fed up or finding a formula – I was actually annoyed when I ran out of time to watch more on the flight out, and made a point of finishing the series off on the way home before I went to sleep on the night flight home! The second series has 22 episodes (stupid American TV season lengths) which is a bit more of a commitment, but next time I get an offer for Disney+ I’ll be checking it out. I was going to say checking it out to see if they keep the quality going – but given that the second season won three Golden Globes, including Best Actress for Quinta Brunson, I think it did!

As I mentioned above, if oyu’re not on an airplane, Abbott Elementary is on Disney+ in the UK and on ABC and whereever ABC content gets streamed in the US. If you liked Parks and Recreation and haven’t checked this out yet, you really should.

Have a great Sunday everyone.

streaming

Not a Book: Deadloch

Back to a streaming show this week – but not a new one. In fact Deadloch came out on Amazon Prime last summer and I don’t quite know how I missed it until recently. But these things happen, and I have rectified that mistake now!

Deadloch is a black comedy crime series, centred on the fictional town of Deadloch on Tasmania. As the series starts, the body of a local man is found in the beach, shaking the idyllic town just as the town’s Winter Festival is due to begin. Local police officer Dulcie wants to lead the investigation, but she’s forced to work with Eddie, a detective from Darwin who is not happy that she’s been sent to Deadloch. Dulcie used to be a detective on the mainland before demoting herself and moving to Deadloch at her wife’s request and it is safe to say that her style and Eddie’s are radically different. They are helped in their work by Abby, who is enthusiastic but lacks confidence, and Sven who usually gets given the least important stuff to do. As the bodies start to mount up, can they work out who is killing the men of Deachloch?

The working title for this was apparently Funny Broadchurch if that helps you figure out what the vibe of this is. And there are plenty of jokes – although perhaps unexpectedly it gets really quite dark (and less funny) towards the end of the series. I don’t watch shows like Broadchurch because they’re too grim for me and the last part of this was in fact too grim for me! But I did really enjoy watching the rest of it, and I know my tolerance level is low for grim so others may be fine with it. I have no idea how you would do a second series of this, but I would definitely watch it.

Have a great Sunday!

not a book, theatre

Not a Book: Opening Night

A somewhat perplexing theatre trip this week. Opening Night got 1* and 4* reviews when it opened, and it seems like the audiences have paid more attention to the ones than the fours, as its closing early at the end of this coming week, instead of running though til the end of July.

This is a musical adaptation of a John Casavetes film, with music by Rufus Wainwright, starring Sheridan Smith and directed by Ivo Van Hove. Now I love to go and see a flop – I saw the X factor musical twice, and the spice girls musical to name a few – and I do actually really like Rufus Wainwright’s music, so of course I rocked up to see this before it finished to see what I thought.

And the answer, five days on, is that I still don’t know! It’s not so bad it’s funny. It’s not a misunderstood masterpiece. But it is incredibly confused, and (sadly) the music is ultimately pretty forgettable. I’m not even sure what I can say about the performances – everyone is giving it their all, but I’m still not sure what they were meant to be working towards! But I got a good discount on my seat, and I’m glad that I can say I saw it. And sometimes that’s all you’re after!

Have a great Sunday!

film, not a book

Not a Book: On the Basis of Sex

A slightly random film review today, because this is not new, and there was no particular reason why we watched it the other week, except that it was there.

This is a biopic about the early career of Ruth Bader Ginsberg, the US Supreme Court Justice who died in the latter stages of President Trump’s term. If all you know about her is that she was a judge, this will fill you in on how she got to that position, and how tough things were for women who wanted to be lawyers in the mid-twentieth century. In fact there are portions of this that will probably make you really angry – they definitely did me anyway.

It has its flaws – it’s quite old fashioned in style, I don’t think Armie Hammer is great, and it probably should have done more about her later achievements than a couple of credit cards at the end, but as a primer to go and watch a documentary or read a biography, it’s pretty good.

audio, not a book

Not a Book: You Must Remember This

Here we are, another Sunday and I have a podcast recommendation for you this week.

I’ve mentioned Karina Longworth before – her book was a BotW pick back in 2019 and I mentioned this podcast in passing then as well as in my post about Glass Onion. But the podcast has just turned ten and so I thought it deserves a proper post. Over the course of the last ten years Longworth has worked her way through what she calls the “secret and/or forgotten histories of Hollywood’s first century”.

In practice what that means is seasons about the Blacklist, Joan Crawford, the rise and fall of Louis B Mayer and the portrayal of sex in movies in the 80s and 90s and many more. I think I have now listened to every episode except this remastered first episode. It’s one of the podcasts that I used to save for when I was out running, except that I played Him Indoors one of the Erotic 80s episodes on holidays and suddenly it was our holiday podcast. Karina has a very deliberate style of delivery, which is based on radio announcers and voice overs from that Hollywood golden era which can grate a bit for some people – and in the early episodes she’s editing her own voice which is hard and she does too much. So it’s not a podcast I would say to start from the beginning – but pick a series that interests you and go from there. That’s what I did – I actually left the series about Charles Manson til quite late on because I wasn’t sure I’d be able to cope with the murdery aspect of it – and when I did it certainly made me run faster!

If you’re interested in classic Hollywood (which you know I am) it’s a really good listen. You can find You Must Rmemver this wherever you get your podcasts. And if you have any other podcasts in a similar area of interest please do hit me up in the comments.

Happy Sunday everyone!

film, not a book

Not a Book: Priscilla

This Sunday’s post is about Sofia Coppola’s Priscilla, which I watched on the flight out to Manila the other week.

The Priscilla of the title is Priscilla Presley, wife of Elvis and the film is based on her own memoir and she’s an executive producer of the movie as well. So you might expect that the movie is pro-Elvis. Except that it’s more complicated than that. Priscilla met Elvis when her father was stationed in Germany when she was 14 and he was 24. Two years later, she is invited to visit him in LA for a holiday, but he actually takes her to Vegas. A year later, he asks her to live with his dad and she goes – attending a private Catholic girls school to finish her education. And while they do get married eventually it doesn’t really get any better for her.

I would describe this as a portrait of isolation and loneliness – it’s a quite a good watch, but it’s really depressing – because Priscilla was a teenage girl with a crush, who ended up married to her first love and caught up in a world that she doesn’t really belong in on her own terms. It stops before Elvis’s death and I’m interested to know what she did after that. And I can see why Elvis and Priscilla’s daughter, Lisa Marie, was not keen on the film – as Elvis does not come out of it that well really. I’d go as far as saying that he was a bit of a creep. Oh and there is no Elvis music in it either!

This one is so new that you’ll still need to pay for it to watch it on the streaming services – or you can watch out for it on your next long haul flight!

Happy Sunday everyone!

film, not a book

Not a Book: The Oscars

It’s the biggest night in the movie calendar tonight – or at least that’s what the Academy of Motion Picture, Arts and Science would like you to believe. I do love an awards ceremony – but I tend to record them so I can fast forward through the boring bits, even when they’re in the right time zone for me, so I won’t be staying up for all of the Oscars tonight – but it is the first year in a long time that they’ve been on free to air TV in the UK – they’re on ITV!

And, I’m not going to lie, I haven’t seen anything that’s nominated tonight – but there are still a few things I’m rooting for. Firstly I want I’m Just Ken to win the best original song prize, because I’ve really enjoyed Ryan Gosling’s face whenever it’s won all season. I would be all in on rooting for him to win best actor, except that I was an Ally and Larry fan back in the days of season four of Ally McBeal, and it turns out that I’m still not over the fact that Robert Downey Junior’s drug arrest meant he was written out at the end of the season and we never got the happy ending for them that the writers planned. And season five never recovered – because Larry was just so perfect for Ally that no one else could stand up to it. Now maybe if I could rewatch the series I would get over it, because I’m fairly sure it hasn’t aged well, but it’s not on any streaming services so I can’t watch it and find out. All I can do is watch snippets on Youtube. Like this one, the only occasion on which I will voluntarily watch Sting.

I would be rooting for Maestro – because I love Leonard Bernstein, but I’ve got so fed up of Bradley Cooper this awards season, and although I started watched Maestro I gave up after about 10 minutes (does this mean I’m lying when I say I haven’t seen any of the movies? I don’t think it counts because it’s less than 10 percent of the movie). And I know I won’t watch Killers of the Flower Moon (I’m too wimpy for every Scorsese except The Aviator, which I love) but I will be rooting for Lily Gladstone in the Best Actress category.

But beyond that, it may be that a fair amount of fast forwarding is going on – especially if the ceremony is as sad and joyless as some of the recent ones have been. But fingers crossed they get it right this year. I leave you with this video of the best costume nominees – I hope we get something as bonkers as this is:

not a book, streaming

Not a Book: Bitconned

Happy Sunday everyone, I hope you’re all having a good weekend. This weekend is the latest instalment in my occasional series of stuff about scams. I’ve already talked about documentaries about MLMs, about hydrogen trucks, and the next thing I’m expecting a wave of podcasts and documentaries about is crypto. I’ve already listened to a bunch of podcasts about Sam Bankman Fried and the fall of FTX, but that hasn’t really made it to screen yet, but what has is Bitconned, which tells the story of Centra Tech, a crypto startup who created their own currency but also said they were creating a debit card that you could use to spend your crypto in the real world. Except that it’s all a scam.

And what this documentary had is interviews with the people behind the scam. Yes, as in the actual people who carried out the con did interviews for this doc. It’s absolutely wild. And yes, they’re as obnoxious as they seem in the trailer. Maybe more so, but don’t let that stop you from watching it because it’s a truly bonkers scheme they tried to pull – and demonstrates what experts mean when they say that crypto was a Wild West!

Have a great Sunday!

streaming

Not a Book: Drive to Survive is back

I mean that’s pretty much the message. The new season dropped on Friday and so thats what we settled down to watch on Friday night after work. You all know how much I’ve enjoyed the previous series but they had lots of on track action to work with so I was very interested to see what they did with the 2023 season which, spoiler alert, was not the most exciting on the actual racing front. If you want to watch, it’s on Netflix but if you haven’t watched before go back and start with maybe season two (not all the teams did season one) and go from there.