Happy Sunday everyone, and I have been doing some more high culture to report back on today, with one of the first of the big London art exhibitions of the year and one which is very much in my area of interest.
Georges Seurat’s most famous paintings are Sunday Afternoon on the Island of La Grande Jatte and Bathers at Asnieres. I’ve never seen the first which is in Chicago, but the second lives at the National Gallery and I will go and look at it every time I visit. In Washington back in 2018, I went to the National Gallery of Art where they have a selection of his works and wandered around that. So it’s no surprise that I would be very excited to go and see the first dedicated exhibition of his seascapes which is on at the Courtauld at the moment.
The Courtauld says this “major, focused display is the first devoted to Seurat in the UK in almost 30 years” which I can believe – because I don’t remember another one, and I have had my eye open for one since I first saw Sunday in the Park with George in the summer of 2006. This exhibition has 26 paintings, oil sketches and drawings that Seurat made during a series of summers he spent on the northern French coast between 1885 and 1890 before his early death at the age of 31 in 1891.
I find it really hard to write about art but there is something about the light and movement in Seurat’s works that always gets to me – and these seascapes are really something. They are arranged chronologically so that you can see the his technique and style developing of the the years, as well as seeing some of the studies alongside the major works that they were preparatory for. They have a sense of stillness and calm, despite the fact that they are seascapes. I spent some time standing on the far side of the gallery staring at them from a distance when they look almost like photographs and the effect he was aiming for with the pure colour is at it’s most effective. But up close the detail is incredible too.
The Courtauld also has other Seurats, including studies for la Grande Jatte and others in its regular collection along with other works by the impressionists, so if you’re interested in this period in art, this is well worth the entry fee. This was one of those occasions where I bought myself the exhibition poster and am now spending a stupid amount of money on the frame for it. And I’ve added to my postcard collection too, only to discover that I’ve got a mix of landscape and portrait postcards so I still don’t have enough to fill my big postcard display frame! Anway, if you want to go and see this, do your planning now because there are already some dates that are sold out. It’s already been extended so instead of ending in April it now ends in May and they have added late night opening on Fridays to cope with the demand.
I leave you with some Sunday in the Park with George, from the Sondheim Prom to mark his 80th birthday back in 2010. I’m bracing myself for the bunfight that will be ticket sales for next summer’s revival with Jonathan Bailey and Ariana Grande. Pray for me – and my wallet!
Verity Reads Books (lots of them) 