Happy Sunday everyone! Today I’m talking about last week’s theatre trip, but it’s less a review than some thoughts, because this run of the show has now finished – although as it was a re-staging and got excellent reviews, hopefully it’ll be back again in a couple of years.
H M S Pinafore is a comic opera in two acts by Gilbert and Sullivan, and on its debut in 1878 was their first big international success. It tells the story of Captain Corcoran and his daughter Josephine – he wants to marry her off to the First Lord of the Admiralty, she wants to marry a (very) lowly sailor on her father’s ship. Hilarity ensues. And it really does, because this is directed by Cal McCrystal and its original production in 2021 was nominated for the Best Opera Olivier. I’ve popped the trailer in below, because although the footage is from that prior production, it is at least the same actor playing Captain Corcoran and the sets are the same too.
I have not watched a lot of opera, and I went to see this almost entirely because of Cal McCrystal. he directed Spymonkey‘s Cooped, which remains one of of the hardest times I’ve ever laughed, as well as One Man, Two Gu’vnors and the last opera that I saw – my first Gilbert and Sullivan – Iolanthe. And the two G&S productions have some things in common – namely lots of physical comedy, plenty of innuendo and some fun updating to make the references work as topical today (the way they did when it was first put on). This has also got Mel Giedroyc in it, playing two parts and breaking the fourth wall at every available opportunity.
I’m obviously not familiar enough with the original material to tell you exactly how much tinkering has been done, but I liked it and from what I could tell all the people around me did too, and my section seemed to include lots of G&S fans and amateur performers! The orchestra (conducted by Matthew Kofi Waldren) sounded incredible and the singing was beautiful. Add in some clever choreography, really well executed and a flock of enormous crinolines and I had a ball. My standout performer was John Savournin as Captain Corcoran – he’s a Gilbert and Sullivan specialist (I saw him in Iolanthe as well) who is clearly having a ball as he delivers the material absolutely beautifully. I would happily have gone back to see it again, and will be watching out for the next Gilbert and Sullivan production – having seen two done by McCrystal, I feel like I should see one that he’s not involved in for contrast if nothing else!
I leave you with a dash of Spymonkey, because this clip never fails to make me laugh. If it wasn’t the Winter Olympics, I’d be getting my Cooped DVD out to watch it again about now, but there’s figure skating tonight (Pairs short programme!) and I’ve got a lot of jobs to do first…
Happy Sunday!
Verity Reads Books (lots of them) 
It’s great that a producer is making G and S relevant to a more modern audience. I think it gets an unfairly low reputation at times. I’ve been in loads of amateur and semi professional productions and loved them all.
I need to pay more attention to what ENO are doing as I missed this completely
I think it snuck under the radar a bit because of Christmas and Kinky Boots – I saw loads of ads for the ENB stuff at the Coliseum at Christms and I’m still getting loads for Kinky Boots (which doesn’t even start until next month) and so I think it got a bit crowded out. But it was really good – thoroughly recommend. John Savournin seems to be directing a few G&S this year, so I may try and get along to one of them too.
I used to see him a lot when he was an amateur. I definitely need to watch out more to find out what’s going on